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Tolleism | Thoughts on new music performance, percussion, and cimbalom.

Thoughts on new music performance, percussion, and cimbalom.

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Tolleism | Thoughts on new music performance, percussion, and cimbalom. | tolleism.wordpress.com Reviews

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Thoughts on new music performance, percussion, and cimbalom.

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Flexatone, Vibraslap, Guiro, Ratchet… ugh | Tolleism

https://tolleism.wordpress.com/2014/10/14/flexatone-vibraslap-guiro-ratchet-ugh

Thoughts on new music performance, percussion, and cimbalom. Flexatone, Vibraslap, Guiro, Ratchet… ugh. The addition of flexatone, vibraslap, guiro, or ratchet to a multi-percussion setup can throw a wrench in the proceedings. Mounting the instruments for easy access with hardware widely available in the US is difficult, and navigating the techniques required for each instrument can make for some awkward choreography. This is what we usually have access to in the States:. With a Meinl guiro holder. There...

2

tolleism | Tolleism

https://tolleism.wordpress.com/author/tolleism

Thoughts on new music performance, percussion, and cimbalom. Percussionist and cimbalom player, specializing in new music. The Ludovico Ensemble’s 2015/16 Season. On September 8, The Ludovico Ensemble. Will present the first concert of its twelfth season. I’m really excited about the programming this year, especially after taking a much needed break running the group last season. Reveals these ideas in practice. CONCERT 1 – September 8, 2015 8pm / Davis Square Theater, 255 Elm Street Somerville MA. For f...

3

Tolberg Percussion: Summer DIY Projects | Tolleism

https://tolleism.wordpress.com/2014/08/15/tolberg-percussion-summer-diy-projects

Thoughts on new music performance, percussion, and cimbalom. Tolberg Percussion: Summer DIY Projects. You can get simple threaded rods at any hardware store. So I took a bass drum claw to Home Depot and found the correct gauge of threaded rod, cut them to size, and tightened them to the claws with wing nuts. I then used felt pads, also available at most hardware stores, to form a center support to keep the rods from bending under pressure and scratching the shell. Closeup of the center support, with J Ha...

4

Tolberg Percussion: How to Make a Crotale Stand | Tolleism

https://tolleism.wordpress.com/2013/09/24/tolberg-percussion-how-to-make-a-crotale-stand

Thoughts on new music performance, percussion, and cimbalom. Tolberg Percussion: How to Make a Crotale Stand. It is expensive to acquire all the things you need. Cheap, homemade solutions can be a lifesaver. Even over a relatively short career, I’ve come up with (and stolen) some ideas that have helped me immensely. Most of them involve a skillful navigation of Home Depot. This week I’m playing Olga Neuwirth’s. For drilling the holes, do yourself a favor and get a corded drill, not a battery powered one&...

5

Videos | Tolleism

https://tolleism.wordpress.com/videos

Thoughts on new music performance, percussion, and cimbalom. Here are some YouTube videos of some of my past performances:. This video is of Pierre Boulez conducting his masterpiece. In Lucerne Switzerland in 2009. I’m playing the solo cimbalom part. I maintain that 6:30 is one of the best moments of 20th century music. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email. Email check f...

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jeffmeans | Music of Our Epoch

https://musicofourepoch.wordpress.com/author/jeffmeans

Music of Our Epoch. Considerations from my world of contemporary music. My discoveries of 2013. Thielemann / Munich Philharmonic: Overture to Tanhauser. Nikola Lutz: Robin Hoffmann’s An-Sprache. A mind-blowing performance of German composer Robin Hoffmann’s. This work is a wildly virtuosic and amazingly imaginative piece for body percussion. I have a secret ambition of performing this in the fall of 2014, but don’t tell anyone. Gerard Pesson: Aggravations et final. I greatly look forward to leading his.

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Ear Candy | Music of Our Epoch

https://musicofourepoch.wordpress.com/ear-candy

Music of Our Epoch. Considerations from my world of contemporary music. My favorite Xenakis piece (which is saying a lot):. La Legende D’Eer. It is a 45 minute-long tape piece, and , for me, is an absolutely enthralling listening experience. This work has an amazing sense of pacing and continuity of form that I find strangely lacking in much of Xenakis’ output. Don’t get me wrong, though; I love Xenakis! It’s fantastic if you can set aside 45 minutes to listen to this work in it’s entirety. You are comme...

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Quotes | Music of Our Epoch

https://musicofourepoch.wordpress.com/quotes

Music of Our Epoch. Considerations from my world of contemporary music. I have the feeling there’s some new type of music hovering on the horizon, which I can glimpse very fleetingly now and then, and which does seem like a change of consciousness. –. Caress the detail, the divine detail. 8211; Vladimir Nabokov. 8211; Umberto Eco. 8211; Arnold Schoenberg(! It’s good, as the stoics told us, to have tools that are simple to understand and of a very limited number. 8211; David Mamet, from. 8211; Marin Alsop.

