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ARTICULATED ARTISTS: October 2013
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Saturday, 26 October 2013. Mimei Thompson talks to Alli Sharma at Art First Projects, London W1. Dead Fly, 2013. We’re here at your exhibition, in front of the work. So what came first? I recognize some of the cave paintings? Tell me about your fascination with insects. These marks here are literally swirling up to form a. I like these paintings together because you can see the suggestions of Green Man. Green Man, 2013. Pavement Tree, 2013. Do you work on a painting all in one go? I love your Asparagus.
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ARTICULATED ARTISTS: March 2014
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Tuesday, 11 March 2014. Alli Sharma talked to Benjamin Bridges in December 2013 as he embarked upon some new techniques. He will be exhibiting at dalla Rosa Gallery, EC1 from 14 March 2014. All 2013, oil on canvas, 51x41cm. AS: This looks like new work? AS: Is it oil paint? BB: Yes, and because it’s white spirit and not turpentine, it splits like this. I have no idea what they’re about any more than what they are. 2013, oil on board, 29x20cm. AS: The borders are interesting. 2013, oil on plywood, 20x15cm.
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ARTICULATED ARTISTS: May 2010
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Sunday, 16 May 2010. Donald Urquhart in conversation with Nick Nowicki at his exhibition, 'Bi', Maureen Paley and Herald St, London, E2. NN: Do you favour a particular type of sketchbook? DU: I always use A3… is it Daler? There’s something really familiar about that brand because I remember using it at school. I always used black ink and brush; I haven’t really changed. NN: Is it Chinese ink? NN: ‘Why Bother’ is acrylic on canvas. NN: Does it look like your handwriting? DU: People ask if my wall drawings...
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ARTICULATED ARTISTS: February 2012
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Wednesday, 1 February 2012. Miho Sato talks to Alli Sharma at her studio in Bow, London E3. Russian Actress, 2012. AS: It’s interesting how little detail is needed to recognize your Moomin. I guess that is the theme of the exhibition, Minimal Excess. MS: Yes, I have made three Moomins. All different sizes. The first, in 2003, was bigger and on thick paper. For Minimal Excess. I have a new painting, Russian Actress. And a slightly older one, Complexity of Adulthood 3. I had the image for. It was a fire th...
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ARTICULATED ARTISTS: January 2011
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Monday, 17 January 2011. David Wightman talking to Alli Sharma at his Hackney Wick studio. DW: People hesitate to call them targets but that’s what they are. When I first started doing them a few years ago, it was an attempt to mock formalist geometric abstraction. So I took on different abstract motifs, like the target, square, and stripe. AS: I don’t know much about geometric abstraction, who are you referencing? DW: The most obvious would be Kenneth Noland. AS: So you started with an ironic intent.
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ARTICULATED ARTISTS: John Mills talked to Alli Sharma at Weekend Gallery in Los Angeles
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Friday, 11 April 2014. John Mills talked to Alli Sharma at Weekend Gallery in Los Angeles. 2013, oil and graphite on canvas, 36x36". AS: When I look at your paintings I imagine some of the marks are made from felt tip pens, is that something you use in your drawings? AS: Do the same motifs crop up in the drawings? AS: So if that starts to happen do you do something to stop it? I can see things are rubbed out and over. I guess I try to do the same thing, however, I exist in the 21. JM: Yes, in a way it...
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ARTICULATED ARTISTS: May 2011
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Monday, 23 May 2011. Jeff McMillan talks to Alli Sharma at his studio in Shoreditch, E2. AS: Where do you find your drawings and paintings? AS: Is that what you look for, an awkwardness? JM: That’s the sort of potential I suppose I am looking for, as though the drawing is asking for an intervention to become complete. At times it feels like a collaboration. AS: Do you know what the geometric drawings are? AS: And beautifully presented. AS: The dipping line works well with the geometric look. JM: I’...
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ARTICULATED ARTISTS: April 2014
http://articulatedartists.blogspot.com/2014_04_01_archive.html
Friday, 11 April 2014. John Mills talked to Alli Sharma at Weekend Gallery in Los Angeles. 2013, oil and graphite on canvas, 36x36". AS: When I look at your paintings I imagine some of the marks are made from felt tip pens, is that something you use in your drawings? AS: Do the same motifs crop up in the drawings? AS: So if that starts to happen do you do something to stop it? I can see things are rubbed out and over. I guess I try to do the same thing, however, I exist in the 21. JM: Yes, in a way it...
