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The Filmgoer

My Michael Bay Apostasy. From Thompson on Hollywood. I can’t say the same about Pearl Harbor. The exception that proves the rule. The purpose of the film, I suspect, is Bay’s self-conscious Spielberg moment, an interminable take on the 1941 attack that has none of the raw emotion and pure fear of the virtuosic opening to Saving Private Ryan. I was reminded that television and a hangover can hide a general lack of taste that seems glaring on the big screen. As for Bay telling a good love story? Among othe...

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The Filmgoer | thefilmgoer.blogspot.com Reviews

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My Michael Bay Apostasy. From Thompson on Hollywood. I can’t say the same about Pearl Harbor. The exception that proves the rule. The purpose of the film, I suspect, is Bay’s self-conscious Spielberg moment, an interminable take on the 1941 attack that has none of the raw emotion and pure fear of the virtuosic opening to Saving Private Ryan. I was reminded that television and a hangover can hide a general lack of taste that seems glaring on the big screen. As for Bay telling a good love story? Among othe...

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The Filmgoer | thefilmgoer.blogspot.com Reviews

https://thefilmgoer.blogspot.com

My Michael Bay Apostasy. From Thompson on Hollywood. I can’t say the same about Pearl Harbor. The exception that proves the rule. The purpose of the film, I suspect, is Bay’s self-conscious Spielberg moment, an interminable take on the 1941 attack that has none of the raw emotion and pure fear of the virtuosic opening to Saving Private Ryan. I was reminded that television and a hangover can hide a general lack of taste that seems glaring on the big screen. As for Bay telling a good love story? Among othe...

INTERNAL PAGES

thefilmgoer.blogspot.com

1

The Filmgoer: This Kind of Movie

http://thefilmgoer.blogspot.com/2011/08/this-kind-of-movie.html

This Kind of Movie. 8220;Can I tell you something that’s going to make you livid? 8221; my roommate said as the score swelled. “I hate this kind of movie.”. He’s right on both counts: Rebecca. Is not for everyone — it’s old-fashioned, melodramatic, inconsistent, formalist. Yet the suggestion that the 1940 Best Picture winner is anything less than a classic tends to piss me off. 8221; If Rebecca. This is, as you might expect, a difficult book to film, what with the terrible childhood and the potential mis...

2

The Filmgoer: Lost in Translation

http://thefilmgoer.blogspot.com/2011/08/lost-in-translation.html

Of Semper Fi: Always Faithful. Semper Fi: Always Faithful. Rachel Liebert and Tony Hardmon’s affecting if imperfect exposé of water contamination at U.S. Marine Corps Base Camp Lejeune, takes its title from what the Corps website. Calls “more than a motto — a way of life.” Some life. From 1957 to 1987, the USMC exposed nearly one million people to toxic cleaning agents in Camp Lejeune’s drinking water. Then the Corps tried to cover it up. 8220;It is sweet and right to die for one’s country.&#82...The Hor...

3

The Filmgoer: Love Hurts

http://thefilmgoer.blogspot.com/2011/09/love-hurts.html

My review of the indie drama Littlerock. Which opens in L.A. today, reposted from TOH. You could say that I had an on-again, off-again relationship with Littlerock. The tourists, siblings named Atsuko and Rintaro (Atsuko Okatsuka and Rintaro Sawamoto), have wandered into town to wait for their broken-down rental car to be replaced. Speaking little English, they are taken under wing by a wannabe model and actor, Cory (Cory Zacharia), and in the pleasant minor adventures that follow, Littlerock. Rekindles ...

4

The Filmgoer: 07.11

http://thefilmgoer.blogspot.com/2011_07_01_archive.html

There's No Place Like Home Video. Excerpts from this week's "Now and Then," now up on TOH. The Kids Grow Up. Good fun. can be had during Sherman’s March. I took his advice. I poured myself a drink and read an article about the debt crisis in the Times, and when I came back he was still there, like an old friend who presses on with the story while you grab another bottle of wine.". From a cool project I was involved in this winter, commemorating Requiem for a Dream. Catch the rest of my piece here. Ends u...

5

The Filmgoer: The Rules of the Game

http://thefilmgoer.blogspot.com/2011/08/rules-of-game.html

The Rules of the Game. Excerpts from my review of two stellar sports movies. Today in "Now and Then," at Thompson on Hollywood:. With a homey, lived-in style and a strong command of performance, [Tom McCarthy's] three films behind the camera (the other two are The Station Agent. Only amplifies the trend: without quite meaning to, McCarthy has emerged as a master of middle-American quiet. It’s because of [its] glimpses outside the lines that I respond to Hoop Dreams. Despite its greatness, Hoop Dreams.

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My Michael Bay Apostasy. From Thompson on Hollywood. I can’t say the same about Pearl Harbor. The exception that proves the rule. The purpose of the film, I suspect, is Bay’s self-conscious Spielberg moment, an interminable take on the 1941 attack that has none of the raw emotion and pure fear of the virtuosic opening to Saving Private Ryan. I was reminded that television and a hangover can hide a general lack of taste that seems glaring on the big screen. As for Bay telling a good love story? Among othe...

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