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Music of Our Epoch | considerations from my world of contemporary music | Page 2

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Music of Our Epoch. Considerations from my world of contemporary music. Sound Icon’s Upcoming Season: Selected Listening. In Composers and their works. Sound Icon will be announcing it’s 2012/13 seasons shortly, and I would like to offer some selected listening from the repertoire we’ll be presenting. I am extraordinarily excited about offering these pieces this season! Also, Christian Gentry interviewed me for the excellent blog. I Care if You listen. 8212;————–. Quatre chants pour franchir le seuil.

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Darkness In Haas’ “In Vain”: insights into the text and execution | Music of Our Epoch

https://musicofourepoch.wordpress.com/2012/08/06/darkness-in-haas-in-vain-insights-into-the-text-and-execution-part-1-of-2

Music of Our Epoch. Considerations from my world of contemporary music. Darkness In Haas’ “In Vain”: insights into the text and execution. In Composers and their works. I was extremely fortunate to have the experience of leading Georg Friedrich Haas’. This past February (You can read about the concert HERE. Typically, performances of. Dunkel bzw. wenig Licht. Dark or low light; see example at left). Contrastingly, the second section demands. In the future, I hope to explore a wider visual palette. Find b...

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Composition Competitions Compared | Music of Our Epoch

https://musicofourepoch.wordpress.com/2013/11/27/composition-competitions-compared

Music of Our Epoch. Considerations from my world of contemporary music. In Composers and their works. I’ve assembled this data in a spreadsheet that I’ve shared with you below. First, here are the awards I’ve included, along with some basic information on each. Pulitzer Prize in Music Composition:. Any piece by a composer of any nationality may be nominated by a professional musical organization or individual. Entry fee: $40. Composers cannot submit their own work. Cash prize: $100,000. Any composer who ...

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A Lineage of Great 20th Century Composers? | Music of Our Epoch

https://musicofourepoch.wordpress.com/2013/11/12/a-lineage-of-great-20th-century-composers

Music of Our Epoch. Considerations from my world of contemporary music. A Lineage of Great 20th Century Composers? In Composers and their works. Robert Craft said that after Stravinsky we can no longer identify a lineage of truly great composers, as we readily can for several centuries past. Here are the criteria I’ve set:. Iconoclastic: defined or popularized a new aesthetic. Composed major works that have remained in the collective consciousness. Compositions are objectively well-crafted. Glad to see y...

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Metronomes for Mobile Devices: Android Edition | Music of Our Epoch

https://musicofourepoch.wordpress.com/2013/09/22/metronomes-for-mobile-devices-android-edition

Music of Our Epoch. Considerations from my world of contemporary music. Metronomes for Mobile Devices: Android Edition. 100 according to Maelzel, but this must be held applicable to only the first measures, for feeling also has its tempo and this cannot entirely be expressed in this figure. – Beethoven, as related in Erich Leinsdorf’s The Composer’s Advocate. Anyone who studied music performance seriously in the 90s or early 2000s will likely recognize this technological juggernaut:. Listed below is all ...

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Ideas for developing tempo memory and inner pulse | Music of Our Epoch

https://musicofourepoch.wordpress.com/2013/09/17/ideas-for-developing-tempo-memory-and-inner-time

Music of Our Epoch. Considerations from my world of contemporary music. Ideas for developing tempo memory and inner pulse. It’s good, as the Stoics told us, to have tools that are simple to use and of a very limited number – so that we may locate and employ them on a moment’s notice. 8211; David Mamet, in. It is more reliable to use one melody to recall numerous tempos that are multiples of the same base. A subdivided beat (into eighth notes, for example) and the note value of the subdivision conducted i...

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Successful Rehearsing | Music of Our Epoch

https://musicofourepoch.wordpress.com/2013/08/21/successful-rehearsing

Music of Our Epoch. Considerations from my world of contemporary music. Below, I’ve compiled a few thoughts on running successful rehearsals as a conductor. Generally, there is a focus on maintaining ideal conductor/instrumentalist relations, rather than on any specific technique. 1 Start rehearsing at the beginning of a piece. 2 Don’t run through long portions of music unnecessarily. 3 Don’t begin every critical comment with a compliment. 4 Explain your reasoning for musical decisions infrequently.

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Thoughts on new music performance, percussion, and cimbalom. A Rough Guide to Slide Whistles. This week I’m performing Ligeti’s Violin Concerto with the Boston Modern Orchestra Project. While spending an inordinate amount of time modifying a slide whistle, I often wondered “Does it really matter if these notes are in tune? 8221; It would make my life a lot easier if it didn’t. But I remembered an experience I had 10 years ago playing Steve Mackey’s. This particular slide whistle. Making the tuning gauge ...

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