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theartofmusicproduction.com

The Art of Music Production

By richard james burgess. The essential best seller that anyone who is interested in the music business NEEDS to own. First published in 1997 as the Art of Record Production, revised and renamed The Art of Music Production in 2002 and recently completely updated and revised for the third edition. This is the highly acclaimed book that is used in many university level music business and record production courses around the world. Revised and updated third edition now.

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The Art of Music Production | theartofmusicproduction.com Reviews
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By richard james burgess. The essential best seller that anyone who is interested in the music business NEEDS to own. First published in 1997 as the Art of Record Production, revised and renamed The Art of Music Production in 2002 and recently completely updated and revised for the third edition. This is the highly acclaimed book that is used in many university level music business and record production courses around the world. Revised and updated third edition now.
<META>
KEYWORDS
1 the art of
2 music productio
3 additional
4 producer interviews
5 arif mardin
6 lauren christy
7 linda perry
8 peter collins
9 daniel sheehy
10 peter ganbarg
CONTENT
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the art of,music productio,additional,producer interviews,arif mardin,lauren christy,linda perry,peter collins,daniel sheehy,peter ganbarg,wendy page,sandy roberton,katrina sirdofsky,bill laswell,jim hall
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The Art of Music Production | theartofmusicproduction.com Reviews

https://theartofmusicproduction.com

By richard james burgess. The essential best seller that anyone who is interested in the music business NEEDS to own. First published in 1997 as the Art of Record Production, revised and renamed The Art of Music Production in 2002 and recently completely updated and revised for the third edition. This is the highly acclaimed book that is used in many university level music business and record production courses around the world. Revised and updated third edition now.

INTERNAL PAGES

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1

Bill_Laswell_Interview

http://www.theartofmusicproduction.com/Bill_Laswell_interview.html

Bill Laswell 7.26.04. RB: You’ve had a really interesting career you swing in and out of the mainstream working with big artists and then some more unusual things. RB: You’ve worked with Jagger and Gabriel, huge artists. RB: What you said about your avant-garde work feeding into the mainstream is very interesting. I’ve always thought that the producers that come from outside of the mainstream bring that little quirk back into the mainstream and make it more interesting. RB: What feeds your career? RB: I ...

2

Linda_Perry_Interview

http://www.theartofmusicproduction.com/Linda_Perry_Interview.html

Linda Perry, 7.31.04. RB: what do you look for when evaluating a potential project? LP: I need to have a connection with the artist, a feeling in my heart that our collaboration will be special. . it is the artist that inspires the creativity, so it is very important to have a mutual respect. even if the artist dose not take part in the writing process it is still them that is inspiring it. RB: Do you prefer to engineer your own productions? RB: Do you produce things that you do not write? Vision of it, ...

3

Pete_Ganbarg_Interview

http://www.theartofmusicproduction.com/Pete_Ganbarg_Interview.html

Peter Ganbarg, 4.16.04. RB: Now I know you’ve covered a lot of genres and you’ve covered a lot of different ways of working with producers. Am I correct in thinking that? RB: What are the qualities you value in a producer? What do you look for? RB: Do you tend to use engineer/producers more than just straight producers? RB: Can you tell me more about the process of picking a producer? What type of studio do you think is the right type of environment for these types of songs? PG: Like their resume? RB: Mo...

4

Arif_Mardin_Interview

http://www.theartofmusicproduction.com/Arif_Mardin_Interview.html

Arif Mardin, 7.28.04. Authors note: I was extremely honored to have the opportunity to interview Arif who was, in my opinion, one of the greatest producers of all time and also a truly gracious and humble man. As far as I know he had not been diagnosed with the pancreatic cancer that would sadly take his life less than two years later on June 25th, 2006. So how it helped me? RB: And of course Chaka Khan? AM: Chaka Khan as well. RB: And Norah Jones too? RB: I loved that track too. RB: That was an interest...

5

Wendy_Page_Interview

http://www.theartofmusicproduction.com/Wendy_Page_Interview.html

Wendy Page, 7.6.04. How long have you been producing? 1) I’ve been producing for ten years. How did you get started as a producer? What interested you about producing as a career? I got into production because I wanted to make the songs I wrote sound how I wanted to hear them. Do you prefer to write the material for the artists that you are producing? Do you find most A&R people to be helpful and knowledgeable? Do you mostly produce whole albums or individual tracks? Do you produce and engineer? For exam...

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The Art of Music Production: The Theory and Practice, 4th Edition. The History of Music Production. The Art of Music Production. The Art of Record Production. Journal on the Art of Record Production.

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The Art of Music Production

By richard james burgess. The essential best seller that anyone who is interested in the music business NEEDS to own. First published in 1997 as the Art of Record Production, revised and renamed The Art of Music Production in 2002 and recently completely updated and revised for the third edition. This is the highly acclaimed book that is used in many university level music business and record production courses around the world. Revised and updated third edition now.

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