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Upgrade to paid account! June 7th, 2010. Corpus Hypercubus . From Dali to Malevich. June 1st, 2010. A recurrent theme of world art has been the striving to reach out into transcendental realms. Any artist so minded inevitably has to confront the paradox that transcendence implies access to dimensions (spatial, material, temporal, conceptual.) beyond those that are open to literal description by the solid surfaces of visible artefacts. We may gain some comfort from learning that Thomas Banchoff, author of...

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Upgrade to paid account! June 7th, 2010. Corpus Hypercubus . From Dali to Malevich. June 1st, 2010. A recurrent theme of world art has been the striving to reach out into transcendental realms. Any artist so minded inevitably has to confront the paradox that transcendence implies access to dimensions (spatial, material, temporal, conceptual.) beyond those that are open to literal description by the solid surfaces of visible artefacts. We may gain some comfort from learning that Thomas Banchoff, author of...
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technocracyinc | technocracyinc.livejournal.com Reviews

https://technocracyinc.livejournal.com

Upgrade to paid account! June 7th, 2010. Corpus Hypercubus . From Dali to Malevich. June 1st, 2010. A recurrent theme of world art has been the striving to reach out into transcendental realms. Any artist so minded inevitably has to confront the paradox that transcendence implies access to dimensions (spatial, material, temporal, conceptual.) beyond those that are open to literal description by the solid surfaces of visible artefacts. We may gain some comfort from learning that Thomas Banchoff, author of...

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1

Rothko and Newman - technocracyinc

http://technocracyinc.livejournal.com/56187.html

May 20th, 2010. Rothko was a largely self-taught artist who experimented with many kinds of painting,including representational, social realist, Surrealist, and abstract. He once worked as a theatrical. Set painter.He is known for his Color Field painting,which has large areas of color with no obvious focus of attention.Rothko simplified forms as much as possible, creating rectangles that seem to float on a field of color. Mondrian and Kazimir Malevich. Broad, even expanses of intense color. In 1952, Rot...

2

technocracyinc

http://technocracyinc.livejournal.com/tag/faces

Entries by tag: faces. May 18th, 2010. Throughout the long course of human evolution, recognizing and evaluating people on the basis of their faces made an important contribution to survival. Knowing whom to trust and whom to suspect saved many of our ancestors from needless bloodshed, so they could live to obtain food and mate another day. Although facial perception is associated with increased blood flow to the FFA, expert facial artists may actually show less blood flow as contrasted with novice painters.

3

technocracyinc

http://technocracyinc.livejournal.com/tag/moral%20brain

Entries by tag: moral brain. May 13th, 2010. What makes us honest? Most people think that, in a situation where they could act dishonestly to get ahead without any fear of getting caught, they would be able to act honestly but would have to actively fight temptation to do so. A competing theory holds that honest people genuinely lack any feeling of temptation, and they just do what comes naturally and also happens to be the morally right thing to do. Can this experimental design tell us more about how to...

4

Johann Pachelbel Canon in D Major - technocracyinc

http://technocracyinc.livejournal.com/55958.html

Johann Pachelbel Canon in D Major. May 20th, 2010. Powered by LiveJournal.com.

5

Frank Stella - technocracyinc

http://technocracyinc.livejournal.com/57714.html

May 31st, 2010. Frank Stella gave this black painting a provocative title. Die Fahne Hoch! Is named after the anthem of the Nazi Party, the Horst Wessel Lied, and is one of several paintings in the series that make direct reference to Nazism. By applying a hotly emotive title to the image, Stella's ironic purpose was that of destabilizing the idea of meaning itself. Powered by LiveJournal.com.

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Upgrade to paid account! June 7th, 2010. Corpus Hypercubus . From Dali to Malevich. June 1st, 2010. A recurrent theme of world art has been the striving to reach out into transcendental realms. Any artist so minded inevitably has to confront the paradox that transcendence implies access to dimensions (spatial, material, temporal, conceptual.) beyond those that are open to literal description by the solid surfaces of visible artefacts. We may gain some comfort from learning that Thomas Banchoff, author of...

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