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Tom Wanless Gallery 40

The painting of a chaotic boatyard below that gives a wilder and more contemporary feel where the result is not so restful as the Suffolk moorings. The rhythmic element is still there mingled in with a degree of abstraction in the foreground. The emphasis is upon getting a general sense of the shapes in and. Around the boats, allowing artistic freedom to prevail. Welcome to this selection of Maritime Paintings by. NDD DAE M Ed Sen ROI RBA (ret ).

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Tom Wanless Gallery 40 | tom-wanless.co.uk Reviews
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The painting of a chaotic boatyard below that gives a wilder and more contemporary feel where the result is not so restful as the Suffolk moorings. The rhythmic element is still there mingled in with a degree of abstraction in the foreground. The emphasis is upon getting a general sense of the shapes in and. Around the boats, allowing artistic freedom to prevail. Welcome to this selection of Maritime Paintings by. NDD DAE M Ed Sen ROI RBA (ret ).
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Tom Wanless Gallery 40 | tom-wanless.co.uk Reviews

https://tom-wanless.co.uk

The painting of a chaotic boatyard below that gives a wilder and more contemporary feel where the result is not so restful as the Suffolk moorings. The rhythmic element is still there mingled in with a degree of abstraction in the foreground. The emphasis is upon getting a general sense of the shapes in and. Around the boats, allowing artistic freedom to prevail. Welcome to this selection of Maritime Paintings by. NDD DAE M Ed Sen ROI RBA (ret ).

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Bringing the flowers into an interior setting provides ample opportunities to set up still-. Life arrangements where everything can be controlled. It is almost like staging a theatrical scene and, indeed, I took the liberty to use coloured lighting on the two paintings on the left.

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SEEKING TO FIND FIND NEW MOTIFS AND SETTINGS. Over several months of serious experimentation using photo-. Collage and all the usual materials and techniques in drawing and painting, I believe that the intense focus sharpened my ability to work creatively. On looking at the diverse images, I hope that viewers will recognise their validity as being on the same level of finish as the more traditional paintings that have captured and held my interest throughout this site. AND SCALE DOES MATTER.

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USE A VIEWFINDER OUTSIDE AND DELIGHT IN THE COMPOSITIONS THAT NATURE PROVIDES!

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Bottom right is a large, prize-. Winning painting of my friend Janet in her studio. It is a full-. Length portrait, an interior and a treasure trove of still life m.

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WELCOME TO THIS COLLECTION OF FLORAL AND STILL LIFE PAINTINGS BY. NDD DAE MEd Sen ROI RBA (ret). Man exhibition based on my work featuring my interest in plant forms, a colleague came up to me to comment that he had always considered the painting of flowers to be the lowest kind of art until seeing the depth and range of my works on show. Throughout this surge of creativity, I remained aware that I must reach a high level of cohesion in each work before moving on to the next set of ideas.

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Tom Wanless Gallery 40

The painting of a chaotic boatyard below that gives a wilder and more contemporary feel where the result is not so restful as the Suffolk moorings. The rhythmic element is still there mingled in with a degree of abstraction in the foreground. The emphasis is upon getting a general sense of the shapes in and. Around the boats, allowing artistic freedom to prevail. Welcome to this selection of Maritime Paintings by. NDD DAE M Ed Sen ROI RBA (ret ).

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