tedwoodsart.blogspot.com

Through an Artist's Eyes

Thursday, September 8, 2011. I'm Ready for my Closeup! This is why an artist can take advantage of the close-up. A close-up is a camera angle where the primary subject is the character's face. It can range anywhere between including the character's shoulders and a significant area above the head, to showing one very large eye. Using a close-up draws the reader in to a very intimate level with the character. Think of it this way: if you are actually this close to a person in real life, the. Having a chara...

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Through an Artist's Eyes | tedwoodsart.blogspot.com Reviews

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Thursday, September 8, 2011. I'm Ready for my Closeup! This is why an artist can take advantage of the close-up. A close-up is a camera angle where the primary subject is the character's face. It can range anywhere between including the character's shoulders and a significant area above the head, to showing one very large eye. Using a close-up draws the reader in to a very intimate level with the character. Think of it this way: if you are actually this close to a person in real life, the. Having a chara...

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Through an Artist's Eyes | tedwoodsart.blogspot.com Reviews

https://tedwoodsart.blogspot.com

Thursday, September 8, 2011. I'm Ready for my Closeup! This is why an artist can take advantage of the close-up. A close-up is a camera angle where the primary subject is the character's face. It can range anywhere between including the character's shoulders and a significant area above the head, to showing one very large eye. Using a close-up draws the reader in to a very intimate level with the character. Think of it this way: if you are actually this close to a person in real life, the. Having a chara...

INTERNAL PAGES

tedwoodsart.blogspot.com

1

Through an Artist's Eyes: Silhouettes: Part 1, For every Action, there's a Jackson

http://tedwoodsart.blogspot.com/2011/04/silhouettes-part-1-for-every-action.html

Monday, April 18, 2011. Silhouettes: Part 1, For every Action, there's a Jackson. This image is taken from the book "Cartoon Animation" by Preston Blair. Here, he demonstrates the importance of the silhouette as it relates to action. The version on the right is still understood as a duck pulling the rabbit out of a hat, but the version on the left reads better because the shapes suspended in space on a basic level communicate the same thing. Shameless plug: that's my brother, Michael Woods, doing the cra...

2

Through an Artist's Eyes: March 2011

http://tedwoodsart.blogspot.com/2011_03_01_archive.html

Monday, March 28, 2011. I recently watched the film "Saboteur," and it had one of Hitchcock's favorite archetype characters: the dominating mother. Probably my favorite example of it is actually in the film "Notorious.". Mothers are often paired with images of life, plenty, and abundance because they are birth-givers. A good mother wants what is best for her children, but allows her children the freedom to choose their own path. Wednesday, March 23, 2011. They're Not Moving, You Just Think They Are.

3

Through an Artist's Eyes: April 2011

http://tedwoodsart.blogspot.com/2011_04_01_archive.html

Monday, April 18, 2011. Silhouettes: Part 1, For every Action, there's a Jackson. This image is taken from the book "Cartoon Animation" by Preston Blair. Here, he demonstrates the importance of the silhouette as it relates to action. The version on the right is still understood as a duck pulling the rabbit out of a hat, but the version on the left reads better because the shapes suspended in space on a basic level communicate the same thing. Shameless plug: that's my brother, Michael Woods, doing the cra...

4

Through an Artist's Eyes: September 2010

http://tedwoodsart.blogspot.com/2010_09_01_archive.html

Thursday, September 23, 2010. Most towns of decent size have a museum of some sort. If you don't live in a town that does, then you probably relatively close to one that does. So, don't tell me that you can't visit a museum. I don't care if it's not the kind of museum you're interested in. Go to it. Bring your sketchbook. Sit down in front of something- anything- and draw it. But I decided to sketch a few things in its permanent collection. A good learning experience. Thursday, September 16, 2010. When c...

5

Through an Artist's Eyes: Silhouettes: Part 2, You will Know Us by our Shadows

http://tedwoodsart.blogspot.com/2011/05/silhouettes-part-2-you-will-know-us-by.html

Monday, May 16, 2011. Silhouettes: Part 2, You will Know Us by our Shadows. This second aspect of the silhouette is in regards to character design. If I did my job correctly, you should instantly recognize these three people. The reason that you can is because there are characteristics about their structure and design that separate them from practically all other people you've ever seen. When I put it like that, it sounds impressive, right? Subscribe to: Post Comments (Atom). View my complete profile.

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Through an Artist's Eyes

Thursday, September 8, 2011. I'm Ready for my Closeup! This is why an artist can take advantage of the close-up. A close-up is a camera angle where the primary subject is the character's face. It can range anywhere between including the character's shoulders and a significant area above the head, to showing one very large eye. Using a close-up draws the reader in to a very intimate level with the character. Think of it this way: if you are actually this close to a person in real life, the. Having a chara...

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