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HolophonyHolophony approach by 3D wave field synthesis
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Holophony approach by 3D wave field synthesis
http://www.syntheticwave.de/
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Holophony | syntheticwave.de Reviews
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Holophony approach by 3D wave field synthesis
syntheticwave.de
Holophony
http://www.syntheticwave.de/index.htm
Holophony - the path to true spatial audio reproduction. The spatiality of recording. Two rooms in one record. 2 The spatial sonic field. The mirror source model. 3 Wave Field Synthesis. Near field and the acoustic curtain. Subtraction of playback room acoustics. Combinated Model/ Data approach. The Initial Time Delay Gap.
WFS Holophony
http://www.syntheticwave.de/WFS-Holophony.htm
This Topic is under construction. 1] Berkhout, A.J. (1988): A holographic approach to acoustic control'. Journal of the Audio Engineering Society, Vol.36, No.12, December 1988, pp.977-995. 2] Jens Blauert: Räumliches Hören . S. Hirzel Verlag, Stuttgart 1974. 3] Andreas Franck, Karlheinz Brandenburg : Efficient Delay Interpolation for Wave Field Synthesis, AES Convention 125 ( San Francisco , October 2008), Paper 7613. The theory of wave field synthesis revisited. The spatiality of recording. Data, each s...
acoustic curtain- animation
http://www.syntheticwave.de/acoustic%20curtain.htm
Become possible the realization today. The spatiality of recording. Two rooms in one record. 2 The spatial sonic field. The mirror source model. 3 Wave Field Synthesis. Near field and the acoustic curtain. Subtraction of playback room acoustics. Combinated Model/ Data approach. The Initial Time Delay Gap. Principle of wave field synthesis.
conventional stereo
http://www.syntheticwave.de/Two_Ears-Two_Loudspeakers.htm
1 Two ears - two loudspeakers? 11 The spatiality of recording. 12 Perception of phantom acoustic source. The reason for that loss in spatial impression is crosstalk between the ears. The signal of the left speaker does not arrive at the left ear alone. With a detour around the head, the wave fronts also reach the right side as well as the converse. That boosts Interaural Cross Correlation. 13 Two rooms in one recording. Of the Wave Field Synthesis. Next Chapter Sound and Room. The spatiality of recording.
Wave Field Synthesis
http://www.syntheticwave.de/Wavefieldsynthesis.htm
3 Wave Field Synthesis. Wave Field Synthesis, also known as WFS, label a spatial audio reproduction procedure. The principle no longer remains dependent on psycho-acoustic phantom sound source perception, like all conventional audio procedures. The soundfield is reconstructed physically. For this purpose, the synthesis emulates nature like wave fronts according to Huygens' principle. 321 Virtual acoustic sources. Cannot produce true spatial audio for this reason. One possibility for establishing such...
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Wave field synthesis - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Wave_field_synthesis
From Wikipedia, the free encyclopedia. This article includes a list of references. But its sources remain unclear. Because it has insufficient inline citations. Please help to improve. This article by introducing. Learn how and when to remove this template message. WFS) is a spatial audio. Rendering technique, characterized by creation of virtual acoustic environments. It produces "artificial" wave fronts. Synthesized by a large number of individually driven speakers. Sensitivity to room acoustics. Its m...
Wave field synthesis - Wikipedia, the free encyclopedia
https://en.wikipedia.org/wiki/Holophony
From Wikipedia, the free encyclopedia. This article includes a list of references. But its sources remain unclear. Because it has insufficient inline citations. Please help to improve. This article by introducing. Learn how and when to remove this template message. WFS) is a spatial audio. Rendering technique, characterized by creation of virtual acoustic environments. It produces "artificial" wave fronts. Synthesized by a large number of individually driven speakers. Sensitivity to room acoustics. Its m...
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Holophony
Holophony - the path to true spatial audio reproduction. The spatiality of recording. Two rooms in one record. 2 The spatial sonic field. The mirror source model. 3 Wave Field Synthesis. Near field and the acoustic curtain. Subtraction of playback room acoustics. Combinated Model/ Data approach. The Initial Time Delay Gap.
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