paintedwindowdesigns.blogspot.com
Design Post: January 2015
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Friday, January 23, 2015. Historic Lamp repair - initial pigment investigation. Sorting through paint samples. 1333 red for flesh - historic pigment matches probable date of lamp but color is not red enough. Modern enamel - Burnt sienna. Addition of "mahogany" looks closer - requires additional testing. 1333 Mahogany (do test). Umber brown sepia - too warm. Test with addition of Bistre Brown. Monday, January 12, 2015. Subscribe to: Posts (Atom). Historic Lamp repair - initial pigment investigati.
striatedruby.blogspot.com
Seeing Red: The Quest for Medieval Ruby: April 2013
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Bryn Athyn Red Glass Analysis. Tuesday, April 2, 2013. 8220;The Secrets of Glass Painting”. I recently received this email from Robert Jason at S. A. Bendheim. I came across a small German book in our Bendheim archives titled “The Secrets of Glass Painting” dated 1831. As I remember, you were hunting for some ancient color formulations. If you’re interested, please let me know which colors are important for you and if they’re there, we’ll send you a translation. Here is my reply:. Next time I have the op...
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Seeing Red: The Quest for Medieval Ruby: Lawrence Saint Bibliography
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Bryn Athyn Red Glass Analysis. A Guide to Resources. This bibliography supplied courtesy of the Rakow Research Library). American Art Annual Biographical Directory. V 29, 1932, p. 511. Library: J. Stanley Brothers files on mosaic and painted glass: artists). Stained Glass of the Middle Ages in. B Saint, described by Hugh Arnold. A and C. Black, 1913. Cage NK5308.A76.1913: F-2698. A and C. Black, 1925. Cage NK5308.A76.1925: F-2699. Bayless, John Hocking. Jewels of Light: Stained Glass at. Saint: An Interv...
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Seeing Red: The Quest for Medieval Ruby: Bryn Athyn Red Glass Analysis
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Bryn Athyn Red Glass Analysis. Bryn Athyn Red Glass Analysis. Following the Corpus Vitrearum conference in Portugal, Manfred Torge of the Federal Institute of Material Testing in Berlin, offered to take one of my samples of Bryn Athyn red glass produced between 1922 and 1942 and analyze it. Here are the results of his study:. Subscribe to: Posts (Atom). Well, it’s really too bad if you missed this lecture. It was first delivered at the American Glass Guild. And reprised at the. Page 4 - Pitcairn meets Jo...
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Seeing Red: The Quest for Medieval Ruby: J. Kenneth Leap - Glass Making in Bryn Athyn
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Bryn Athyn Red Glass Analysis. Friday, September 12, 2014. J Kenneth Leap - Glass Making in Bryn Athyn. Subscribe to: Post Comments (Atom). Well, it’s really too bad if you missed this lecture. It was first delivered at the American Glass Guild. And reprised at the. Dressed as the artist Lawrence Saint (1885-1961) I presented an animated (nay: whirlwind! Story of passion, lost formulas and treasure hunting in some of the most revered collections in the glass world. As a post-print of their 2009 conference.
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Seeing Red: The Quest for Medieval Ruby: August 2011
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Bryn Athyn Red Glass Analysis. Sunday, August 28, 2011. Page 29: Modern Attempts. Why does any of this matter? In my attempt to obtain a similar glass, I sent a sample of the Bryn Athyn red to the Lambert’s factory in. And they were unable to match it. Reviewing Lamberts’ attempts with the glassblowers I know from my association with the. The verdict was that the color was accurate but the intricacy of the striated pattern was not well replicated owing to the larger size of the Lamberts’ sheets. 8217;s a...
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Seeing Red: The Quest for Medieval Ruby: July 2011
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Bryn Athyn Red Glass Analysis. Saturday, July 30, 2011. Page 25: The 1972 Flood. Let me say a few words about this flood. In 1972, Hurricane Agnes took an inland route, combined with a mid latitude cyclone track and stalled over western. For 5 days. The immense volume of rain broke all former records and caused the river that flows through. To overflow its banks. The water level reached 5 feet high – on the second floor of the museum! Page 24: Return to Corning. Page 23: The Saint Family Reunion. Disappo...
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Seeing Red: The Quest for Medieval Ruby: Medieval Red Analysis
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Bryn Athyn Red Glass Analysis. CHEMICAL ANALYSIS of Medieval Striated Red Glass [1]. Lawrence Saint was given a piece of medieval red glass containing a bubble which clearly separated the streaky red flashed layer from the clear greenish base glass. Chemical analysis of both the red and green portions of the glass was commissioned by Saint and performed by the chemist Fredrick Wynkoop. Phosphoric Anhydride (P2O5) (Bone Ash). Cuprous Oxide (Cu2O) (Copper). Subscribe to: Posts (Atom). And reprised at the.
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Seeing Red: The Quest for Medieval Ruby: September 2011
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Bryn Athyn Red Glass Analysis. Friday, September 23, 2011. This is a quick post before I fly off to Portugal. I will give a full update when I return but I must thank Jason Klein of Historical Glassworks. For coming to the rescue and working on making some red glass samples. He sent me several by overnight post which are just killer. Sunday, September 18, 2011. Page 32: The Final Player. Not far from my studio in. Lives another glass blower named Rich Federici. He trained at the. Finally he stopped by an...
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Seeing Red: The Quest for Medieval Ruby: Additional Images
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Bryn Athyn Red Glass Analysis. Saint's Exhibition at Corning 1954. Subscribe to: Posts (Atom). Well, it’s really too bad if you missed this lecture. It was first delivered at the American Glass Guild. And reprised at the. Dressed as the artist Lawrence Saint (1885-1961) I presented an animated (nay: whirlwind! Story of passion, lost formulas and treasure hunting in some of the most revered collections in the glass world. As a post-print of their 2009 conference. Page 1 - Saint Addresses the SGAA. View my...
