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The designer's archive. 8220;Our strategy was to accept the physical power of Bankside’s massive mountain-like brick building and to even enhance it rather than breaking it or trying to diminish it.” – Herzog and De Mueron (from the exhibition: Herzog and de Meuron. November 29, 2013. November 29, 2013. August 24, 2013. August 24, 2013. April 1, 2013. 8220;With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorp...April 1, 2013.

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The designer's archive. 8220;Our strategy was to accept the physical power of Bankside’s massive mountain-like brick building and to even enhance it rather than breaking it or trying to diminish it.” – Herzog and De Mueron (from the exhibition: Herzog and de Meuron. November 29, 2013. November 29, 2013. August 24, 2013. August 24, 2013. April 1, 2013. 8220;With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorp...April 1, 2013.

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the designer's archive | thedesignersarchive.org Reviews

https://thedesignersarchive.org

The designer's archive. 8220;Our strategy was to accept the physical power of Bankside’s massive mountain-like brick building and to even enhance it rather than breaking it or trying to diminish it.” – Herzog and De Mueron (from the exhibition: Herzog and de Meuron. November 29, 2013. November 29, 2013. August 24, 2013. August 24, 2013. April 1, 2013. 8220;With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorp...April 1, 2013.

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thedesignersarchive.org

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mapplethorpe: xyz | the designer's archive

http://thedesignersarchive.org/2013/04/01/mapplethorpe-xyz

The designer's archive. April 1, 2013. 8220;With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.”. 8211; Robert Mapplethorpe. I caught the tail end of the small one-room exhibit. The exhibit focused on three specific bodies of work, the. X, Y, and Z Portfolios. Featuring explicit homosexual activities, and the Z Portfolio. Featuring black male nudes, challenged the conventions of fine art in America and figured into the Culture Wars of the 1980s.

2

museum | the designer's archive

http://thedesignersarchive.org/category/art/museum

The designer's archive. 8220;Our strategy was to accept the physical power of Bankside’s massive mountain-like brick building and to even enhance it rather than breaking it or trying to diminish it.” – Herzog and De Mueron (from the exhibition: Herzog and de Meuron. November 29, 2013. November 29, 2013. March 21, 2012. 8220;Exciting things happen when a variety of overlapping activities designed for all people the old and the young, the blue and white collar, the local inhabitant and the visitor, differe...

3

library | the designer's archive

http://thedesignersarchive.org/library

The designer's archive. Here you’ll find a list of all the books in my growing library (click on book for more info):. Create a free website or blog at WordPress.com. Error: Twitter did not respond. Please wait a few minutes and refresh this page. Follow “the designer's archive”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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map | the designer's archive

http://thedesignersarchive.org/map

The designer's archive. Here’s a Google Map annotated with the locations of each building, retail establishment, and institution from across the Archive:. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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los angeles vernacular | the designer's archive

http://thedesignersarchive.org/2013/08/24/los-angeles-vernacular

The designer's archive. August 24, 2013. 8220;Tip the world over on its side and everything loose will land in Los Angeles.”. 8211; Frank Lloyd Wright. Los Angeles is expressed in terms of a peculiar and immense vernacular. This unique language has evolved in response to the incredible diversity of natural, sociopolitical, and ethnographic forces that converge in Southern California. Los Angeles Vernacular Series 1. 9,999,00 estimated cost. Organized and petty crime and the proliferation of gangs. The si...

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trade-city.org

Sculptural work by architects 12/14/13 – Trade City

http://www.trade-city.org/2013/12/11/sculptural-work-by-architects-121413

Sculptural work by architects 12/14/13. 6PM -Saturday 12/14 at 5132 York Blvd. in Highland Park. For more details, visit the Facebook Event Page. December 11, 2013. Leave a comment Cancel reply. Thanks for visiting. You're very special.

trade-city.org

Popwagon – Trade City

http://www.trade-city.org/category/mobile-stage

Why Did You Sleep with So Many Human People? Some young, wild, and provocative playwrights have gotten together to share some new one-acts that explore why we love what we love. It’s a one night stand with talking beds, gigolo apes and a guy named Elvis. Here’s the lineup:. Written by Will Arbery directed by Sofya Weitz. An elderly monkey prostitute meets the client who may be the death of him. Featuring: Juan Amador, Jenn Kirk and Mariana Morgon. THEY WERE SO SWEET. WE DO NOT SEGREGATE. August 21, 2014.

trade-city.org

jWorth – Trade City

http://www.trade-city.org/author/jWorth

Why Did You Sleep with So Many Human People? Some young, wild, and provocative playwrights have gotten together to share some new one-acts that explore why we love what we love. It’s a one night stand with talking beds, gigolo apes and a guy named Elvis. Here’s the lineup:. Written by Will Arbery directed by Sofya Weitz. An elderly monkey prostitute meets the client who may be the death of him. Featuring: Juan Amador, Jenn Kirk and Mariana Morgon. THEY WERE SO SWEET. WE DO NOT SEGREGATE. August 21, 2014.

trade-city.org

Art world – Trade City

http://www.trade-city.org/category/art-world

Sculptural work by architects 12/14/13. 6PM -Saturday 12/14 at 5132 York Blvd. in Highland Park. For more details, visit the Facebook Event Page. December 11, 2013. Popwagon at CicLAvia 10/6/13. Sunday October 6 is CicLAvia. 8211; the magical event where certain L.A.roads are closed, cars disappear and cyclists get together for a wild ride. The folks at the Music Center. Invited the Popwagon to be a part of their Lines Lanes. Festivities at the Grand Park hub. In the center of the “ Heart of L.A. Movies ...

trade-city.org

December 2013 – Trade City

http://www.trade-city.org/2013/12

Sculptural work by architects 12/14/13. 6PM -Saturday 12/14 at 5132 York Blvd. in Highland Park. For more details, visit the Facebook Event Page. December 11, 2013. Trade City is a non-profit arts collective. We operate a mobile stage that brings art, theatre, and entertainment to the proud citizens of Los Angeles. Thanks for visiting. You're very special.

trade-city.org

Home – Trade City

http://www.trade-city.org/home

Why Did You Sleep with So Many Human People? Some young, wild, and provocative playwrights have gotten together to share some new one-acts that explore why we love what we love. It’s a one night stand with talking beds, gigolo apes and a guy named Elvis. Here’s the lineup:. Written by Will Arbery directed by Sofya Weitz. An elderly monkey prostitute meets the client who may be the death of him. Featuring: Juan Amador, Jenn Kirk and Mariana Morgon. THEY WERE SO SWEET. WE DO NOT SEGREGATE. August 21, 2014.

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thedesignersarchive.org

the designer's archive

The designer's archive. 8220;Our strategy was to accept the physical power of Bankside’s massive mountain-like brick building and to even enhance it rather than breaking it or trying to diminish it.” – Herzog and De Mueron (from the exhibition: Herzog and de Meuron. November 29, 2013. November 29, 2013. August 24, 2013. August 24, 2013. April 1, 2013. 8220;With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorp...April 1, 2013.

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