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SYNTHPOSIUM – Meaning Through Sonics

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SYNTHPOSIUM – Meaning Through Sonics | synthposium.net Reviews

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MESS performance at Substation in Melbourne Festival – SYNTHPOSIUM

https://synthposium.net/2016/10/20/mess-performance-at-substation-in-melbourne-festival

MESS performance at Substation in Melbourne Festival. October 20, 2016. October 24, 2016. Last week the Synthposium team headed over to the Substation in Newport for fantastic performances by Robin Fox and Byron Scullin using the. Synth collection and Scottish performer Robbie Thomson using the Tesla coil. The event was included in the Melbourne International Arts Festival –. Details on the event here. So get yourself a membership! November 11, 2016 at 5:43 am. Let me know what you think. October 20, 2016.

2

Workshops – SYNTHPOSIUM

https://synthposium.net/workshops

For tickets BOOK HERE. SAE Institute presents its 2nd annual Synthposium on Monday the 14th of November, from 9.30am until 9pm, at its Melbourne campus, 235 Normanby Rd, South Melbourne. Following last year’s successful evening event the Synthposium has been expanded for 2016 into an all-day academic conference and evening session of workshops, vintage gear demos and jamming. 430pm: Paul Borg and Nino Auricchio: Modular Synthesizers and Performance Practice. 630pm: Joshua Young: Synthesis Through Motion.

3

Blog – SYNTHPOSIUM

https://synthposium.net/posts

November 30, 2016. A bunch of radio interviews took place when Synthposium presenters were in town mid-November. Listen back to them discussing their areas of synth research: Tim Dalton and Paul Borg on Radio National http:/ www.rrr.org.au/program/banana-lounge-broadcasting? James Gardner on PBS-FM http:/ pbsfm.org.au/taxonomy/term/658/2016-11-13. Michail Exarchos on 3RRR-FM http:/ www.rrr.org.au/program/banana-lounge-broadcasting? MESS performance at Substation in Melbourne Festival. October 20, 2016.

4

Conference – SYNTHPOSIUM

https://synthposium.net/conference

For tickets BOOK HERE. The academic conference component of. Will run from 9.30am to 4.30pm on Monday 14th of November. Synthesizer academics will be convening from Australia, New Zealand, the UK, US and Italy to examine the question of how synthesizers convey ‘meaning through sonics’. Schedule may change so check in regularly for updates. The conference portion of Synthposium takes place in the SAE Institute Lecture Theatre upstairs at Melbourne campus. Keynote Address by Robin Fox:. Gassing for a Synth...

5

Conference Themes – SYNTHPOSIUM

https://synthposium.net/2016/07/04/first-blog-post

July 4, 2016. October 19, 2016. Synthesisers: Meaning Through Sonics. At Synthposium we wish to explore how sonic meaning(s) is conveyed through synthesizers. We welcome paper and poster presentations that address the following:. How has the synthesizer’s cultural role changed in different musical contexts over time? Where does the synthesizer sit amongst modern instrument choice options? Is the synthesizer now another instrument in a broad palette or does it retain a unique qualitative character?

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Projects | dionugroho

https://dionugroho.wordpress.com/portfolio

In late 2014, I had the chance to record and mix a song for Jakarta, Indonesia based independent artist Shuttle Grace. The artist required a song submission to well known music competition, Guinness… Continue reading →. In early 2015 I had the opportunity to record with well known electro-pop concept artist, Neurotic. Their wanting to make a studio session live video accompanied with sufficient audio recording lead them to… Continue reading →. Exploring Creative Process: King Gizzard and Shake It Off.

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AUS220 #13: Post Mortem | dionugroho

https://dionugroho.wordpress.com/2016/12/15/aus220-13-post-mortem

AUS220 #13: Post Mortem. December 15, 2016. Over the course of the trimester we were tasked with four different projects based on the baseline assessments. Below are my personal reflections towards each of project. The Live Sound gig involved setting up a gig from a student sourced artist/band and opening act. In my group’s case it was headlining artist. Thankfully, we were able to smoothly setup a live sound system within the planned time frame and run live show with minimal issues. Throughout this proj...

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November | 2016 | dionugroho

https://dionugroho.wordpress.com/2016/11

November 20, 2016. AUS220 #8: Tropic Thunder Part III. If blog post title aesthetics had no say in the matter, I would have found it very appropriate to call this post Tropic Thunder Part III: Film Sound Synchronization and Its Effects on… Continue reading →. November 20, 2016. AUD220 #7: Tropic Thunder Part II. November 3, 2016. AUS220 #6: Beginning film sound for Tropic Thunder. Exploring Creative Process: King Gizzard and Shake It Off. AUS220 #13: Post Mortem. AUS220 #12: Neve Project – Final Mix.

