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Tatiana Garmendia | Fine Artist

Men Are From Mars. Border Crossing (Exposed Torso 2). Proudly powered by WordPress.

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Tatiana Garmendia | Fine Artist | tatianagarmendia.com Reviews
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Men Are From Mars. Border Crossing (Exposed Torso 2). Proudly powered by WordPress.
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Tatiana Garmendia | Fine Artist | tatianagarmendia.com Reviews

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Triumphs | Tatiana Garmendia

http://tatianagarmendia.com/triumphs

Men Are From Mars. Please click on the links below to see each series in The Triumphs portfolio. Proudly powered by WordPress.

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Charites | Tatiana Garmendia

http://tatianagarmendia.com/charites

Men Are From Mars. The Charites (2014-2015) series alludes to the many graces of being a woman. While the pieces in The Book of Hours (2014-2013) focus on the plight of being incarnate as a female, this series celebrates the positive experiences of such embodiment. Much like the Jungian definition of the feminine archetypes, the ancient Greek. Exemplify tropes of beauty, nurturing, creativity, wisdom, etc. I create the costume and model the gestures that project each persona. The Fool (Circle Dance).

3

Gardens | Tatiana Garmendia

http://tatianagarmendia.com/the-last-judgment/gardens

Men Are From Mars. Conceptually, the Gardens take Mark Danner’s 2007 seminal essay Iraq: The War of the Imagination as a point of departure. Reinventing the armed encounters between our cultures outside all political paradigms, erotic figures erupt into an imagined terrain of splendor in Muhammad al-Idrisi’s lost mappa mundi, The Garden of Joys. Boundaries between lovers, gardens, and maps dissolve. Thus The Last Judgment ends with making love, not war. Garden of Joy 1 / 2010. Garden of Joy 2 / 2010.

4

Epic Ink | Tatiana Garmendia

http://tatianagarmendia.com/archive-2/epic-ink

Men Are From Mars. There are over 100 drawings in this series. I use pencil, marker, gesso, and ink: each lends its own quality of clarity or impenetrability to the translucent Mylar. I like to float them in my installations to accent this feature, thus turning the very walls of the exhibition space into the stage of action,. Explores the archetypal imagery in the series. Epic 145 / 2011. Epic 141 / 2011. Epic 146 / 2011. Epic 144 / 2011. Epic 143 / 2011. Epic 142 / 2011. Epic 132 / 2009. Epic 114 / 2009.

5

Absence | Tatiana Garmendia

http://tatianagarmendia.com/the-last-judgment/absence

Men Are From Mars. The Absence drawings (2011) were created as patterns for Mourning Embroideries. Each soldier’s pose is encapsulated by a blind contour that is defined by gestural hair-lines. They are all marker on paper. Breath Is A Metaphor For Spirit In The Migrations Journal. Why We Are All Immigrants, More Pages from Migrations Journal. Migrations: Creating Challenges Inside a Sketchbook or Journal. Migrations Journal: A Story Book of How We Got Here. Look Inside My Mixed Media Journal Migrations.

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