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The DS Project | Image, Text, Space/Place, 1830-2015 | thedsproject.com Reviews
https://thedsproject.com
For David Scott, curated and edited by Sinéad Furlong-Clancy. New interdisciplinary research across the fields of art, design, visual and textual studies.
thedsproject.com
La Liquéfaction de la marque | The DS Project | by Benoît Heilbrunn
http://thedsproject.com/portfolio/la-liquefaction-de-la-marque
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. La Liquéfaction de la marque. Liquidated Logo Chanel,. Peinture murale, Zevsonite, Zurich 2007. Zevs (courtesy Depury and Luxembourg). Par cette appropriation de l’espace, le travail de Zevs illustre les trois fonctions anthropologiques concomitantes (mises en évidence par Georges Dumézil) [2]. Se joue donc ici l’idée d’une réappropriation du signe commercial par le publ...
The DS Project | Image, Text, Space/Place, 1830-2015
http://thedsproject.com/about-the-david-scott-project
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. The DS Project Image, Text, Space/Place, 1830-2015. For David Scott, Professor of Textual and Visual Studies,. The DS Project, for David Scott, proposes an alternative, digital approach to the. The DS Project: Image, Text, Space/Place, 1830-2015. The DS Project: Image, Text, Space/Place, 1830-2015,. 2015 http:/ thedsproject.com/. Twitter: @The DS Project. Sarah Gubbins e...
The Boxing Match in the Argonautica of Apollonius of Rhodes | The DS Project
http://thedsproject.com/portfolio/the-boxing-match-in-the-argonautica-of-apollonius-of-rhodes
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. The Boxing Match in the. Of Apollonius of Rhodes. Charles Henry Niehaus,. 1883-85, cast 1910. Bronze, 89.5 x 38.1 x 38.1 cm, The Metropolitan Museum of Art, New York. Rogers Fund, 1907. Courtesy The Metropolitan Museum of Art, Open Access Scholarly Content, www.metmuseum.org. Finally, a couple of notes on the translation. I have chosen to open. If you trample on the law ...
Le Détournement du Mythe de Salomé chez Claude Cahun | The DS Project
http://thedsproject.com/portfolio/le-detournement-du-mythe-de-salome-chez-claude-cahun
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. Le Détournement du Mythe de Salomé chez Claude Cahun. 1914, photographie, 23.5 cm x 17.6 cm, Jersey Museum, Jersey. Courtesy of the Jersey Heritage Collections. Elle a également vécu, dès son plus jeune âge, une relation amoureuse avec sa sœur par alliance. Son œuvre, quant à elle, fait largement écho aux problématiques liées à la métamorphose, au travestissement, à ...
Peter Rice: Performing Instability | The DS Project | by Greg Kerr
http://thedsproject.com/portfolio/peter-rice-performing-instability
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. Peter Rice: Performing Instability. Gerberette, Centre Georges Pompidou, Paris,. Among the more striking aspects of the first. A cast steel cantilever beam which punctuates the façade at regular intervals, noticeably at the pedestrian walkways stretching along the upper floors (Fig 1). Originating in the bridge designs of the nineteenth-century German engineer Heinri...
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The DS Project | Image, Text, Space/Place, 1830-2015
The DS Project: Image, Text, Space/Place, 1830-2015. For David Scott, curated and edited by Sinéad Furlong-Clancy. The DS Project 2015. Fowl Murder and Art in Marcel Proust’s. À la recherche du temps perdu. Landscape with the Fall of Icarus. Revisiting Butor through Auden and Williams. Reading the Tarot in Nerval’s. Mais où va donc mon sonnet? Verlaine and the Fixed Form of Petrarch. La Liquéfaction de la marque. 8216;M’introduire dans ton histoire’ / ‘Let me come into your story’. In the Paris banlieues.
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