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Banshii Group

This is the Banshii Group! We are a special group within the Agency, with the focus on excellence training, and the pursuit and prosecution of corruption within the ranks of the Agency. The Banshii is also the fanclub for the Time Speaker Universe, created by Author, Ke-Yana Drake. The purpose of this blog is to…

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Banshii Group | theworldofhawk.wordpress.com Reviews
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This is the Banshii Group! We are a special group within the Agency, with the focus on excellence training, and the pursuit and prosecution of corruption within the ranks of the Agency. The Banshii is also the fanclub for the Time Speaker Universe, created by Author, Ke-Yana Drake. The purpose of this blog is to…
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4 cosplay
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7 the agency
8 membership
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10 simon fisher becker
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Banshii Group | theworldofhawk.wordpress.com Reviews

https://theworldofhawk.wordpress.com

This is the Banshii Group! We are a special group within the Agency, with the focus on excellence training, and the pursuit and prosecution of corruption within the ranks of the Agency. The Banshii is also the fanclub for the Time Speaker Universe, created by Author, Ke-Yana Drake. The purpose of this blog is to…

INTERNAL PAGES

theworldofhawk.wordpress.com theworldofhawk.wordpress.com
1

Jaola Armon | Banshii Group

https://theworldofhawk.wordpress.com/cosplay/characters/jaola-armon

Jaola Armon, aka Cheetah, Anne, and much later, also, Anu. Born 2986 in Araam Tower to Charmain Pahana and William Armon, granddaughter of Jeanie Armon (one of the three matriarchs of the Banshii Group), and grand-neice of Nama Ree. Drawing of Jaola Armon with aura, done by Heather Watson. Jaola is purely practical. What is needed for the mission? Canon for the Onyx gun is pretty much this model, except, of course, a real gun and the puma is actually a cheetah carved into onyx. When she’s holdi...A not s...

2

Characters | Banshii Group

https://theworldofhawk.wordpress.com/cosplay/characters

Down under this page in the menus shall be specific guides on current and definite canon bits about doing cosplay for a specific character in TSU. Create a free website or blog at WordPress.com.

3

Cosplay | Banshii Group

https://theworldofhawk.wordpress.com/cosplay

If you are interested in cosplay in TSU, here is the place to find the basics of different costumes. Under this page we hope to outline the basic cosplay structures for specific groups within TSU (such as the Agency) and supply basic digital props you might use (such as printable “official” Agency ID sheets), as well as notes for cosplay ideas for specific characters. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public).

4

The Agency | Banshii Group

https://theworldofhawk.wordpress.com/cosplay/the-agency

Above is a picture of four suit jackets which have been used or will be used for an Agency cosplay. As you can see there’s isn’t just one colour suit jacket that’s “right” for the Agency. So, stick to a suit jacket that is somewhere in the range of navy blue to black, and you’ll be “canon” for TSU Agency. Just make sure if you’ve got a darker navy jacket, that your ID prop doesn’t say you’re an A4 Searcher Agent. 🙂 Even Jessal had to wear a lighter navy Jacket.

5

Simon Fisher-Becker | Banshii Group

https://theworldofhawk.wordpress.com/membership/special-members/simon-fisher-becker

Simon Fisher-Becker, most well-known as “ Dorium Maldovar. 8221; or the Blue Man from Doctor Who. We had the privilege of meeting Simon before our very first Auckland Armageddon in 2013. He was very lovely, and he was given a Special Membership of the Banshii that year. We’re hoping to see Simon again in 2016, and, might I add, you should totally buy his book…. Https:/ www.facebook.com/simon.fisherbecker. Create a free website or blog at WordPress.com.

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keyanadrake.com keyanadrake.com

Rise of Hawk, Part Two, Scene Three

http://keyanadrake.com/riseofhawk/part2sce03.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part One, Scene Five

http://keyanadrake.com/riseofhawk/part1sce05.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Book #0

http://keyanadrake.com/riseofhawk/riseofhawkindex.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part Two, Scene Two

http://keyanadrake.com/riseofhawk/part2sce02.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part Two, Scene One

http://keyanadrake.com/riseofhawk/part2sce01.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part One, Scene One

http://keyanadrake.com/riseofhawk/part1sce01.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Time Speaker Universe, SquareBracket, Specialty Glossary Pages, Reading the Agency ID codes

http://keyanadrake.com/squarebracket/codes.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part One, Scene Four

http://keyanadrake.com/riseofhawk/part1sce04.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part One, Scene Eight

http://keyanadrake.com/riseofhawk/part1sce08.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

keyanadrake.com keyanadrake.com

Rise of Hawk, Part One, Scene Three

http://keyanadrake.com/riseofhawk/part1sce03.shtml

Reading Agency ID Codes. Part One, Scene 1. Part One, Scene 2. Part One, Scene 3. Part One, Scene 4. Part One, Scene 5. Part One, Scene 6. Part One, Scene 7. Part One, Scene 8. Part One, Scene 9. Part One, Scene 10. Part Two, Day One. Part Two, Scene 1. Part Two, Scene 2. Part Two, Scene 3. Part Two, Scene 4. Part Two, Scene 5. Part Two, Scene 6. Part Two, Scene 7. Part Two, Day Two. Part Two, Scene 8. Part Two, Scene 9. Part Two, Scene 10. Part Two, Scene 11. Part Two, Day Three. Part Two, Scene 12.

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