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A Research Compendium for Thirty Thousand Pieces. Saturday, June 02, 2007. CHARACTERIZATION OF THE EVERYDAY. Looking at a range of notions, often contradictory, that the everyday encompasses in three journals, devoting special issues to Everyday Life. 1987), New Literary History. 2002) and Cultural Critique. A companion piece of writing mainly focusing on Benjamin: (Art in the Age of Mechanical Reproduction) and notions of experience in modernity is in process). Lefebvre characterises the everyday as bei...

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A Research Compendium for Thirty Thousand Pieces. Saturday, June 02, 2007. CHARACTERIZATION OF THE EVERYDAY. Looking at a range of notions, often contradictory, that the everyday encompasses in three journals, devoting special issues to Everyday Life. 1987), New Literary History. 2002) and Cultural Critique. A companion piece of writing mainly focusing on Benjamin: (Art in the Age of Mechanical Reproduction) and notions of experience in modernity is in process). Lefebvre characterises the everyday as bei...
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embedded glimpse | thirtythousandpieces.blogspot.com Reviews

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A Research Compendium for Thirty Thousand Pieces. Saturday, June 02, 2007. CHARACTERIZATION OF THE EVERYDAY. Looking at a range of notions, often contradictory, that the everyday encompasses in three journals, devoting special issues to Everyday Life. 1987), New Literary History. 2002) and Cultural Critique. A companion piece of writing mainly focusing on Benjamin: (Art in the Age of Mechanical Reproduction) and notions of experience in modernity is in process). Lefebvre characterises the everyday as bei...

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embedded glimpse: Introduction Presentation

http://www.thirtythousandpieces.blogspot.com/2006/05/introduction-presentation_23.html

A Research Compendium for Thirty Thousand Pieces. Tuesday, May 23, 2006. In a period when images are presumed likely to have undergone digital construction or manipulation, how has the viewers relationship to the image altered, regarding its materiality? To what extent can an investigation into manual processes and photographic procedures. Such as the photograms’ specific translation of the physical world. Be effectively and convincingly simulated? The research will examine the aesthetic possibilities ar...

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embedded glimpse: March 2007

http://www.thirtythousandpieces.blogspot.com/2007_03_01_archive.html

A Research Compendium for Thirty Thousand Pieces. Thursday, March 08, 2007. Impressions of Pervasive Animation. Symposium, Tate Modern, March 2-4 2007. Digital technology has detonated animation across the industrial cultural spectrum. Where will this wandering between multifarious and vastly disjunctive elements lead? After the digital fall-out and at this particular conjunction, where is the current of art-animation practice to be found? Whose interests are being served? View my complete profile.

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embedded glimpse: Everyday (02/2007)

http://www.thirtythousandpieces.blogspot.com/2007/06/everyday.html

A Research Compendium for Thirty Thousand Pieces. Saturday, June 02, 2007. CHARACTERIZATION OF THE EVERYDAY. Looking at a range of notions, often contradictory, that the everyday encompasses in three journals, devoting special issues to Everyday Life. 1987), New Literary History. 2002) and Cultural Critique. A companion piece of writing mainly focusing on Benjamin: (Art in the Age of Mechanical Reproduction) and notions of experience in modernity is in process). Lefebvre characterises the everyday as bei...

4

embedded glimpse: Rethinking Animation

http://www.thirtythousandpieces.blogspot.com/2007/04/animate-book-rethinking-animation.html

A Research Compendium for Thirty Thousand Pieces. Monday, April 09, 2007. Eds Ben Cook and Gary Thomas. As the title suggests, Rethinking Animation. Is not a guide to animate! One of the few schemes in Britain specifically investing in animation. The scheme’s unique ambition is to produce groundbreaking work for television, principally films ‘not motivated by concerns of character and plot.’ (p. 101) Since 1990, animate! Commission recipients, and an accompanying DVD of ten animate! The overarching inten...

5

embedded glimpse: Pervasive Animation

http://www.thirtythousandpieces.blogspot.com/2007/03/pervasive-animation.html

A Research Compendium for Thirty Thousand Pieces. Thursday, March 08, 2007. Impressions of Pervasive Animation. Symposium, Tate Modern, March 2-4 2007. Digital technology has detonated animation across the industrial cultural spectrum. Where will this wandering between multifarious and vastly disjunctive elements lead? After the digital fall-out and at this particular conjunction, where is the current of art-animation practice to be found? Whose interests are being served? View my complete profile.

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Spherical Objective: Directors Lounge

http://sphericalobject.blogspot.com/2006/02/directors-lounge.html

An appendix to www.steven-ball.net. Wednesday, February 22, 2006. Became the street’s symbolic landmarks. In the faded austere grandeur of what must have once been a shop or expansive lobby on the ground level of the imposing Frankfurter Tor north tower,. Screened on Saturday (11th February) night as part of Klaus W. Eisenlohr’s. Metalogue was imaginatively programmed with the 90 minute I Was Born But by Roddy Bogawa in the Where is Memory? Posted by Steven Ball at 12:22 am. Hey steven, great reading abo...

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Spherical Objective

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An appendix to www.steven-ball.net. Sunday, January 21, 2007. Posted by Steven Ball at 8:44 pm. Links to this post:. London, United Kingdom. View my complete profile. Martin BlaÅ ÃÄ ek. Raum fà r Projektion.

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A Research Compendium for Thirty Thousand Pieces. Saturday, June 02, 2007. CHARACTERIZATION OF THE EVERYDAY. Looking at a range of notions, often contradictory, that the everyday encompasses in three journals, devoting special issues to Everyday Life. 1987), New Literary History. 2002) and Cultural Critique. A companion piece of writing mainly focusing on Benjamin: (Art in the Age of Mechanical Reproduction) and notions of experience in modernity is in process). Lefebvre characterises the everyday as bei...

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