thegoldenghoose.blogspot.com

The Golden Ghoose

Monday, April 14, 2014. I began this last week, paralleling this drawing from early March. While I was doing this, I considered that my work is hugely about drawing. The process puts my body against the paper in the drafting of a new body. It is mapped first by lines struck in ardent haste, as I try to reify some knowledge or some feeling about this body. From these many lines I slowly distill a person, wringing him out through touch that registers there in the mark of my fingerprint. This is what I have...

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The Golden Ghoose | thegoldenghoose.blogspot.com Reviews

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Monday, April 14, 2014. I began this last week, paralleling this drawing from early March. While I was doing this, I considered that my work is hugely about drawing. The process puts my body against the paper in the drafting of a new body. It is mapped first by lines struck in ardent haste, as I try to reify some knowledge or some feeling about this body. From these many lines I slowly distill a person, wringing him out through touch that registers there in the mark of my fingerprint. This is what I have...

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The Golden Ghoose | thegoldenghoose.blogspot.com Reviews

https://thegoldenghoose.blogspot.com

Monday, April 14, 2014. I began this last week, paralleling this drawing from early March. While I was doing this, I considered that my work is hugely about drawing. The process puts my body against the paper in the drafting of a new body. It is mapped first by lines struck in ardent haste, as I try to reify some knowledge or some feeling about this body. From these many lines I slowly distill a person, wringing him out through touch that registers there in the mark of my fingerprint. This is what I have...

INTERNAL PAGES

thegoldenghoose.blogspot.com

1

The Golden Ghoose: The Ghood, the Bad, and the Ugly.

http://thegoldenghoose.blogspot.com/2011/08/ghood-bad-and-ugly.html

Sunday, August 28, 2011. The Ghood, the Bad, and the Ugly. I am reading Umberto Eco's On Ugliness. He is now discussing notions of ugliness in illustrations (text and image alike) of Christian Hell. Agents of Hell are often chimeras, with parts compounded from the human, avian, feline, et al. Also recurrent in their physiognomy is polymelia. A multiplicity of [consummately single or twinned] parts, like the beast with six arms or twelve eyes or doubled sex organs. The spiders were fun to make, but I'm wo...

2

The Golden Ghoose: APPLY!

http://thegoldenghoose.blogspot.com/2012/11/apply.html

Tuesday, November 20, 2012. Seven weeks headquartered in Todi, Italy, feat. one week in Rome and visits to Florence, Venice, Siena, and Assisi, offering a program of Italian, Art History, and Visual Art study. Subscribe to: Post Comments (Atom). Art and Word, Always in V-Formation. View my complete profile.

3

The Golden Ghoose: The Real Thing

http://thegoldenghoose.blogspot.com/2014/04/the-real-thing.html

Monday, April 14, 2014. I began this last week, paralleling this drawing from early March. While I was doing this, I considered that my work is hugely about drawing. The process puts my body against the paper in the drafting of a new body. It is mapped first by lines struck in ardent haste, as I try to reify some knowledge or some feeling about this body. From these many lines I slowly distill a person, wringing him out through touch that registers there in the mark of my fingerprint. This is what I have...

4

The Golden Ghoose: March 2013

http://thegoldenghoose.blogspot.com/2013_03_01_archive.html

Monday, March 4, 2013. And when they tetched the powder off, the Gator lost his mind. In Figure Drawing, I can be seen one day of the semester barking and enumerating a few flimsy tenets about how to draw birthmarks, moles, freckles, and tattoos - how the tattoo is as respondent to light as the unmarked skin, how it pulls with. Its plat of skin, is not peripheral but embedded in the dermis, held truly 'inside' the skin and under hair, and so on. Pastel, charcoal, watercolor on paper, fabric, pumice ground.

5

The Golden Ghoose: And when they tetched the powder off, the Gator lost his mind.

http://thegoldenghoose.blogspot.com/2013/03/and-when-they-tetched-powder-off-gator.html

Monday, March 4, 2013. And when they tetched the powder off, the Gator lost his mind. In Figure Drawing, I can be seen one day of the semester barking and enumerating a few flimsy tenets about how to draw birthmarks, moles, freckles, and tattoos - how the tattoo is as respondent to light as the unmarked skin, how it pulls with. Its plat of skin, is not peripheral but embedded in the dermis, held truly 'inside' the skin and under hair, and so on. Pastel, charcoal, watercolor on paper, fabric, pumice ground.

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thegoldenghoose.blogspot.com

The Golden Ghoose

Monday, April 14, 2014. I began this last week, paralleling this drawing from early March. While I was doing this, I considered that my work is hugely about drawing. The process puts my body against the paper in the drafting of a new body. It is mapped first by lines struck in ardent haste, as I try to reify some knowledge or some feeling about this body. From these many lines I slowly distill a person, wringing him out through touch that registers there in the mark of my fingerprint. This is what I have...

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