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Until Something Moves | Synetic Theater: Behind, in front of, inside, over, under and through the scenes…

Synetic Theater: Behind, in front of, inside, over, under and through the scenes...

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Until Something Moves | Synetic Theater: Behind, in front of, inside, over, under and through the scenes… | synetictheater.wordpress.com Reviews
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Until Something Moves | Synetic Theater: Behind, in front of, inside, over, under and through the scenes… | synetictheater.wordpress.com Reviews

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Synetic Theater: Behind, in front of, inside, over, under and through the scenes...

INTERNAL PAGES

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1

Othello: Digging Deep | Until Something Moves

https://synetictheater.wordpress.com/2010/05/18/othello-digging-deep

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. By Ben Cunis, Assistant Director/Fight Choreographer. The process of creating. Is well underway, and throughout the process I’ve been continually reminded of the deeply psychological nature of our work. Is vastly different from working on. 8212; while both plays involved a great effort to bring the interior lives of the characters to life onstage physically,. To run that lovers dialogue a thousand times before they discove...

2

October | 2010 | Until Something Moves

https://synetictheater.wordpress.com/2010/10

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. Archive for October, 2010. Building Camelot Part 1: Starting Adaptation. Bull; October 20, 2010 • Leave a Comment. Nothing changes until something moves." - Albert Einstein. Building Camelot Part 1: Starting Adaptation. Process Interviews: Salma Shaw as Desdemona. Company Profiles: Roger Payano. Company Profiles: Greg Anderson. Company Profiles: Mary Werntz. Company Profiles: Ben Cunis. A Return from Hiatus.

3

Company Profiles: Greg Anderson | Until Something Moves

https://synetictheater.wordpress.com/2010/05/26/company-profiles-greg-anderson

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. Company Profiles: Greg Anderson. This is the tenth in a series of posts profiling our performers get to know the Synetic family of actors. Today’s profile covers someone new to Synetic: Greg Anderson. As a deaf performer, Greg was accepted into Synetic’s Company Training in the summer of 2009. 1 Where are you from? What is your training? 2 What was it like to start working with Synetic? This experience is very different be...

4

Company Profiles: Natalie Berk | Until Something Moves

https://synetictheater.wordpress.com/2009/12/04/company-profiles-natalie-berk

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. Company Profiles: Natalie Berk. This is the seventh in a series of posts profiling our company members get to know the Synetic family of actors. I sent a few questions out to some company members, and their responses, as well as some info on the actor, can be found in this series. Enjoy! A Midsummer Night’s Dream. And most recently in Dracula. 1 Where are you from? What is your training? I have been training with Synetic s...

5

Building Camelot Part 1: Starting Adaptation | Until Something Moves

https://synetictheater.wordpress.com/2010/10/20/building-camelot-part-1-starting-adaptation

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. Building Camelot Part 1: Starting Adaptation. King Arthur, while one of the most rewarding projects I’ve had the privilege to work on, has also been one of the most difficult, and thereby the most adventurous. The entire creation process was fraught with challenges — in choreography, in adaptation, in casting, in design — and this was all before we hit the water stage. The Boy’s King Arthur. Once and Future King. Or do we ...

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Until Something Moves | Synetic Theater: Behind, in front of, inside, over, under and through the scenes…

Synetic Theater: Behind, in front of, inside, over, under and through the scenes…. Building Camelot Part 1: Starting Adaptation. Bull;October 20, 2010 • Leave a Comment. Lancelot rescues Guenevere (Vato Tsikurishvili and Brynn Tucker). So when confronted with something like the entirety of the Arthurian story, one has to ask…what story? If the job is to transcribe the essential elements of the original work, what in the world is the “original work”? The Boy’s King Arthur. Once and Future King. And simply...

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