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A collective dedicated to the art and craft of editing.

http://theeditors.com.au/

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Home | The Editors | theeditors.com.au Reviews

https://theeditors.com.au

A collective dedicated to the art and craft of editing.

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Who We Are | The Editors

http://theeditors.com.au/what

THE EDITORS came together with the aim of creating a landscape where the craft of editing could flourish. It was an opportunity to reassert the art of what we do and to build a business that would support a creative environment for editors, directors, film-makers, production companies and agencies alike. The DNA of the company, its philosophy and culture still remain absolutely true to its name. We are THE EDITORS. Site by Picket Studio.

2

Recent Work | The Editors

http://theeditors.com.au/work

JH Beetge - Goodoil Films. Lachlan Dickie - Rabbit. Noah Conopask - The Sweetshop. Steve Saussey - Jungle. Greg Wood - Exit Films. Joel Kefali - Goodoil Films. Daniel Borgman - Robber's Dog. Steve Rogers - Revolver. Simon McQuoid - Revolver. Christopher Riggert - Finch. Paola Morabito - Exit Films. Michael Davie - Finch Company. Site by Picket Studio.

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Editors | The Editors

http://theeditors.com.au/editors

Partner, The Editors. ASE accredited in 2010. Numerous International awards including CLIO, London, AWARD, New York, Gong, ATV, MADC. Recent: Best Editing ASE 2012 - NAB ‘More Give Less Take’ Best Editing AWARD Bronze 2013 - BNZ ‘Good with Money’. Joined The Editors in 2009 from London. Best Editing Nominations 2011, 2012, 2013, 2014 and 2015 - ASE’s. Best Editing Gold AWARD Pencil Winner 2012 - Nokia ‘Hong Kong Honey’. Best Editing in a Commercial 2013 ASE - John West ‘Running with the Bears’. Numerous ...

4

The Space | The Editors

http://theeditors.com.au/space

What was once a derelict warehouse received a contemporary renovation in 2001 by architect Sam Marshall and our own Peter Whitmore. Whilst retaining traces of its working class origins, the building was reincarnated to be an artistic, modern space where creativity could thrive. Site by Picket Studio.

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premium content | Australian Screen Editors

http://www.screeneditors.com.au/resources/videos

Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. The content you are trying to view is restricted to members only. Please Log in below or Sign up. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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membership benefits | Australian Screen Editors

http://www.screeneditors.com.au/membership/membership-benefits

Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. In joining the ASE you will join a community of editors and assistant editors, supporting the post production industry. The Australian Screen Editors guild offers its members a range of benefits which include:. Free entry to a wide range of ASE Events. Exclusive access to our web-based jobs bulletin. Join the ASE now!

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members directory | Australian Screen Editors

http://www.screeneditors.com.au/membership/members-directory

Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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ASE eNEWS | Australian Screen Editors

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Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. ENews 72 – June 2016. ENews 71 – May 2016. ENews 70 – April 2016. ENews 69 – March 2016. ENews 68 – February 2016. ENews 67 – November 2015. ENews 66 – October 2015. ENews 65 – September 2015. ENews 64 – August 2015. ENews 63 – July 2015. ENews 62 – June 2015. ENews 61 – May 2015. Page 1 of 7. Middot; Contact us.

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awards | Australian Screen Editors

http://www.screeneditors.com.au/awards

Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. ASE Awards 2016 Guidelines. Editors entering the ASE Awards must be Full Financial. Members of the Australian Screen Editors Guild. Student and Associate Members may not enter. You can join the ASE at www.screeneditors.com.au/join-the-ase/. A production of at least 60 minutes in duration. Documentary - Non Feature.

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membership | Australian Screen Editors

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Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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premium content | Australian Screen Editors

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Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. The content you are trying to view is restricted to members only. Please Log in below or Sign up. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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premium content | Australian Screen Editors

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Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. The content you are trying to view is restricted to members only. Please Log in below or Sign up. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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premium content | Australian Screen Editors

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Privacy & disclaimers. News & events. News & events. Why we love the ASE. Awards & accreditation. Place a job advertisement. Wages & conditions. Interviews & articles. The “FOCUS ON” Series. The content you are trying to view is restricted to members only. Please Log in below or Sign up. 2016 Australian Screen Editors · Privacy. Middot; Contact us.

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Home | The Editors

A collective dedicated to the art and craft of editing. Alexandre De Franceschi ASE. Jane Campion - Big Shell Films. The Glue Society - Will O'Rourke. Simon McQuoid - Revolver. Chris Searl - Monster Children. Alexandre de Franceschi ASE. Ash Bolland - Curious Film. Steve Rogers - Revolver. Zia Mandviwalla - Curious Film. Paul Middleditch - Plaza Films. Owen Trevor - Rabbit Content. Mark Molloy - Exit Films. Harry Sanna - Buddy Films. The Glue Society - Revolver. Hamish Rothwell - GoodOil Films. Feature F...

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The Editors

Een multimedia bedrijf met alle disicplines voor een complete video productie. Het full service productie huis voor uw high end producties. Promo's, commercials, corporate's etc. Wij verzorgen zowel inhoudelijk als technisch uw producties van concept tot aanlevering. The Editors staan voor kwaliteit, creativiteit, flexibiliteit, vakmanschap, persoonlijke service en altijd goede koffie! Klik hier voor onze contactgegevens. Created by Le Studio.

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The Editors – We are Creativity.

The Editors is a collective of passionates striving to build delightful products. Our digital agency creates websites, web apps and digital experiences that cross all online channels.

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The Editors Are In - Home Page

The Editors Are In. The Editors help authors refine and substantiate their arguments through careful line-editing and judicious rewriting. They are experienced in handling high volumes and tight deadlines. Working with large or small publications, a single analyst or multiple contributors, they can manage the publishing process from concept through final publication. Kim Vanderbilt, at The Editor Is In, edits financial research and other materials in the fields of business, finance and technology.