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Tomás Cabado

Buscar en este blog. Saturday, June 25, 2016. Continuums and saturated spaces. This memory came back to me trying to think about some ideas related to sound, of the composer Antoine Beuger. The text I will refer to is translated to English as Fundamental Decisions. I will just take some of its initial issues related to some concepts of my own. Beuger starts his text with two categorical questions: the first one about the material of music ("what is it made of? This is easily referable to the idea of whit...

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Tomás Cabado | tomascabadoen.blogspot.com Reviews

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Buscar en este blog. Saturday, June 25, 2016. Continuums and saturated spaces. This memory came back to me trying to think about some ideas related to sound, of the composer Antoine Beuger. The text I will refer to is translated to English as Fundamental Decisions. I will just take some of its initial issues related to some concepts of my own. Beuger starts his text with two categorical questions: the first one about the material of music (what is it made of? This is easily referable to the idea of whit...

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6 upcoming venues

7 español

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Tomás Cabado | tomascabadoen.blogspot.com Reviews

https://tomascabadoen.blogspot.com

Buscar en este blog. Saturday, June 25, 2016. Continuums and saturated spaces. This memory came back to me trying to think about some ideas related to sound, of the composer Antoine Beuger. The text I will refer to is translated to English as Fundamental Decisions. I will just take some of its initial issues related to some concepts of my own. Beuger starts his text with two categorical questions: the first one about the material of music ("what is it made of? This is easily referable to the idea of whit...

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tomascabadoen.blogspot.com

1

Tomás Cabado: March 2016

http://tomascabadoen.blogspot.com/2016_03_01_archive.html

Buscar en este blog. Wednesday, March 2, 2016. Form in fact and latent form. If is there a question about how music "transforms" time, there should be a question about how music "transforms" space. Is form "habitable"? From this perspective, composing is not a direct operation on sound. After all you can only speculate about it: it's impossible to foresee every contingency. Even more if you deal with notation. As Earle Brown says: music writing is finite, sound syntax is infinite. On what...It remains to...

2

Tomás Cabado: Media

http://tomascabadoen.blogspot.com/p/media.html

Buscar en este blog. Contemporary Music Ensemble of the DAMus (UNA). Natalia Salinas - Conductor. Natalia Abate - Flute. Guadalupe Paredes - Clarinet. Santiago Pedernera - Bass Clarinet. Victoria Gianera - Piano. Laura Bellusci - Violin. Andres Hojman - Viola. Gabriela Areal - Cello. Facundo Ordoñez - Double Bass. In the National Library. Buenos Aires, 11/29/2015. Variaciones Qué no Hacer. From a text of. Aldo Giacometti - voice an d texts. Tomás Cabado - guitar. Santiago Villa - electr onics.

3

Tomás Cabado: Works

http://tomascabadoen.blogspot.com/p/works.html

Buscar en este blog. 2015 (for the Contemporary Music Ensemble of the DAMus). Variaciones Qué no Hacer Variaciones. For the GEAM Ensemble). In colaboration with Aldo Giacometti (texts) and Santiago Villa (electronics). For quintet, prepared guitar, narrator and electronics. 2014 (for the Pampa Ensemble). Soprano y and electric guitar. Game piece for four dancers, four musicians and visual system. De Huaquillas a Quito, en ómnibus. Clarinet, bass clarinet, electric guitar, double bass and drum set.

4

Tomás Cabado: April 2016

http://tomascabadoen.blogspot.com/2016_04_01_archive.html

Buscar en este blog. Friday, April 15, 2016. There is a nice text of Cornellius Cardew about notation and interpretation where he says that what makes a score different of a drawing is the relation that is established there between the space (the paper) and the time (the form). That's why in the score there is a condition of readability, rules that set at least the relationship between the page and the form so that the score is no longer a drawing. So: form in music is what you hear, just as you see the ...

5

Tomás Cabado: TC

http://tomascabadoen.blogspot.com/p/tc.html

Buscar en este blog. Is an argentinian composer and performer. He plays guitar and cavaquinho and writes music for soloists and ensembles. His music for soloists, ensembles, electronics and/or video has been played in Germany, Chile and extensively in Argentina. He wrote commisioned music for different ensembles (Contemporary Music Ensemble of the UNA, PAMPA Ensemble) and participated as a composer in recidencies with musicians (at conDiT in Buenos Aires, and Germina.Cciones in Chile). He reg...As a perf...

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Ideas sobre la labor creativa y la práctica musical. Buscar en este blog. 9 - De límites y territorios (cont.): un aura, Cage, un lienzo. Continuación de la entrada 7. Definitivamente estas posibilidades de escucha -ya no tan nuevas pero que siguen avanzando- producen nuevas formas de subjetivación, representan otro tipo de relaciones y generan otros esquemas de producción posibles. Publicado por Tomás Cabado. Enviar por correo electrónico. Continuación de la entrada 7. Publicado por Tomás Cabado. 191;O ...

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Tomás Cabado | Nuevo contenido en tomascabado.blogspot.com

Aldous Huxley sobre el Silencio en La Filosofía Perenne. Sábado 5 de octubre 19:30 en Casa Abierta: El Hacer del Decir. Cornelius Cardew Sobre el repertorio de memorias musicales y las desventajas de la educación musical en Hacia una ética de la improvisación (fragmento). Roland Barthes acerca de la connotación en S/Z (un estudio sobre Sarracine de Balzac). György Ligeti – Kammerkonzert (Análisis, 1er movimiento). On Teoría – Ready, Aim, Imp…. On Teoría – How to Improvis…. Lucia . . *…. December 28, 2013.

tomascabadoen.blogspot.com

Tomás Cabado

Buscar en este blog. Saturday, June 25, 2016. Continuums and saturated spaces. This memory came back to me trying to think about some ideas related to sound, of the composer Antoine Beuger. The text I will refer to is translated to English as Fundamental Decisions. I will just take some of its initial issues related to some concepts of my own. Beuger starts his text with two categorical questions: the first one about the material of music ("what is it made of? This is easily referable to the idea of whit...

tomascaballero.com

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E D I C T I C A : EDICIÓN Y ESTÉTICA de TOMÁS CABALLERO

Bienvenidos a la web de. De Tomás Caballero Roldán. ESTÉTICA EN TIEMPO DE edición EN TIEMPO DE ESTÉTICA. BITÁCORA DE EDICIÓN Y ESTÉTICA de TOMÁS CABALLERO. Crítica cinematográfica y artística. Textos y objetos culturales. C) 2009 Tomás Caballero. Diseño www.freiredisseny.com.

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Edicea | Trabajos de Tomás Caballero

Trabajos de Tomás Caballero. Blog Estética en tiempo de Edición. Oferta de textos inéditos a editoriales. Oferta profesional en edición. 3 septiembre, 2010. Comencé en el mundo editorial en 1981. Después de mi tesis doctoral. Me orienté a la edición. De textos de ensayo, y he desempeñado esa labor hasta hoy. He sido, además, formador de correctores profesionales. Y profesor de Art i pensament. En mi tarea profesional, comparto la edición y la asesoría editorial. Y críticas de arte.

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