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SUZIWEBSTER.ORG

suzi webster

Raw Data - Artistic Transformations. Goethe Satellite Vancouver, November 2012. The Future that Never Was. Modemuseum Hasseldt, BE; February to July 2011. Fabric as Interactive Interface. By Suzi Webster at ECUs Wearable and Interactive Products Lab, starting September 2010. By Madeline Shwartzman, to be published by Black Dog, London. Zoe Kleinman of the BBC on wearables. Curated by Malcolm Levy for the Vancouver Winter Olympics. By Sabine Seymour, published by Springer.

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suzi webster | suziwebster.org Reviews
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Raw Data - Artistic Transformations. Goethe Satellite Vancouver, November 2012. The Future that Never Was. Modemuseum Hasseldt, BE; February to July 2011. Fabric as Interactive Interface. By Suzi Webster at ECUs Wearable and Interactive Products Lab, starting September 2010. By Madeline Shwartzman, to be published by Black Dog, London. Zoe Kleinman of the BBC on wearables. Curated by Malcolm Levy for the Vancouver Winter Olympics. By Sabine Seymour, published by Springer.
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KEYWORDS
1 wearables
2 electric heart
3 electric skin
4 electric dreams
5 felt
6 barking mad
7 installations
8 oneiric lab
9 points of view
10 data portraits
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wearables,electric heart,electric skin,electric dreams,felt,barking mad,installations,oneiric lab,points of view,data portraits,searching series,id series,texts,networked thoughts,news,altenatur,canadian art,seeing yourself sensing,fashionable technology
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suzi webster | suziwebster.org Reviews

https://suziwebster.org

Raw Data - Artistic Transformations. Goethe Satellite Vancouver, November 2012. The Future that Never Was. Modemuseum Hasseldt, BE; February to July 2011. Fabric as Interactive Interface. By Suzi Webster at ECUs Wearable and Interactive Products Lab, starting September 2010. By Madeline Shwartzman, to be published by Black Dog, London. Zoe Kleinman of the BBC on wearables. Curated by Malcolm Levy for the Vancouver Winter Olympics. By Sabine Seymour, published by Springer.

INTERNAL PAGES

suziwebster.org suziwebster.org
1

about

http://www.suziwebster.org/about.html

Always, Sometimes, Never. Sensor networks and responsive spaces. Time as an object. Raw Data: Artistic Transformation. Curated by Koening, Schild and Hufshmid, Vancouver/Berlin. A commission by the Goethe-Institut in cooperation with TRIUMF: Canada’s National Laboriatory for Particle and Nuclear Physics. The Future that Never Was and AlteNature. Curated by Kenneth Ramaekers, ModeMuseum, Hasseldt, Belgium, EU. Curated by Malcolm Levy, Vancouver, CA. Project Walkway and Fashionable Technology,. Organised b...

2

electric skin

http://www.suziwebster.org/electricskin.html

Always, Sometimes, Never. Elumin8 printed LEDs, silk, sensors, breath, electricity. This wearable, responsive garment turns the intimate breath of the wearer into pulses of light. The inhalation and exhalation of the wearer activates a breath sensor that dims and brightens the printed LED of the garment. The wearer is engaged in an altered state of perception, bathed in the electric aqua light. Thanks to elumin8 for their support. Electric Skin is a hybrid object/performance that questions divisions betw...

3

oneiric lab: a public urban dream unit

http://www.suziwebster.org/oneiriclab.html

Always, Sometimes, Never. Oneiric Lab: a public urban dream unit to investigate the architecture of daydreams. Portable geodesic dome, copper-woven hammock, daydreamer, lab assistant.

4

ID Series

http://www.suziwebster.org/idseries.html

Always, Sometimes, Never. I am disturbed by the ways in which our contemporary information society reduces being to a series of numbers, passwords and statistics.

5

electric dreams

http://www.suziwebster.org/electricdreams.html

Always, Sometimes, Never. Eeg sensors, fibre optics, hand moulded felt, dreams. To Illuminate can mean to make something brighter and lighter, or it can mean to make something clearer or more understandable. Electric Dreams explores both of these meanings of illumination and makes the relationship between light and thought tangible and visible. The design of the garment and headdress is based on the universal archetype of the tree of life.

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softtchewear.org softtchewear.org

Referências à Web em Seymour (2008) | Soft-tchê-wear

https://softtchewear.org/referencias-a-web-em-seymour-2008

Uma investigação sobre o uso de tecidos e peças inteligentes. Pular para o conteúdo. Rede de Referências Bibliográficas. Referências à Web em Buechley (2007). Referências à Web em Seymour (2008). Referências à Web em Seymour (2008). Hussein Chalayan www.husseinchalayan.com. Http:/ www.exercicesdestyle.com. Redireção para yinggao.ca 2012-11-12). Cavaaller.blogspot.com (redireção para yinggao.ca 2012-11-12) ( yinggao.ca. Angel Chang www.angelchang.com. CuteCircuit www.cutecircuit.com. Kai Eichen, Martin Mi...

electrodiva.wordpress.com electrodiva.wordpress.com

electrodiva id’s | Interactive + Social Media Arts, Emily Carr University of Art + Design

https://electrodiva.wordpress.com/electrodiva-ids

Interactive Social Media Arts, Emily Carr University of Art Design. Interrogating the digital landscape. The most recent projects, produced under the area of practice called Animal Lover. Examines animals and their methods of communication as creative beings uniquely distinct from humans. As a new media installation. Http:/ www.carolgiglotti.net. Her edited book, Leonardo’s Choice: genetic technologies and animals. Which grew out of the January 2006 special issue of the Springer Verlag journal. Bristol, ...

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suzi webster

Raw Data - Artistic Transformations. Goethe Satellite Vancouver, November 2012. The Future that Never Was. Modemuseum Hasseldt, BE; February to July 2011. Fabric as Interactive Interface. By Suzi Webster at ECUs Wearable and Interactive Products Lab, starting September 2010. By Madeline Shwartzman, to be published by Black Dog, London. Zoe Kleinman of the BBC on wearables. Curated by Malcolm Levy for the Vancouver Winter Olympics. By Sabine Seymour, published by Springer.

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