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Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.

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Musiikkiblogi | theoreticalmusic.blogspot.com Reviews
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Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.
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Musiikkiblogi | theoreticalmusic.blogspot.com Reviews

https://theoreticalmusic.blogspot.com

Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.

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Musiikkiblogi: huhtikuuta 2011

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Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.

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Musiikkiblogi: Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa

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Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.

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Loboob Oscillator: noviembre 2009

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LoBoobOscillator. Music Non Stop. Conjunto de sugerencias de unos melómanos. Eclecticidad, no promiscuidad. King Crimson: El despertar del Rey Carmesí. Algunas personas, por intervención divina o por injusticias del destino, tienen la habilidad de poder distinguir cada nota musical; basta una escuchada, a veces incluso entre toda la masa tonal, pueden separar cada sonido y nombrarlo: Es el llamado Absolute. Oído absoluto). Famosa es la anécdota del niño Mozart. En aquel entonces de 13 años de edad, llendo.

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Musiikkiblogi

Lauantai 9. huhtikuuta 2011. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossa. Harmonisten intervallien jakauma pinta- ja hierarkisella tasolla Anton Webernin pianomuunnelmien, opus 27, ensimmäisen osan ekspositiossaSananen merkintätavoista: 1-2: intervalli ensimmäisen ja toisen äänen välillä; 2-3: intervalli toisen ja kolmannen äänen välillä; 1-3: intervalli ääriäänten välillä. 2-3: 0 5 7 5 8 6 11 6 6 11 6 8 5 7 5 0.

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