asai.co.za
About | Asai
http://asai.co.za/about-2
SA Index & Bibliography. South African Artists Index. Left: ASAI Members, October 2015 Right: ASAI Staff, Feb 2014. Click here to read ASAI’s founding statement. Vision, Mission and Values. To be a leading research based visual arts organisation, globally recognised for developing an effective website and for innovative projects. To generate quality resources on art in Africa for educational and professional contexts. Ensuring that our work is relevant for African and developing contexts. Retired clinica...
eyonart.org
journals | eye.on.art
https://eyonart.org/articles/journal
Art lab / art news. Africa at the 55th Venice Biennale – Of achievements and illusions. Spring 2014, vol. 47, n. 1, pp. 1-5. L’Afrique à Venise, et A près? N , December 2007. p. 218. Vivre l’objet: interprétation et scénographie au British Museum. N 70, May-July 2007, p. 135-140. Diffusion et Marché: l’Afrique sur la scène internationale ,. N 69, Jan.-March 2007, p. 90-96. Gerard Sekoto, symptômes de l’exil et questions d’interprétations. N 68, Sept.-Nov. 2006, p. 59-63. L’Art de la Lutte. C& – Con...
theafricanartstrust.org
Links from The African Arts Trust Charity :: The African Arts Trust
http://www.theafricanartstrust.org/links.php
The African Arts Trust will act as a catalyst for the emergence and growth of locally managed and sustainable contemporary art organisations in Africa. Festivals, Art Fairs and Biennales. Addis FotoFest, Ethiopia. KLA’Art Festival, Uganda. Kampala Biennale, Uganda. Cape Town Art Fair.
horizontecritico.blogspot.com
horizonte crítico: estudos de obra
http://horizontecritico.blogspot.com/p/estudos-de-obra.html
Estudos de obra da disciplina Tópicos em Intervenção Urbana - 2/2013. OLIVEIRA, Italo. Observação da obra " Eles não sabem o que fazem. Estudos de obra da disciplina Leitura e Análise de Obra II - 1/2013. Escuto histórias de Amor". De Ana Teixeira, 2013. RIBA, Tereza. Parangolé. Análise a partir da perspectiva das poéticas de obra aberta de Umberto Eco. 2013. Estudo de obra de artistas brasileiros contemporâneos (apresentações finais da turma de leitura e análise de obra II - 1/2012).
horizontecritico.blogspot.com
horizonte crítico: resenhas
http://horizontecritico.blogspot.com/p/resenhas.html
Resenha dos textos de Joseph Beuys e. Rainer Rappmann), 2012. SOUZA, Edna Galisa de. O terceiro caminho: um novo futuro social. Resenha dos textos de Joseph Beuys e. Rainer Rappmann), 2012. SOUZA, Edna Galisa de. A Nova Objetividade da Arte Tridimensional. Resenha dos textos de Donald Judd e Hélio Oiticica), 2012. Compartilhar com o Pinterest. Enciclopedia de artes visuais - itaú cultural. Faculdade de artes dulcina de moraes. Modelo Simples. Tecnologia do Blogger.
horizontecritico.blogspot.com
horizonte crítico: DULCINARUA
http://horizontecritico.blogspot.com/2013/12/dulcinarua.html
Domingo, 8 de dezembro de 2013. No dia 07 de dezembro os alunos da disciplina tópicos especiais em intervenção urbana do 2o/2013 saíram às ruas para apresentar suas propostas. Confira um pouco do evento! É primavera no jardim silencioso do conic" - A intervenção de Edna Galisa com vasos de flores reinventou as fontes desativadas em frente à faculdade. Nássara distribuiu mudas de lichia em um protesto poético contra a aridez do concreto em frente ao museu. Não acaba por aqui, em breve, mais e melhores reg...
lieberweltgeist.wordpress.com
Neoromantik – for everyone and nobody
https://lieberweltgeist.wordpress.com/2016/11/16/neoromantik
For everyone and nobody. Die Abwendung von der neoliberalen Globalisierung zeigt sich durch die Proteste gegen Freihandelsabkommen, Finanz- und Staatenkrise, den Erfolg rechter Parteien, Populismus, dem Fehlen politischen Streits durch die Filterbubbles des Internets und eine zunehmend narzistische Subjektivierung. Die einen versuchen auf den rasant fahrenden Zug der globalen Elite der Globalisierungsgewinner aufzuspringen, die anderen sehen den drohenden Abstieg und pflegen ihre Ressentiments. Bloggen a...
framing.indiana.edu
Form - Framing the Global
http://framing.indiana.edu/teaching-3/entry-points/form
From Fellow Manuela Ciotti:. I chose ‘form’ because it goes to the very heart of the workings of the global art world I see art institutions such as ‘biennale’, ‘museum’, ‘gallery’, ‘auction house’, and ‘art fair’ among others as global cultural forms. These forms have been circulating, multiplying, and have been appropriated endlessly around the world especially over the past two decades and especially outside the regions where these institutions have historically been situated (Europe and the US).
SOCIAL ENGAGEMENT