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Thought Factory - Gary Sauer-Thompson's websiteThought Factory

Gary Sauer-Thompson's website

http://thoughtfactory.com.au/

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Thought Factory - Gary Sauer-Thompson's websiteThought Factory | thoughtfactory.com.au Reviews
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Gary Sauer-Thompson's website
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1 galleries
2 books
3 in progress
4 on the road
5 adelaide
6 victor harbor
7 the literal zone
8 rethinking documentary photography
9 blogs
10 encounter studio
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galleries,books,in progress,on the road,adelaide,victor harbor,the literal zone,rethinking documentary photography,blogs,encounter studio,digital scrapbook,poodlewalks,texts,contact me,archives,black white,film,landscape,south australia,larg’s bay,urban
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Thought Factory - Gary Sauer-Thompson's websiteThought Factory | thoughtfactory.com.au Reviews

https://thoughtfactory.com.au

Gary Sauer-Thompson's website

INTERNAL PAGES

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1

architecture Archives - Thought FactoryThought Factory

http://thoughtfactory.com.au/category/architecture

Leica Chronicles, Snaps and Cliches. Just Black and White. Documentary photography: a note. February 26, 2017. Australian Photography: The 1980s. Was a photographic exhibition curated by Helen Ennis. At the Australian National Gallery. Around 1988, the year of Australia’s Bicentenary. This event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. Carwarp, Victorian Mallee. And formalist styles, are rarely considered in the art world. These ...

2

Mallee Archives - Thought FactoryThought Factory

http://thoughtfactory.com.au/category/mallee

Leica Chronicles, Snaps and Cliches. Just Black and White. Documentary photography: a note. February 26, 2017. Australian Photography: The 1980s. Was a photographic exhibition curated by Helen Ennis. At the Australian National Gallery. Around 1988, the year of Australia’s Bicentenary. This event triggered debate on Australian national identity, Aboriginal rights, historical interpretation and multiculturalism. Carwarp, Victorian Mallee. And formalist styles, are rarely considered in the art world. These ...

3

Texts - Thought FactoryThought Factory

http://thoughtfactory.com.au/texts

Leica Chronicles, Snaps and Cliches. Just Black and White. The following texts relate to various galleries and projects.

4

Adelaide Archives - Thought FactoryThought Factory

http://thoughtfactory.com.au/category/adelaide

Leica Chronicles, Snaps and Cliches. Just Black and White. January 3, 2017. In an earlier post. About The Bowden Archives and Other Marginalia. Project I mentioned that the book increasingly looks to be about place and memory. The places in the book are the Adelaide CBD, Bowden and Adelaide’s suburban beaches. They are places in the sense that memory is formed in and by place through experiential interactions. And in turn, place triggers personal and collective memory. December 28, 2016. The first stage ...

5

mapping the space outside of Adelaide - Thought FactoryThought Factory

http://thoughtfactory.com.au/mapping-space-around-adelaide

Leica Chronicles, Snaps and Cliches. Just Black and White. Mapping the space outside of Adelaide. January 11, 2017. I have been bunkered down in the digital studio in front of the computer scanning the 1980s archival medium format negatives for The Bowden Archives and Other Marginalia. Some of these are photos of Adelaide’s suburban beaches ( Glenelg. During the heat of the summer, others are from day trips through the Adelaide Hills. And Mt Lofty Ranges;. Though some of these photographs are concerned w...

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Leica Chronicles, Snaps + Cliches

http://leica.posthaven.com/tag/miner

Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. A miner's grave at Andamooka in South Australia made with a Leica M4-P, a 50mm f.2 Summicron lens and Kodak 400ASA film:. Gary is a photographer. Based in Victor Harbor, South Australia. He runs Encounter Studio. Browse the Archive ». We'll email you when there are new posts here. You're following this blog. Unfollow. Email address is invalid. Kodak Portra NC 400 ASA.

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miners hut, Andamooka - Leica Chronicles, Snaps + Cliches

http://leica.posthaven.com/house-andamooka

Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. Miners hut, Andamooka. This picture of an opal miners hut at Andamooka in South Australia, which is from my film archives - - an example of ordinariness or a deadpan aesthetic that was made whilst travelling on the margins of modernity. Images the picture was made with a Leica M4-P, with a 50mm f.2 Summicron lens and Kodak 400ASA film. As previously mentioned in an earlier post. Based in V...

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Wellington wharf precinct - Leica Chronicles, Snaps + Cliches

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Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. An abstract image from when Suzanne and myself were in Wellington in 2015 before we walked the Tongariro Alpine Crossing. It is from the wharf precinct in Wellington. Suzanne and I spent a lovely Friday evening on the wharf. It was a warm, balmy evening and everyone was out and about enjoying themselves. Such evenings are few and far between in Wellington. Email address is invalid.

