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T4 Experimentation Collaboration

Monday, March 1, 2010. T4 Experimental Typography The End. How can line coutour be integrated into this study? What are the effects that are successful and unsuccessful when chracter designs are applied to sets of words or phrases? How does the shape defining the letter affect the look and feel or personality of the piece; rigid, angular, geometric versus organic, loose curves? A strong horizontal flow is developed, can a vertical flow be established simultaneously? A look at my final crit presented work:.

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T4 Experimentation Collaboration | t4experiment.blogspot.com Reviews

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Monday, March 1, 2010. T4 Experimental Typography The End. How can line coutour be integrated into this study? What are the effects that are successful and unsuccessful when chracter designs are applied to sets of words or phrases? How does the shape defining the letter affect the look and feel or personality of the piece; rigid, angular, geometric versus organic, loose curves? A strong horizontal flow is developed, can a vertical flow be established simultaneously? A look at my final crit presented work:.

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T4 Experimentation Collaboration | t4experiment.blogspot.com Reviews

https://t4experiment.blogspot.com

Monday, March 1, 2010. T4 Experimental Typography The End. How can line coutour be integrated into this study? What are the effects that are successful and unsuccessful when chracter designs are applied to sets of words or phrases? How does the shape defining the letter affect the look and feel or personality of the piece; rigid, angular, geometric versus organic, loose curves? A strong horizontal flow is developed, can a vertical flow be established simultaneously? A look at my final crit presented work:.

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t4experiment.blogspot.com

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T4 Experimentation Collaboration: March 2010

http://t4experiment.blogspot.com/2010_03_01_archive.html

Monday, March 1, 2010. T4 Experimental Typography The End. How can line coutour be integrated into this study? What are the effects that are successful and unsuccessful when chracter designs are applied to sets of words or phrases? How does the shape defining the letter affect the look and feel or personality of the piece; rigid, angular, geometric versus organic, loose curves? A strong horizontal flow is developed, can a vertical flow be established simultaneously? A look at my final crit presented work:.

2

T4 Experimentation Collaboration: Shade Part 1

http://t4experiment.blogspot.com/2010/02/shade-part-1.html

Monday, February 22, 2010. This round I took a word 'shade', reversed it out on black and visualized the negative space. Then over three slides I gradually took away more and more of the negative space until I couldn't read the word anymore. At that point I went back to the previous one and used that as my final. Looks kinda interesting, especially white on black, there is a nice fusion of type and image to give more definition to the word. An alphabet built around News Gothic. A word, extruded.

3

T4 Experimentation Collaboration: Negative Space Typography Pattern?

http://t4experiment.blogspot.com/2010/02/negative-space-typography-pattern.html

Monday, February 22, 2010. Negative Space Typography Pattern? Hmmthis could be really interesting, this just occurred to me in consideration with the questions I was asking on my post from last night. How can flow be creating both vertically and horizontally, and how does interaction occur line to line versus letter to letter? Some examples working with the positive form:. A better idea of the horizontal/vertical emphasis. Labels: TYPE 4 LUKE. February 25, 2010 at 9:26 PM. Try this one for half size.

4

T4 Experimentation Collaboration: February 2010

http://t4experiment.blogspot.com/2010_02_01_archive.html

Thursday, February 25, 2010. Experimentation with Read Pattern. So, I have made yet another great discovery within my experiments! Working with repetition and reflections (above). Guess both letter for each and you get a gold star! Labels: TYPE 4 LUKE. Monday, February 22, 2010. Looks kinda interesting, especially white on black, there is a nice fusion of type and image to give more definition to the word. Turning that negative space into abstract shapes using multiples of a cube. A word, extruded. Try t...

5

T4 Experimentation Collaboration: Try this one for half size

http://t4experiment.blogspot.com/2010/02/try-this-one-for-half-size.html

Sunday, February 21, 2010. Try this one for half size. Someone suggested using the negative space. So I cut that in half too. Cutting square sections off of type and using the negative space seems to work better with sans serif fonts, particularly the more angular style. Posted by Tom Morse-Brown. Labels: TYPE 4 TOM. Subscribe to: Post Comments (Atom). Experimentation with Read Pattern. Negative Space Typography Pattern? Try this one for half size. Type Design: a process of learning.

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T4 Experimentation Collaboration

Monday, March 1, 2010. T4 Experimental Typography The End. How can line coutour be integrated into this study? What are the effects that are successful and unsuccessful when chracter designs are applied to sets of words or phrases? How does the shape defining the letter affect the look and feel or personality of the piece; rigid, angular, geometric versus organic, loose curves? A strong horizontal flow is developed, can a vertical flow be established simultaneously? A look at my final crit presented work:.

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