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The Source Code

The Non- Reconstruction. This Beautiful Cultural Desert. History is the remembered tightrope that stretches across the abyss of all we have forgotten. (Albert Wendt:. By interacting with former members of the Bodenwieser dance group, I tried not only to get the dance steps right, but also wanted to understand the emotional, intellectual and political disposition of the choreographer at the time she created the dance piece. Jochen Roller, July 2014. A TANZFONDS ERBE project.

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The Source Code | thesourcecode.de Reviews

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The Non- Reconstruction. This Beautiful Cultural Desert. History is the remembered tightrope that stretches across the abyss of all we have forgotten. (Albert Wendt:. By interacting with former members of the Bodenwieser dance group, I tried not only to get the dance steps right, but also wanted to understand the emotional, intellectual and political disposition of the choreographer at the time she created the dance piece. Jochen Roller, July 2014. A TANZFONDS ERBE project.

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1 feedback

2 imprint

3 download map

4 madame

5 lines of lineage

6 constantly moving

7 bodenwieser embodied

8 inside the maze

9 expressive communication

10 refugee alien

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feedback,imprint,download map,madame,lines of lineage,constantly moving,bodenwieser embodied,inside the maze,expressive communication,refugee alien,companionship,black rainbow

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The Source Code | thesourcecode.de Reviews

https://thesourcecode.de

The Non- Reconstruction. This Beautiful Cultural Desert. History is the remembered tightrope that stretches across the abyss of all we have forgotten. (Albert Wendt:. By interacting with former members of the Bodenwieser dance group, I tried not only to get the dance steps right, but also wanted to understand the emotional, intellectual and political disposition of the choreographer at the time she created the dance piece. Jochen Roller, July 2014. A TANZFONDS ERBE project.

INTERNAL PAGES

thesourcecode.de

1

Inside the Maze | The Source Code

http://www.thesourcecode.de/inside-the-maze.html

This Beautiful Cultural Desert. Conversation between Latai Taumoepeau and Jochen Roller during rehearsal of the re-creation of Errand into the Maze . Recorded at Rozelle School of Visual Arts in Sydney (Australia), January 2013. Still from a television recording of Errand into the Maze in 1960. Program booklet of a performance of the Bodenwieser group in Rockdale/Sydney (Australia) in 1956. Photo of "Errand into the Maze" in 1954. The picture shows the original stage design by Max Feuerring. Rehearsal of...

2

Imprint | The Source Code

http://www.thesourcecode.de/imprint.html

The Non- Reconstruction. This Beautiful Cultural Desert. Concept, Research, Re-Creation and Archiving: Jochen Roller. Video Documentation: Andrea Keiz. Re-Creation Errand into the Maze: Nadia Cusimano, Matthew Day, Latai Taumoepeau, Lizzie Thomson. Custodian of the Bodenwieser Archives: Barbara Cuckson. Bodenwieser Advisors: Carol Brown, Lee Christofis, Biruta Clark, Moira Claux, Barbara Cuckson, Shona Dunlop-MacTavish, Elaine Vallance. Additional Research: Jan Poddebsky. Graphic Design: Claudia Heynen.

3

Companionship | The Source Code

http://www.thesourcecode.de/companionship.html

This Beautiful Cultural Desert. Testimony written by Elaine Vallance (former Bodenwieser dancer and cast member of Errand into the Maze in 1954). Testimony by Shona Dunlop-MacTavish (former Bodenwieser dancer in Vienna and Sydney), recorded at her house with Jochen Roller, Elisabeth Nehring and Andrea Keiz (camera) in Dunedin (New Zealand), January 2013. Photo of Dory Stern (left) and Gertrud Bodenwieser at the Wellington Airport (New Zealand) 1947. Red Cross report on the deportation of Bodenwieser's hu...

4

Lines of Lineage | The Source Code

http://www.thesourcecode.de/lines-of-lineage.html

This Beautiful Cultural Desert. Book written by Gertrud Bodenwieser with a foreword by Marie Cuckson (founder of the Bodenwieser archives), published by Marie Cuckson in Sydney (Australia) 1960. Conversation between Jochen Roller and Lizzie Thomson at Rozelle School of Visual Arts in Sydney (Australia), January 2013. Photo of the Bodenwieser group on tour in South Africa (1950). Written testimony by Barbara Cuckson (custodian of the Bodenwieser Archives). Class of Carol Brown (student of Shona Dunlop-Mac...