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Leica Chronicles, Snaps + Cliches

http://leica.posthaven.com/tag/South%20Australia

Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. A picture of the past. A picture of life in a frontier mining world of Andamooka. It's not much of a backyard or playground is it, at the foot of the opal mine tailings. My memory of Andamooka. Is that the dust from the mine tailings was everywhere, layered over everything. It was hot and the atmosphere was arid. Miners hut, Andamooka. I discovered a roll of film I'd exposed whilst I was v...

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Leica Chronicles, Snaps + Cliches

http://leica.posthaven.com/tag/grave

Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. A miner's grave at Andamooka in South Australia made with a Leica M4-P, a 50mm f.2 Summicron lens and Kodak 400ASA film:. Gary is a photographer. Based in Victor Harbor, South Australia. He runs Encounter Studio. Browse the Archive ». We'll email you when there are new posts here. You're following this blog. Unfollow. Email address is invalid. Kodak Portra NC 400 ASA.

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seafog - Leica Chronicles, Snaps + Cliches

http://leica.posthaven.com/seafog

Leica Chronicles, Snaps Cliches. A series of images taken with a film Leica in a digital world. Laquo; Back to blog. A rarely experienced moment during the summer months on the southern coast of the Fleurieu Peninsula near Waitpinga- dense sea fog:. It happened for a couple of days. It would roll in across the landscape in the late afternoon. Then it disappeared. We'll email you when there are new posts here. You're following this blog. Unfollow. Email address is invalid. Add Website URL ».

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Mallee Routes: exhibition card - Encounter Studio's blog

http://solway.posthaven.com/mallee-routes-exhibition-card

Encounter Studio’s blog. Laquo; Back to blog. Mallee Routes: exhibition card. This is a 6x4 card that will be part of a series of cards in the Mallee Routes exhibition in the new gallery space at Atkins Photo Lab. In Adelaide. The exhibition opens on Friday, October 7th, at 7.30 pm. There are just under 40 cards- -Postcards from the Mallee, as it were. We'll email you when there are new posts here. You're following this blog. Unfollow. Email address is invalid. Add Website URL ». The Mallee Routes Project.

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abstractions

http://abstract-photography.posthaven.com/tag/colour

Exploring the world of abstractions. Laquo; Back to blog. I continue to plug away on the coastal abstractions whilst I am on my morning and evening poodle walks. Plug away because I am not sure what I am going to do with this body of work. A quartz abstraction made whilst on a poodlewalk. Along the coastal rocks west of Rosetta Head:. The location is a set of on the western edge of Dep's Beach. Gary is a photographer. Based in Victor Harbor, South Australia. He runs Encounter Studio.

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errant wandering after 9/11 - Thoughtfactory's Adelaide book

http://adelaide-book.posthaven.com/wandering-after-911

Thoughtfactory’s Adelaide book. Working towards a draft). Laquo; Back to blog. Errant wandering after 9/11. The law and legislation provided to the police are being pushed and misused to the extent that it is creating a hostile environment for public photography. Members of the public and media do not need a permit to photograph in public and that the police and security guards do not have the power to stop them from filming or photographing incidents or police personnel. Yet photographers have been stop...

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quartz abstraction - abstractions

http://abstract-photography.posthaven.com/quartz-abstraction

Exploring the world of abstractions. Laquo; Back to blog. A quartz abstraction made whilst on a poodlewalk. Along the coastal rocks west of Rosetta Head:. The location is a set of on the western edge of Dep's Beach. We'll email you when there are new posts here. You're following this blog. Unfollow. Enter your email address to get email alerts about new posts on this site. Unsubscribe anytime. Email address is invalid. Add Website URL ». Notify me by email when new comments are added.

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Thought Factory - Gary Sauer-Thompson's websiteThought Factory

Leica Chronicles, Snaps and Cliches. Just Black and White. Mapping the space outside of Adelaide. January 11, 2017. I have been bunkered down in the digital studio in front of the computer scanning the 1980s archival medium format negatives for The Bowden Archives and Other Marginalia. Some of these are photos of Adelaide’s suburban beaches ( Glenelg. During the heat of the summer, others are from day trips through the Adelaide Hills. And Mt Lofty Ranges;. Though some of these photographs are concerned w...

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Fleurieuscapes book

A work in process. This photo is made from an ecological perspective on the landscapes. That have been produced by the economic development of settler capitalism. Today there is only scattered remnant vegetation. Left from the clearance for agricultural production in the Fleurieu Peninsula. It's not a pretty picture. The land was not only fruitless, in leading to the ruin of the settlers, but self-defeating in ultimately ruining the land itself. The ‘clearing’ of the landscape by the first European settl...

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