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Embodied Metapatterns

Monday, April 28, 2014. Here [above] is a detail. In the metallic pieces, the little “bloom” catches the ambient light, so that again the surface changes dramatically as the viewer moves around the piece. And here [below] is another piece from the same series – this one slightly larger: around 56” x 40”. In this detail [below] you can really get a sense of the bead-like nature of the marks – and indeed the fact that they are actually holes pierced through the paper. This series features these little stri...

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Embodied Metapatterns | thelathe.org Reviews

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Monday, April 28, 2014. Here [above] is a detail. In the metallic pieces, the little “bloom” catches the ambient light, so that again the surface changes dramatically as the viewer moves around the piece. And here [below] is another piece from the same series – this one slightly larger: around 56” x 40”. In this detail [below] you can really get a sense of the bead-like nature of the marks – and indeed the fact that they are actually holes pierced through the paper. This series features these little stri...

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Embodied Metapatterns | thelathe.org Reviews

https://thelathe.org

Monday, April 28, 2014. Here [above] is a detail. In the metallic pieces, the little “bloom” catches the ambient light, so that again the surface changes dramatically as the viewer moves around the piece. And here [below] is another piece from the same series – this one slightly larger: around 56” x 40”. In this detail [below] you can really get a sense of the bead-like nature of the marks – and indeed the fact that they are actually holes pierced through the paper. This series features these little stri...

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Concatenations.org - Texts

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Essays, Reviews, and Interviews. Exhibition review: Summer Solstice. By Yoshiaki Mochizuki, The Brooklyn Rail. Exhibition review: I am Not Empty, I am Open. By Kate Teale, The Brooklyn Rail. Exhibition review: Judith Braun. Critical Essay: A Pill for the Heart. Review of Graphic Medicine book series), The Brooklyn Rail. Exhibition review: Jong Oh. Exhibition review: Odyssey pandemOnium. By Joseph Nechvatal, Hyperallergic. Exhibition review: PS1's Greater New York. Exhibition review: Unfolding Marco Maggi.

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Essays, Reviews, and Interviews. Exhibition review: I am Not Empty, I am Open. By Kate Teale, The Brooklyn Rail. Exhibition review: Judith Braun. Critical Essay: A Pill for the Heart. Review of Graphic Medicine book series), The Brooklyn Rail. Exhibition review: Jong Oh. Exhibition review: Odyssey pandemOnium. By Joseph Nechvatal, Hyperallergic. Exhibition review: PS1's Greater New York. Exhibition review: Unfolding Marco Maggi. By Marco Maggi, The Brooklyn Rail. By Charlene Spretnak, The Brooklyn Rail.

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In July 2016, Splotch. A two-venue group show held at Sperone Westwater and Lesley Heller Workspace, was reviewed in Artinfo. Click here to read more: BlouinArtinfo. In July 2016, videographer James Kalm reviewed Splotch. For his Rough Cuts. YouTube series. To watch his walk-through of the Lesley Heller venue, please click here: Rough Cuts by James Kalm. For more information, click here: The New York Times. For more information, click here: Artcritical. In the Fall of 2012, Roniger's work was featured on...

taneyroniger.com

concatenations.org - News

http://www.taneyroniger.com/news.htm

In July 2016, Splotch. A two-venue group show held at Sperone Westwater and Lesley Heller Workspace, was reviewed in Artinfo. Click here to read more: BlouinArtinfo. In July 2016, videographer James Kalm reviewed Splotch. For his Rough Cuts. YouTube series. To watch his walk-through of the Lesley Heller venue, please click here: Rough Cuts by James Kalm. For more information, click here: The New York Times. For more information, click here: Artcritical. In the Fall of 2012, Roniger's work was featured on...

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Embodied Metapatterns

Monday, April 28, 2014. Here [above] is a detail. In the metallic pieces, the little “bloom” catches the ambient light, so that again the surface changes dramatically as the viewer moves around the piece. And here [below] is another piece from the same series – this one slightly larger: around 56” x 40”. In this detail [below] you can really get a sense of the bead-like nature of the marks – and indeed the fact that they are actually holes pierced through the paper. This series features these little stri...

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