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The Man Who Wrote Too Much

Thursday, 22 August 2013. The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003. Andrey Zvyagintsev’s debut feature The Return. Was as subject to this as any recent Russian feature in the wake of its Golden Lion win at 2003's Venice Festival. Critics chose to make Stalker. The main frame of reference, and you can see where they were coming from. Like that picture, The Return. And Michelangelo Antonioni’s stunning mist-strewn evocation of the Italian Po Delta in Il Grido. As the film progresses, a sense...

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The Man Who Wrote Too Much | themanwhowrotetoomuch.blogspot.com Reviews

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Thursday, 22 August 2013. The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003. Andrey Zvyagintsev’s debut feature The Return. Was as subject to this as any recent Russian feature in the wake of its Golden Lion win at 2003's Venice Festival. Critics chose to make Stalker. The main frame of reference, and you can see where they were coming from. Like that picture, The Return. And Michelangelo Antonioni’s stunning mist-strewn evocation of the Italian Po Delta in Il Grido. As the film progresses, a sense...

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8 exploitation

9 richard rush

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The Man Who Wrote Too Much | themanwhowrotetoomuch.blogspot.com Reviews

https://themanwhowrotetoomuch.blogspot.com

Thursday, 22 August 2013. The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003. Andrey Zvyagintsev’s debut feature The Return. Was as subject to this as any recent Russian feature in the wake of its Golden Lion win at 2003's Venice Festival. Critics chose to make Stalker. The main frame of reference, and you can see where they were coming from. Like that picture, The Return. And Michelangelo Antonioni’s stunning mist-strewn evocation of the Italian Po Delta in Il Grido. As the film progresses, a sense...

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themanwhowrotetoomuch.blogspot.com

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The Man Who Wrote Too Much: Duel - Steven Spielberg - 1971

http://themanwhowrotetoomuch.blogspot.com/2009/11/duel-steven-spielberg-1971.html

Monday, 23 November 2009. Duel - Steven Spielberg - 1971. Ahh 1971, a landmark year for the ‘New Hollywood’ crowd by anyone’s estimation. Billy Friedkin released his first masterwork with. Peter Bogdanovich released what is arguably his only masterwork with. The Last Picture Show. A young beardy future mega-lo-maniac made. Not to mention Altman’s. McCabe and Mrs Miller. Richard Sarafin’s V. Well you get the picture. In the midst of all this, a young California State dropout was stuck doing episodes of.

2

The Man Who Wrote Too Much: When too lazy to add a new review...

http://themanwhowrotetoomuch.blogspot.com/2009/11/when-too-lazy-to-add-new-review.html

Monday, 30 November 2009. When too lazy to add a new review. Just redesign the page a bit instead! You may notice a new header at the top of the page, the theme is that it's meant to recall the opening credit fonts and colours of Late 60's/Early 70's Italian Giallo pics and other such exploito classics of the era. The background pic you may recall from my old review of Chris Petit's. Hope y'all can dig it. More review soon I swear to ya, I am determined to make the title of this blog less ironic.

3

The Man Who Wrote Too Much: Hells Angels on Wheels - Richard Rush - 1967

http://themanwhowrotetoomuch.blogspot.com/2012/07/hells-angels-on-wheels-richard-rush-1967.html

Friday, 27 July 2012. Hells Angels on Wheels - Richard Rush - 1967. Where do we start? Well The Wild One (1953). I guess is the obvious year zero choice. Brando and his boys roll into small town Americana, shake up the squares, “What are you rebelling against? 8221; “Whad’ya got? 8221; etc. All good, but not quite there, Lee Marvin is pretty brutal, but they’re all riding Triumphs! Forget it. The rest of the 1950’s is all generalised teenage delinquency and Hot Rodders on chicken runs. Over the next five...

4

The Man Who Wrote Too Much: The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003

http://themanwhowrotetoomuch.blogspot.com/2013/08/the-return-vozvrashchenie-andrey.html

Thursday, 22 August 2013. The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003. Andrey Zvyagintsev’s debut feature The Return. Was as subject to this as any recent Russian feature in the wake of its Golden Lion win at 2003's Venice Festival. Critics chose to make Stalker. The main frame of reference, and you can see where they were coming from. Like that picture, The Return. And Michelangelo Antonioni’s stunning mist-strewn evocation of the Italian Po Delta in Il Grido. As the film progresses, a sense...

5

The Man Who Wrote Too Much: November 2009

http://themanwhowrotetoomuch.blogspot.com/2009_11_01_archive.html

Monday, 30 November 2009. When too lazy to add a new review. Just redesign the page a bit instead! You may notice a new header at the top of the page, the theme is that it's meant to recall the opening credit fonts and colours of Late 60's/Early 70's Italian Giallo pics and other such exploito classics of the era. The background pic you may recall from my old review of Chris Petit's. Hope y'all can dig it. More review soon I swear to ya, I am determined to make the title of this blog less ironic. Is inst...

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themanwhowrotetoomuch.blogspot.com

The Man Who Wrote Too Much

Thursday, 22 August 2013. The Return (Vozvrashchenie) – Andrey Zvyagintsev – 2003. Andrey Zvyagintsev’s debut feature The Return. Was as subject to this as any recent Russian feature in the wake of its Golden Lion win at 2003's Venice Festival. Critics chose to make Stalker. The main frame of reference, and you can see where they were coming from. Like that picture, The Return. And Michelangelo Antonioni’s stunning mist-strewn evocation of the Italian Po Delta in Il Grido. As the film progresses, a sense...

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