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Saturday, June 9, 2012. Of Mediocrity, Memories, and Machines: A Short Note. There is one advantage of mediocrity though. A mediocre film will never encourage suicide. It will never let you near a broken mirror on a Sunday afternoon. It will never allow you to recollect your fractured reflections from the remains of the day. A mediocre film is the best friend of a table with three legs. Both lack strength of character, but to what avail? Now the question is: how should one write about mediocre films?

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THE FILM POLEMICISTS | thefilmpolemicists.blogspot.com Reviews

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Saturday, June 9, 2012. Of Mediocrity, Memories, and Machines: A Short Note. There is one advantage of mediocrity though. A mediocre film will never encourage suicide. It will never let you near a broken mirror on a Sunday afternoon. It will never allow you to recollect your fractured reflections from the remains of the day. A mediocre film is the best friend of a table with three legs. Both lack strength of character, but to what avail? Now the question is: how should one write about mediocre films?

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1 the film polemicists

2 by iman mitra

3 posted by

4 baidurya chakrabarti

5 4 comments

6 labels hugo

7 martin scorsese

8 midnight in paris

9 the artist

10 woody allen

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the film polemicists,by iman mitra,posted by,baidurya chakrabarti,4 comments,labels hugo,martin scorsese,midnight in paris,the artist,woody allen,shame,a purgatorial rite,no comments,fassbender,michael,steve mcqueen,noun,ve ˈlē ə tē və,plural,velleity

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THE FILM POLEMICISTS | thefilmpolemicists.blogspot.com Reviews

https://thefilmpolemicists.blogspot.com

Saturday, June 9, 2012. Of Mediocrity, Memories, and Machines: A Short Note. There is one advantage of mediocrity though. A mediocre film will never encourage suicide. It will never let you near a broken mirror on a Sunday afternoon. It will never allow you to recollect your fractured reflections from the remains of the day. A mediocre film is the best friend of a table with three legs. Both lack strength of character, but to what avail? Now the question is: how should one write about mediocre films?

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thefilmpolemicists.blogspot.com

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THE FILM POLEMICISTS: May 2008

http://thefilmpolemicists.blogspot.com/2008_05_01_archive.html

Saturday, May 31, 2008. Paranoid Park (2007) by Gus Van Sant; Ratings: 4 and 1/2 in 5. Dude, I don’t think I’m ready for Paranoid Park.”. 8220;Hey, nobody is ever ready for Paranoid Park.”. 160; - - -PARANOID PARK, GUS VAN SANT. 8220;Paranoid Park” is visually stunning, and I am understating here. It has the barest minimum of a plot: in Portland, Oregon, a teenager, called Alex (played by Gabe Nevins. I will rate this 4 and 1/2 because it is a Gus Van Sant’s fi...

2

THE FILM POLEMICISTS: June 2012

http://thefilmpolemicists.blogspot.com/2012_06_01_archive.html

Saturday, June 9, 2012. Of Mediocrity, Memories, and Machines: A Short Note. There is one advantage of mediocrity though. A mediocre film will never encourage suicide. It will never let you near a broken mirror on a Sunday afternoon. It will never allow you to recollect your fractured reflections from the remains of the day. A mediocre film is the best friend of a table with three legs. Both lack strength of character, but to what avail? Now the question is: how should one write about mediocre films?

3

THE FILM POLEMICISTS: The Unbearable Empty-ness of Being Cute; or How to Sweep the Oscars

http://thefilmpolemicists.blogspot.com/2012/02/unbearable-empty-ness-of-being-cute-or.html

Monday, February 27, 2012. The Unbearable Empty-ness of Being Cute; or How to Sweep the Oscars. Michel Hazanavicius' " The Artist. I condemn that. I know it is slightly stupid to condemn an Oscar favourite. (Who is being naive now, Kay? But I still condemn because it is an issue that is not restricted to one single film. I condemn a trend. The Artist" is an almost. The story of the film is abysmally simple. Once upon a time. And did I tell you I hate that beginning? In fact, the male-female duo almost ex...

4

THE FILM POLEMICISTS: Velleity: Criticism in Vernacular

http://thefilmpolemicists.blogspot.com/2012/02/velleity-criticism-in-vernacular.html

Wednesday, February 29, 2012. Velleity: Criticism in Vernacular. Vel·le·i·ty:. Vel·le·i·ties. The lowest degree of volition. A slight wish or tendency :. New Latin velleitas,. To wish, will — more at will. First Known Use: 1618. Degree of volition; only the superficial expression remains muted. Muted, because this text is aware of the traps into which one may fall. The wish is simple: to extract a possibility, or the conditions of possibility, of delineating a few advantages. Very few think through films...

5

THE FILM POLEMICISTS: February 2012

http://thefilmpolemicists.blogspot.com/2012_02_01_archive.html

Wednesday, February 29, 2012. Velleity: Criticism in Vernacular. Vel·le·i·ty:. Vel·le·i·ties. The lowest degree of volition. A slight wish or tendency :. New Latin velleitas,. To wish, will — more at will. First Known Use: 1618. Degree of volition; only the superficial expression remains muted. Muted, because this text is aware of the traps into which one may fall. The wish is simple: to extract a possibility, or the conditions of possibility, of delineating a few advantages. Very few think through films...

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Saturday, June 9, 2012. Of Mediocrity, Memories, and Machines: A Short Note. There is one advantage of mediocrity though. A mediocre film will never encourage suicide. It will never let you near a broken mirror on a Sunday afternoon. It will never allow you to recollect your fractured reflections from the remains of the day. A mediocre film is the best friend of a table with three legs. Both lack strength of character, but to what avail? Now the question is: how should one write about mediocre films?

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