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Toby Masters 2011

Sunday, 15 May 2011. Jon D Rutter - Dismantling the Face: Toward a Phenomenology of Boxing. Cultural Studies - Critical Methodologies, Volume 7 Number 3, 2007 281-293. Francis Bacon famously stated that he wanted his paintings to look as though the human presence had passed through them leaving a snail's trail of this presence behind (disturbing, yeah? Schmied, W. (2006). Francis Bacon. Wednesday, 4 May 2011. Matthew Collings - "Beauty". By Martin Amis and hence suggests her work illustrates specific nar...

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Toby Masters 2011 | thegreatwent.blogspot.com Reviews
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Sunday, 15 May 2011. Jon D Rutter - Dismantling the Face: Toward a Phenomenology of Boxing. Cultural Studies - Critical Methodologies, Volume 7 Number 3, 2007 281-293. Francis Bacon famously stated that he wanted his paintings to look as though the human presence had passed through them leaving a snail's trail of this presence behind (disturbing, yeah? Schmied, W. (2006). Francis Bacon. Wednesday, 4 May 2011. Matthew Collings - Beauty. By Martin Amis and hence suggests her work illustrates specific nar...
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Toby Masters 2011 | thegreatwent.blogspot.com Reviews

https://thegreatwent.blogspot.com

Sunday, 15 May 2011. Jon D Rutter - Dismantling the Face: Toward a Phenomenology of Boxing. Cultural Studies - Critical Methodologies, Volume 7 Number 3, 2007 281-293. Francis Bacon famously stated that he wanted his paintings to look as though the human presence had passed through them leaving a snail's trail of this presence behind (disturbing, yeah? Schmied, W. (2006). Francis Bacon. Wednesday, 4 May 2011. Matthew Collings - "Beauty". By Martin Amis and hence suggests her work illustrates specific nar...

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Toby Masters 2011: May 2011

http://thegreatwent.blogspot.com/2011_05_01_archive.html

Sunday, 15 May 2011. Jon D Rutter - Dismantling the Face: Toward a Phenomenology of Boxing. Cultural Studies - Critical Methodologies, Volume 7 Number 3, 2007 281-293. Francis Bacon famously stated that he wanted his paintings to look as though the human presence had passed through them leaving a snail's trail of this presence behind (disturbing, yeah? Schmied, W. (2006). Francis Bacon. Wednesday, 4 May 2011. Matthew Collings - "Beauty". By Martin Amis and hence suggests her work illustrates specific nar...

2

Toby Masters 2011: Jeremy Gilbert-Rolfe - "Cabbages, raspberries, and video's thin brightness

http://thegreatwent.blogspot.com/2011/04/jeremy-gilbert-rolfe-cabbages.html

Wednesday, 27 April 2011. Jeremy Gilbert-Rolfe - "Cabbages, raspberries, and video's thin brightness. Gilbert-Rolfe, Jeremy. "Cabbages, Raspberries and Video's Thin Brightness", Painting in the age of Artificial Intelligence, Art and Design (May/June), pages 14-23, 1996. Ingram, S. (2004). Machinic Practice in Painting. Junctures, 2,. 10 May 2011 at 22:55. Subscribe to: Post Comments (Atom). Jeremy Gilbert-Rolfe - Cabbages, raspberries, and. Rosalind Krauss - Sculpture in the Expanded Field.

3

Toby Masters 2011: Rosalind Krauss - "Sculpture in the Expanded Field"

http://thegreatwent.blogspot.com/2011/04/rosalind-krauss-sculpture-in-expanded.html

Tuesday, 12 April 2011. Rosalind Krauss - "Sculpture in the Expanded Field". Krauss, R. (1979). Sculpture in the Expanded Field. October, 8,. Krauss refers to the two failed commissions of Rodin as a point where sculpture, or the logic of the monument enter "a kind of sightlessness, or homelessness, an absolute loss of place". Krauss sites this "negative condition" as the beginning point of modernity for sculpture and it is this that I find interesting. Following this question painting had to ask itself ...

4

Toby Masters 2011: April 2011

http://thegreatwent.blogspot.com/2011_04_01_archive.html

Wednesday, 27 April 2011. Jeremy Gilbert-Rolfe - "Cabbages, raspberries, and video's thin brightness. Gilbert-Rolfe, Jeremy. "Cabbages, Raspberries and Video's Thin Brightness", Painting in the age of Artificial Intelligence, Art and Design (May/June), pages 14-23, 1996. Ingram, S. (2004). Machinic Practice in Painting. Junctures, 2,. Tuesday, 12 April 2011. Rosalind Krauss - "Sculpture in the Expanded Field". Krauss, R. (1979). Sculpture in the Expanded Field. October, 8,. What intrigues me about sculpt...

5

Toby Masters 2011: Tamara Trodd - "Lack of Fit: Tacita Dean, Modernism and the Sculptural Film

http://thegreatwent.blogspot.com/2011/04/tamara-trodd-lack-of-fit-tacita-dean.html

Monday, 4 April 2011. Tamara Trodd - "Lack of Fit: Tacita Dean, Modernism and the Sculptural Film. Trodd, Tamara. "Lack of Fit: Tacita Dean, Modernism and the Sculptural Film." Art History 31 3 (2008): 368-86. Tamara Trodd's 2008 journal article offers an interesting position on where the artist Tacita Dean's 1996 film Disappearance at Sea. Whilst there is every chance that Trodd has hit the nail on the head here I'd say there is equal chance that Dean's thinking in approach to Disappearance. Gow Langsfo...

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Toby Masters 2011

Sunday, 15 May 2011. Jon D Rutter - Dismantling the Face: Toward a Phenomenology of Boxing. Cultural Studies - Critical Methodologies, Volume 7 Number 3, 2007 281-293. Francis Bacon famously stated that he wanted his paintings to look as though the human presence had passed through them leaving a snail's trail of this presence behind (disturbing, yeah? Schmied, W. (2006). Francis Bacon. Wednesday, 4 May 2011. Matthew Collings - "Beauty". By Martin Amis and hence suggests her work illustrates specific nar...

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