benjaminlima.wordpress.com
Michael Bise at Fort Worth Contemporary Arts – Benjamin Lima
https://benjaminlima.wordpress.com/2012/02/10/michael-bise-at-fort-worth-contemporary-arts
Art History, Visual Studies and Related Topics. Michael Bise at Fort Worth Contemporary Arts. February 10, 2012. My review of Michael Bise at Fort Worth Contemporary Arts. 8230;might be good. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Google account. ( Log Out.
benjaminlima.wordpress.com
Dallas Biennale – Benjamin Lima
https://benjaminlima.wordpress.com/2012/05/08/dallas-biennale
Art History, Visual Studies and Related Topics. May 8, 2012. My review of the 2012 one-time Dallas Biennale. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. My UTA Department Page.
benjaminlima.wordpress.com
My gallery talk on “Variations on a Theme” at the Dallas Museum of Art – Benjamin Lima
https://benjaminlima.wordpress.com/2012/09/26/my-gallery-talk-on-variations-on-a-theme-at-the-dallas-museum-of-art
Art History, Visual Studies and Related Topics. My gallery talk on “Variations on a Theme” at the Dallas Museum of Art. September 26, 2012. Today will give a gallery talk at the Dallas Museum of Art, discussing work by the Gutai group, Michelangelo Pistoletto’s. Cubic Meter of Infinity. James Welling’s Railroad Pictures and others in the museum’s current exhibition “Variations on a Theme.”. More information is on the exhibition’s web page. And the schedule of gallery talks. Leave a Reply Cancel reply.
beletrism.wordpress.com
bookish | beletrism
https://beletrism.wordpress.com/2011/04/24/bookish
Musings, at times critical and mildly entertaining. If the compulsive shopper used to be a staple ingredient for the 19. Century novelist to bring female hysteria and modernization-gone-awry together in one feeble female body; the book is now a friendly insert in the shopping environment. Catalogue stands amidst purses spring 2011 season. Why not simply a single book standing there as tasteful ornament? Than clever make-belief and takes context very seriously. [1]. A visit to Amazon’s bookshelves helped ...
beletrism.wordpress.com
you’re not welcome anymore | beletrism
https://beletrism.wordpress.com/2011/03/17/youre-not-welcome-anymore
Musings, at times critical and mildly entertaining. You’re not welcome anymore. An eager waiter. A friendly tourist family. They order the chicken kung pao, ginger-glazed pork belly, frisee with mango and lardons salad and two orders of cumin-crusted homefries. He goes: “How do you say. They don’t know. Someone else (another eager being in the tiny establishment) tries to help and says: “siete benvenuti.”. Which is a perfect translation. They thank the translator anyhow and proceed to sip their pellegrini.
svenlutticken.org
The Radiant « Sven Lütticken: Texts and Projects
https://svenlutticken.org/2015/07/01/the-radiant
Edited Volumes and Periodicals. Sven Lütticken: Texts and Projects. Raquo; The Radiant. Cultural Revolution in Progress. New Left Review: The Coming Exception. Metropolis M: The Long 1980s. Texte zur Kunst no. 102: Returns of the Stone Age. VAMA: VU University Research Master. 2012), accompanied by a short introduction written by me. Nordic Journal of Aesthetics,. Edited by Mikkel Bolt Rasmussen. I assumed it would see the light of day around now, but recently Mikkel informed me that, due to the.
we-space.net
We-Space » Agamben
http://we-space.net/tag/agamben
Assembling – Distraction – Unt(h)ereness – Interruption – Agon – Atonality. Posts Tagged ‘Agamben’. Paradox of the “Agon”. Tuesday, March 2nd, 2010. If the Agon, was a instituted site of contestation, struggle and/or conflict, be it either theatre or politics for the Ancients, how does such a mode of instituted visibility play out within a Rancierian framework of what constitutes politics proper? Tuesday, March 2nd, 2010. Beginnings and (hopefully) Becomings…. Wednesday, February 17th, 2010. As a space t...
we-space.net
We-Space » Ranciere
http://we-space.net/category/ranciere
Assembling – Distraction – Unt(h)ereness – Interruption – Agon – Atonality. Archive for the ‘Ranciere’ Category. Who is the Avant-Garde Spectator? Tuesday, March 9th, 2010. In his book ‘Secret Publicity’ Sven Lütticken. Does the inability of the avant-gardist project to effect real, social change outside the discipline of art and intellectual circles, (to a large extent), point to an inherently flawed depiction (or under-evaluation) of the spectator herself? The general viewpoint or standpoint is occupie...
we-space.net
We-Space » Derrida
http://we-space.net/category/derrida
Assembling – Distraction – Unt(h)ereness – Interruption – Agon – Atonality. Archive for the ‘Derrida’ Category. Tuesday, March 2nd, 2010. How can we engage the existence of potentiality in it’s Janus faced embodiment, the double faced Roman deity of both beginnings and endings? Why, What and How. We-Space was initiated by Patricia Reed ( Aesthetic Management. With the (imaginary) spectatorship implied by the blog form, it also forces me to get to the business of typing. Plain and simple. An und für sich.
we-space.net
We-Space » Lütticken
http://we-space.net/tag/lutticken
Assembling – Distraction – Unt(h)ereness – Interruption – Agon – Atonality. Posts Tagged ‘Lütticken’. Who is the Avant-Garde Spectator? Tuesday, March 9th, 2010. In his book ‘Secret Publicity’ Sven Lütticken. Does the inability of the avant-gardist project to effect real, social change outside the discipline of art and intellectual circles, (to a large extent), point to an inherently flawed depiction (or under-evaluation) of the spectator herself? The general viewpoint or standpoint is occupied, rather, ...