5

Madame | The Source Code

http://www.thesourcecode.de/madame.html

This Beautiful Cultural Desert. Conversation of the Errand into the Maze re-creation team Jochen Roller, Latai Taumoepeau, Matthew Day, Lizzie Thomson, Nadia Cusimano, Elisabeth Nehring and Andrea Keiz (camera) at Rozelle School of Visual Arts in Sydney (Australia), January 2013. Testimony by Elaine Vallance (former Bodenwieser dancer and cast member of Errand into the Maze in 1954), recorded at her house in Melbourne (Australia), December 2012. Testimony by Shona Dunlop-MacTavish (former Bodenwieser dan...

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bloccotasti - -Claudia Heynen - - Grafik & Fotografie

http://www.bloccotasti.de/referenzen.htm

Bezirksamt Pankow von Berlin / Jahn, Mack und Partner. 8222;Sanierungsgebiet Pankow-Wollankstraße – 1994 – 2011“. Broschüre, Layout und Gestaltung von 16 Informationstafeln (1m x 2m) für eine Ausstellung im Rathaus Pankow zum Abschluß der Sanierung. Sticker zur gleichnamigen Tanzperformance. 8222;No Money - No Love“. Auktionskatalog zu einer Performance von Jochen Roller. 8220;JanClode/Jochen Roller“. Plakat, Sticker and Flyer für die Peformance von Jochen Roller. Erich Weiß Verlag, Bamberg. Jahn, Mack u...

bloccotasti.de

bloccotasti - -Claudia Heynen - - Grafik & Fotografie

http://www.bloccotasti.de/internet01.htm

Idee, Konzept, Design für die Webseite des unabhängigen Vereins metroZones e.V. – Zentrum für städtische Angelegenheiten – in Zusammenarbeit mit Katja Reichard. Designkonzept und Gestaltung der Webseite THE SOURCE CODE Errand into the Maze . Die Programmierung stammt von wemove digital solutions GmbH. Design und Gestaltung für die Seiten des internationalen wissenschaftlichen und künstlerischen Projekts GlobalPrayers stammen von uns, die cms-Umsetzung von 3plusx. Vor Jahren von uns entworfen und programm...

bloccotasti.de

bloccotasti - -Claudia Heynen - - Grafik & Fotografie

http://www.bloccotasti.de/papier.htm

Gestaltung einer Broschüre. Zum Start der Webseite. Errand into the maze. Ein TANZFONDSERBE Projekt von Jochen Roller. Zur Retrospektive der Filme von Nina Menkes im Kino Arsenal Berlin. Layout und Gestaltung eines Kunstkatalogs im Auftrag des Erich Weiß Verlags. Matthias Schwab, void – works. Aufkleber, Flyer and Plakat. Ecirc;tre aware and beyond- von Jochen Roller. Broschüre Sanierungsgebiet Pankow-Wollankstraße. Layout der RollUps für die Ausstellung Die Flughafenregion formiert sich. 1m x 2m) f&uuml...

jochenroller.de

THE SOURCE CODE | Jochen Roller

http://www.jochenroller.de/stucke/the-source-code

CARLA DEL PONTE TRINKT IN PRISTINA EINEN VANILLA CHAI LATTE. HOTZENPLOTZ – FORSICHT GOLLT! BASICALLY I DON’T BUT ACTUALLY I DO. THINGS I SAY FOR MONEY. Teil 1: NO MONEY, NO LOVE. Teil 2: ART GIGOLO. Teil 3: THAT’S THE WAY I LIKE IT. Ein TANZFONDS ERBE Projekt. Weblaunch und Präsentation im Rahmen der 8. Tanznacht Berlin 2014:. Samstag, 30. August um 12 Uhr in den Uferstudios, Studio 5, Uferstr. 8/23, 13357 Berlin. Auf der Seite www.thesourcecode.de. Errand into the Maze. Graphic Design: Claudia Heynen.

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The Non- Reconstruction. This Beautiful Cultural Desert. History is the remembered tightrope that stretches across the abyss of all we have forgotten. (Albert Wendt:. By interacting with former members of the Bodenwieser dance group, I tried not only to get the dance steps right, but also wanted to understand the emotional, intellectual and political disposition of the choreographer at the time she created the dance piece. Jochen Roller, July 2014. A TANZFONDS ERBE project.

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