jameswmoore.wordpress.com
james (w) moore | unreliable writings/ramblings | Page 2
https://jameswmoore.wordpress.com/page/2
I Am the Maker of all sweetened possum. The quick brown fox…. Not That James Moore. Newer posts →. Capital F (Day 24). James w. moore. From Craig Dworkin’s prompt. This is sort of “un-found poetry” – taking a piece of erasure poetry and filling in words to line up and make sense of what was originally retained – trying our best not to cheat with font size or kerning. Notes on the prompt. 8216; erasure of David Foster Wallace from the Found Poetry Review’s David Foster Wallace issue. James w. moore. 4 sta...
amaranthborsuk.com
Publications – Amaranth Borsuk
http://www.amaranthborsuk.com/publications
Abra: A Living Text. Between Page and Screen Artist’s Book. Al-Mutanabbi Street Broadside Project; Outside Santa Fe. Between Page and Screen. The Alice Gallery invited me to be a writer in residence for the current show,. I Come To You In Pieces. Which features work by Maria Walker, Rachel Meginnes, and Guy Merrill. Here’s what I made. In response to their wonderful work. A recording of my May 2, 2015 Segue reading with Andy Fitch on Pennsound. 8220; Dear Wanderer. Between Page and Screen. 8220;Towards a...
anncoulterhumandocument.blogspot.com
Ann Coulter : Human Document: Stunning, Sleazy, or Stupid? Meet The Deletionist
http://anncoulterhumandocument.blogspot.com/2013/12/stunning-sleazy-or-stupid-meet.html
Ann Coulter : Human Document. An Investigation Into the Hidden Subtexts of a Conservative Pundit's Writings, Using the Techniques of Tom Phillips' "A Humument". Tuesday, December 3, 2013. Stunning, Sleazy, or Stupid? Anyone interested in the poetics of erasure should explore The Deletionist. A browser app promising to transform any mere document into a Humument. Go to the Deletionist page. The Deletionist is the creation of Amaranth Borsuk. As they explain,. As far as I can gather, the algorithm searches...
rollofnickels.blogspot.com
Roll of Nickels: 01/15
http://rollofnickels.blogspot.com/2015_01_01_archive.html
If you're troubled by being misunderstood. As far as people misreading, I don't much care. I remember a review I got, I think it was in the Village Voice. In which a woman wrote that one of my poems from 7 Years from Somewhere. Philip Levine, in interview with Harry Thomas' class at Davidson College, as published in Talking with Poets. Handsel Books, 2002). You can read the whole thing here. Let's pretend all this writing is poetry.". You mention in the first essay in your book, The Bread of Time. Philip...
nickm.com
Poems by Nick Montfort
http://www.nickm.com/poems
A prehensile form of ostentation that erects turbulence, without remuneration, in the pursuit of yearning. Replete with symbols, it is an ewer of extreme ecstasy; to enter it is to turn riot, rupturing each maxim with its antithesis: hope. Containing exuberance and emptiness, it burns under reality, its ecumenical name a cordon to arrange the unclean into number, neatly. Now called. It provides tumult as law to every imagination. Ad Verbum, interactive fiction, 2000. Lede, poetry generator, 2012. New Yea...
nickm.com
The Trope Tank
http://nickm.com/trope_tank
Developing new poetic practices and new understandings of digital media by focusing on the material, formal, and historical aspects of computation and language. Collection and Catalog,. Involves translating computational literature into English. We not only employ established literary translation techniques, but also consider how computation and language interact. Literary and computational experts worldwide participate. The first phase of the project (13 works, 6 languages). Was published in Cura. The T...
as-we-know.com
Authors – AS WE KNOW
http://www.as-we-know.com/authors
Amaranth Borsuk and Andy Fitch. Is the author of. Slope Editions, 2012), and, with Brad Bouse, Between Page and Screen. Siglio Press, 2012). A collaboration with Kate Durbin forthcoming from 1913 Press, recently received an NEA-sponsored Expanded Artists’ Books grant from the Center for Book and Paper Arts at Columbia College Chicago and will be issued as an artist’s book with an iPad app created by Ian Hatcher. Her collaborative digital projects include an erasure bookmarklet, The Deletionist.
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