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September | 2016 | dionugroho

https://dionugroho.wordpress.com/2016/09

September 26, 2016. AUS220: Audio For Image. The first tutorial week of AUS 220 looked into both the fundamentals and several specifics techniques used in film audio — Is what I am assuming due to the fact that I was unable to… Continue reading →. Exploring Creative Process: King Gizzard and Shake It Off. AUS220 #13: Post Mortem. Freelance: Location Sound and Post-Production for Kung-Blue. AUS220 #12: Neve Project – Final Mix. AUS220 #11: Neve Project Part II. AUS220 #13: Post Mor….

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AUS220 #11: Neve Project Part II | dionugroho

https://dionugroho.wordpress.com/2016/12/08/aus220-11-neve-project-part-ii

AUS220 #11: Neve Project Part II. December 8, 2016. Over the past several weeks we had been working on a demo titled. Straight Out The Door. Overall, the total of 12 hours that it took to record our entire song was filled with a healthy amount of stress and learning opportunity. After listening back to a rough balance, we were overall pleased with the quality of our recording. With this out of the way, all that was left to do was to mix the song and accept the results of our production. Freelance: Locati...

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AUS220 #12: Neve Project – Final Mix | dionugroho

https://dionugroho.wordpress.com/2016/12/09/aus220-12-neve-project-final-mix

AUS220 #12: Neve Project – Final Mix. December 9, 2016. The challenges presented mostly came from mixing the drums, which we decided very early on to keep as a supporting element as opposed to a driving element. Although the processing done was not necessarily incorrect, treating the entire kit as one instrument as opposed to individual elements would have improved how the drums sit in the mix. AUS220 #11: Neve Project Part II. Freelance: Location Sound and Post-Production for Kung-Blue. Notify me of new...

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AUS220 #9: Tropic Thunder Part IV | dionugroho

https://dionugroho.wordpress.com/2016/12/04/aus220-9-tropic-thunder-part-iv

AUS220 #9: Tropic Thunder Part IV. December 4, 2016. Over the course of several weeks we had been working on a full recreation of sound for the opening war scene in the film. AUS220 #8: Tropic Thunder Part III. AUS220 #10: Beginning the Neve Project. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. Notify me of new comments via email. Exploring Creative P...

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dionugroho | Page 4

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March 14, 2016. Job Interviews And The Audio Industry. Job interviews are often seen as the standard gateway to employment into most fields of work, whether it be a multinational conglomerate, or the closest McDonald’s that will give you a job. Regardless… Continue reading →. March 4, 2016. March 1, 2016. Money In Creative Media. Exploring Creative Process: King Gizzard and Shake It Off. AUS220 #13: Post Mortem. Freelance: Location Sound and Post-Production for Kung-Blue. AUS220 #11: Neve Project Part II.

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AUS220 #10: Beginning the Neve Project | dionugroho

https://dionugroho.wordpress.com/2016/12/04/aus220-10-beginning-the-neve-project

AUS220 #10: Beginning the Neve Project. December 4, 2016. After listening to the demos provided, we decided on the second song titled. Straight Out The Door. As we felt that it would give our group more creative freedom to build around. Deciding on a contemporary indie folk vibe to base our arrangement off of, we swiftly began planning a course of action for the coming weeks in order to complete the project within the 24 class hours provided. AUS220 #9: Tropic Thunder Part IV. December 5, 2016 at 3:50 am.

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December | 2016 | dionugroho

https://dionugroho.wordpress.com/2016/12

December 15, 2016. AUS220 #13: Post Mortem. Over the course of the trimester we were tasked with four different projects based on the baseline assessments. Below are my personal reflections towards each of project. Live Sound The Live Sound gig… Continue reading →. December 15, 2016. Freelance: Location Sound and Post-Production for Kung-Blue. December 9, 2016. AUS220 #12: Neve Project – Final Mix. December 8, 2016. AUS220 #11: Neve Project Part II. December 4, 2016. AUS220 #10: Beginning the Neve Project.

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SYNTHPOSIUM – Meaning Through Sonics

Synthposium at SAE Institute. For tickets BOOK HERE. SAE Institute presents its 2. On Monday the 14. From 9.30am until 9pm, at its Melbourne campus, 235 Normanby Rd, South Melbourne. Following last year’s successful evening event the. Has been expanded for 2016 into an all-day academic conference and evening session of workshops, vintage gear demos and jamming. The daytime component of the 2016. To give keynote addresses. From 4.30pm the. 40 full day access inc. paper and poster presentation. MESS perfor...

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