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THE HIP HOP READER

Sunday, 10 May 2009. A Political-Economy of Representational ****. There is nothing wrong with one community learning the cultural forms produced by another, if it respects their specific shapes and meanings. There is something horribly wrong with a dominant community repeatedly co-opting the cultural forms of oppressed communities, stripping them of their vitality and form, the heritage of their creators and then popularizing them (Van Der Meer 1984 cited by Blair 2004:497). When emergent cultural pract...

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THE HIP HOP READER | thehiphopreader.blogspot.com Reviews

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Sunday, 10 May 2009. A Political-Economy of Representational ****. There is nothing wrong with one community learning the cultural forms produced by another, if it respects their specific shapes and meanings. There is something horribly wrong with a dominant community repeatedly co-opting the cultural forms of oppressed communities, stripping them of their vitality and form, the heritage of their creators and then popularizing them (Van Der Meer 1984 cited by Blair 2004:497). When emergent cultural pract...

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THE HIP HOP READER | thehiphopreader.blogspot.com Reviews

https://thehiphopreader.blogspot.com

Sunday, 10 May 2009. A Political-Economy of Representational ****. There is nothing wrong with one community learning the cultural forms produced by another, if it respects their specific shapes and meanings. There is something horribly wrong with a dominant community repeatedly co-opting the cultural forms of oppressed communities, stripping them of their vitality and form, the heritage of their creators and then popularizing them (Van Der Meer 1984 cited by Blair 2004:497). When emergent cultural pract...

INTERNAL PAGES

thehiphopreader.blogspot.com

1

THE HIP HOP READER: Bad Sista’s…

http://thehiphopreader.blogspot.com/2009/02/bad-sistas.html

Sunday, 8 February 2009. Bad Sista’s…. Representations of black female bodies in contemporary popular culture rarely subvert or critique images of black female sexuality which were part of the cultural apparatus of 19th century racism and which still shape perceptions today (hooks. Black Looks: Race and Representation. Ideology represents the process by which certain assumed qualities are attached to Black women and how those qualities are used to justify oppression. From the mammies, Jezebels, and b...

2

THE HIP HOP READER: A Political-Economy of Representational Rape...

http://thehiphopreader.blogspot.com/2009/05/political-economy-of-representational.html

Sunday, 10 May 2009. A Political-Economy of Representational Rape. There is nothing wrong with one community learning the cultural forms produced by another, if it respects their specific shapes and meanings. There is something horribly wrong with a dominant community repeatedly co-opting the cultural forms of oppressed communities, stripping them of their vitality and form, the heritage of their creators and then popularizing them (Van Der Meer 1984 cited by Blair 2004:497). When emergent cultural pract...

3

THE HIP HOP READER: December 2008

http://thehiphopreader.blogspot.com/2008_12_01_archive.html

Monday, 29 December 2008. But What Is Hip Hop? People have to understand what you mean when you talk about Hip Hop. Hip Hop means the whole culture of the movement. When you talk about rap you have to understand that rap is part of the Hip Hop Culture. That means the emceeing is part of Hip Hop Culture. Deejaying is part of the Hip Hop Culture. The dressing, the languages are all part of the Hip Hop Culture (Alim. Roc the Mic Right. As a creative reaction to their increasing marginalization and subordina...

4

THE HIP HOP READER: Key Hip Hop Texts…

http://thehiphopreader.blogspot.com/2009/05/key-hip-hop-texts.html

Tuesday, 5 May 2009. Key Hip Hop Texts…. 1 Black Noise (1994) by T. Rose. Black Noise is by far the finest thing ever written on hip hop and rap music . Rose locates the origins of the music and message(s) in the lived experience of African-American youth." - Robin D. G. Kelley. 2 That’s the Joint! The Hip-Hop Studies Reader (2004) by M.A. Neal and M. Foreman. 3 Rap Music and Street Consciousness (2004) by C.L. Keyes. 4 Prophets of the Hood: Politics and Poetics in Hip Hop (2005) by I. Perry. Jeff Chang ...

5

THE HIP HOP READER: February 2009

http://thehiphopreader.blogspot.com/2009_02_01_archive.html

Sunday, 8 February 2009. Bad Sista’s…. Representations of black female bodies in contemporary popular culture rarely subvert or critique images of black female sexuality which were part of the cultural apparatus of 19th century racism and which still shape perceptions today (hooks. Black Looks: Race and Representation. Ideology represents the process by which certain assumed qualities are attached to Black women and how those qualities are used to justify oppression. From the mammies, Jezebels, and b...

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Sunday, 10 May 2009. A Political-Economy of Representational Rape. There is nothing wrong with one community learning the cultural forms produced by another, if it respects their specific shapes and meanings. There is something horribly wrong with a dominant community repeatedly co-opting the cultural forms of oppressed communities, stripping them of their vitality and form, the heritage of their creators and then popularizing them (Van Der Meer 1984 cited by Blair 2004:497). When emergent cultural pract...

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