theatricalalan.blogspot.com theatricalalan.blogspot.com

theatricalalan.blogspot.com

Alan's Theatre Journal

Lunes, 10 de diciembre de 2012. Marching for Fausa - Reflecting TPP Style. Essential elements in African Theater. Narration (telani tells her in her own perspective, speaks to the audience). Use of African music. Use of native language. Telani remembers what she has experienced). How did you apply skills and concepts of "essential elements" in fausa? How do the elements work together? How do elements work together? Being an army officer, I was having the aspect of narration. Contextualization at the end.

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Alan's Theatre Journal | theatricalalan.blogspot.com Reviews
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Lunes, 10 de diciembre de 2012. Marching for Fausa - Reflecting TPP Style. Essential elements in African Theater. Narration (telani tells her in her own perspective, speaks to the audience). Use of African music. Use of native language. Telani remembers what she has experienced). How did you apply skills and concepts of essential elements in fausa? How do the elements work together? How do elements work together? Being an army officer, I was having the aspect of narration. Contextualization at the end.
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1 alan's theatre journal
2 addresses local issues
3 african chants backstage
4 flashbacks
5 narration
6 address local issue
7 for criterion b
8 publicado por alan502
9 no hay comentarios
10 escribe un blog
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Alan's Theatre Journal | theatricalalan.blogspot.com Reviews

https://theatricalalan.blogspot.com

Lunes, 10 de diciembre de 2012. Marching for Fausa - Reflecting TPP Style. Essential elements in African Theater. Narration (telani tells her in her own perspective, speaks to the audience). Use of African music. Use of native language. Telani remembers what she has experienced). How did you apply skills and concepts of "essential elements" in fausa? How do the elements work together? How do elements work together? Being an army officer, I was having the aspect of narration. Contextualization at the end.

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theatricalalan.blogspot.com theatricalalan.blogspot.com
1

Alan's Theatre Journal: The laramie project - after all

http://www.theatricalalan.blogspot.com/2012/04/laramie-project-after-all.html

Domingo, 22 de abril de 2012. The laramie project - after all. We performed the play twice: on the night of Thursday and on the night of Friday. The first night, the play did not go as expected. We skip three scenes of the play, but after asking the audience afterwards, I didn't hear anybody saying that they actually noticed something was wrong with the play. After the performance, we received very good comments from the audience. I heard somebody say they liked this play even more than the movie! Becaus...

2

Alan's Theatre Journal: I actor - after laramie project

http://www.theatricalalan.blogspot.com/2012/04/i-actor-after-laramie-project.html

Jueves, 19 de abril de 2012. I actor - after laramie project. Stanislavski/Meisner techniques/processes used effectively. 1 Emotional memory - - I used the emotional memory technique in both of my characters. 2 Repetition - - I tried to use this technique for both characters too. I performed repetition before the performance but I would also repeat this phrases in my mind while I was sitting. 3 Before time - - I also used this technique with both characters, although stronger with Matt Galloway. Suscribi...

3

Alan's Theatre Journal: abril 2012

http://www.theatricalalan.blogspot.com/2012_04_01_archive.html

Miércoles, 25 de abril de 2012. Enviar por correo electrónico. Domingo, 22 de abril de 2012. The laramie project - after all. We performed the play twice: on the night of Thursday and on the night of Friday. The first night, the play did not go as expected. We skip three scenes of the play, but after asking the audience afterwards, I didn't hear anybody saying that they actually noticed something was wrong with the play. Because of this, I realize how an actor can develop a personal relationship with the...

4

Alan's Theatre Journal: Marching for Fausa - Reflecting TPP Style

http://www.theatricalalan.blogspot.com/2012/12/marching-for-fausa-reflecting-tpp-style.html

Lunes, 10 de diciembre de 2012. Marching for Fausa - Reflecting TPP Style. Essential elements in African Theater. Narration (telani tells her in her own perspective, speaks to the audience). Use of African music. Use of native language. Telani remembers what she has experienced). How did you apply skills and concepts of "essential elements" in fausa? How do the elements work together? How do elements work together? Being an army officer, I was having the aspect of narration. Contextualization at the end.

5

Alan's Theatre Journal: Commedia dell' Arte: Presentation and Wax Museum

http://www.theatricalalan.blogspot.com/2011/12/commedia-dell-arte-presentation-and-wax.html

Lunes, 12 de diciembre de 2011. Commedia dell' Arte: Presentation and Wax Museum. To share our knowledge about Commedia dell' Arte characters with our partners and with the whole class. After this, she made her presentation about Flavio to me: she also talked to me mostly about his characteristics and his performance on stage. I am very convinced Pantalone is the character I want to play now. Flavio was not really the character for me, I don't think I will really enjoy playing him. However, Panta...

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Lunes, 10 de diciembre de 2012. Marching for Fausa - Reflecting TPP Style. Essential elements in African Theater. Narration (telani tells her in her own perspective, speaks to the audience). Use of African music. Use of native language. Telani remembers what she has experienced). How did you apply skills and concepts of "essential elements" in fausa? How do the elements work together? How do elements work together? Being an army officer, I was having the aspect of narration. Contextualization at the end.

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