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THE DIFFERENCE ENGINE | UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY

UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY (by JGU)

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THE DIFFERENCE ENGINE | UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY | thedifferenceengine.org Reviews

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UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY (by JGU)

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1

Convulsions of the Postmodern Subject | THE DIFFERENCE ENGINE

http://thedifferenceengine.org/2013/08/29/convulsions-of-the-postmodern-subject

Convulsions of the Postmodern Subject. August 29, 2013. Most sources seem to agree that Miley Cyrus’s instantly-infamous performance at the VMAs. The question is, why? Jody Rosen called it a minstrel show. And Groupthink’s NinjaCate called it easily one of the most racist displays [she’s] ever seen. And from the other side of the political spectrum, the Parents Television Council. Between the twerking and the foam phallus we have two cultural appropriations: on the one hand, what NinjaCate sums up as the...

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CATEGORIES | THE DIFFERENCE ENGINE

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Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email. Notify me of new posts via email. 8220;Here Comes the Master! 8221; The Work of Culture.

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News & Events | THE DIFFERENCE ENGINE

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It seems we can’t find what you’re looking for. Perhaps searching can help. 8220;Here Comes the Master! 8221; The Work of Culture. Asta Nielsen in Afgrunden (1910). Blog at WordPress.com. Blog at WordPress.com. Follow “THE DIFFERENCE ENGINE”. Get every new post delivered to your Inbox. Build a website with WordPress.com.

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CONTRIBUTORS | THE DIFFERENCE ENGINE

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John Urang is an Assistant Professor of Media and Film Studies at Marylhurst University. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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Monsters (part 2) | THE DIFFERENCE ENGINE

http://thedifferenceengine.org/2013/12/28/monsters-part-2

December 28, 2013. The thing that puzzles me most about Pixar’s Monsters University. Is its intended audience. Are little kids interested in an animated mashup of Revenge of the Nerds. And Animal House,. With some Friday the 13. Thrown in at the end? Cartoons have always had jokes for adults, but in this case the entire plot line seems more or less inaccessible to the pre-SAT crowd. So is it for teenagers? Asks the same question of higher education. Who and what is the university for? And when the Dean o...

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THE DIFFERENCE ENGINE | UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY

UNFINISHED THOUGHTS ON CULTURE, MEDIA, AND THEORY. It seems to me that the popularity of Downton Abbey can be explained pretty simply: The world created by Julian Fellowes Continue reading →. The thing that puzzles me most about Pixar’s Monsters University is its intended audience. 8220;Here Comes the Master! 8221; The Work of Culture. Watching Sarah Polley’s extraordinary documentary Stories We Tell, I found myself thinking about Barthes’ Camera Lucida and the relationship between Continue reading →.

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