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Introduction and thoughts of day 2. I'm interested in this subject because I hardly know a thing about theatre, I did theatre with Paloma on the first year and I've seen many plays but my knowledge when it comes to theory and theatre history is very limited and that's my major goal when attending to this class. That way I think I will become more interested on plays and appreciate them even more. Modern British Drama. The Twentieth Century. Summary of the article written by Christopher Innes:. And you ha...

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Introduction and thoughts of day 2. I'm interested in this subject because I hardly know a thing about theatre, I did theatre with Paloma on the first year and I've seen many plays but my knowledge when it comes to theory and theatre history is very limited and that's my major goal when attending to this class. That way I think I will become more interested on plays and appreciate them even more. Modern British Drama. The Twentieth Century. Summary of the article written by Christopher Innes:. And you ha...

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https://thedramaportfolio.blogspot.com

Introduction and thoughts of day 2. I'm interested in this subject because I hardly know a thing about theatre, I did theatre with Paloma on the first year and I've seen many plays but my knowledge when it comes to theory and theatre history is very limited and that's my major goal when attending to this class. That way I think I will become more interested on plays and appreciate them even more. Modern British Drama. The Twentieth Century. Summary of the article written by Christopher Innes:. And you ha...

INTERNAL PAGES

thedramaportfolio.blogspot.com

1

Portfolio: Giving directions on stage

http://thedramaportfolio.blogspot.com/2009/03/blog-post.html

Giving directions on stage. Click for bigger picture. The importance of position in stage, it is important to always give directions from the audience's point of view. The numbers are the amount of revelance it has on stage (being level 1 the highest). The letter consist on how to say it:. Downstage Center - 1, highest level of relevance on stage. Downstage Left - 5. Downstage Right - 3. Upstage Center - 2. Upstage Left - 6, lowest level of relevance on stage. Upstage Right - 4. If, for instance, on CS.

2

Portfolio: top girls - introducing a new character

http://thedramaportfolio.blogspot.com/2009/02/top-girls-introducing-new-character.html

Top girls - introducing a new character. We had to introduce in class a new character that could fit in 'Top Girls' play, and after much discussion and suggestions that went from Madonna to Paris Hilton (taking profit of a sex tape to make a career in show business is quite a remarkable thing) my group decided our top girl would be Lady Diana of Wales. We hear high heels stress aproaching the table. Lady Di (LD) enters the room and sits down next to Isabella (I). When Isabella says:. It's not enough to d...

3

Portfolio: Rage and Reason. Women Playwrights on Playwriting - Sarah Kane

http://thedramaportfolio.blogspot.com/2009/02/rage-and-reason-women-playwrights-on.html

Rage and Reason. Women Playwrights on Playwriting - Sarah Kane. Summary of the article written by Heidi Stephenson and Natasha Langridge:. In this interview Sarah Kane comes to terms with the critics. She receives for putting audiences through a series of depravity. Acts which she claims to write only because she is representing something that already exists, that theatre can change. Society and her only responsability. As a writer is to the truth. No matter how unpleasant. Keywords marked in bold. Two o...

4

Portfolio: 'Educating Rita' - Willy Russell

http://thedramaportfolio.blogspot.com/2009/05/act-one-scene-eight-rita-i-went-into.html

Educating Rita' - Willy Russell. Act One, Scene Eight. I went into the pub an' they were singin', all of them singnin' some song they'd learnt from the juke-box. An' I stood in that pub an' thought, just what the frig am I trying to do? Why don't I just pack it in an' stay with them, an' join in the singin'? And why don't you? You think I can, don't you? As we can read, she still has the Liverpool accent with the use of contractions like. Another key theme is class divisions as she tells Frank,. It is wh...

5

Portfolio: The Blue Room

http://thedramaportfolio.blogspot.com/2009/04/blue-room.html

I first became interested in this play that was first performed in London on 10 September 1998, mainly because its playwrighter was David Hare. And the director was Sam Mendes. So when I had the chance to buy the book of the play in London I didn't doubt it. The play is freely adapted from Arthur Schnitzler's. 1 The Girl and the Cab Driver. 2 The Cab Driver and the Au Pair. 3 The Au Pair and the Student. 4 The Student and the Married Woman. 5 The Married Woman and the Politician. Girl: 20 in December.

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Introduction and thoughts of day 2. I'm interested in this subject because I hardly know a thing about theatre, I did theatre with Paloma on the first year and I've seen many plays but my knowledge when it comes to theory and theatre history is very limited and that's my major goal when attending to this class. That way I think I will become more interested on plays and appreciate them even more. Modern British Drama. The Twentieth Century. Summary of the article written by Christopher Innes:. And you ha...

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