TOMKOK.COM

Tom Kok

Obscurity over Disappointment, 2014. This installation is based on the endeavours of amateur color theorist Emily Vanderpoel (1842 - 1939). In her book Color Problems: a Practical Manual for the Lay Student of Color (1902) she ends with a series of color plates analysing a variety of objects from her exotic private collection of artefacts. How this analysis took place, or what the method consisted of, continues to be obscure. Detail (40x70cm *4), porcelain plaster casts, glassfiber, sanddust, graphite.

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Tom Kok

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UT●●HT , 3524 GH

NL

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mr●●●●●●●●@gmail.com

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TJP Kok

Tom Kok

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UT●●HT , 3524 GH

NL

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Obscurity over Disappointment, 2014. This installation is based on the endeavours of amateur color theorist Emily Vanderpoel (1842 - 1939). In her book Color Problems: a Practical Manual for the Lay Student of Color (1902) she ends with a series of color plates analysing a variety of objects from her exotic private collection of artefacts. How this analysis took place, or what the method consisted of, continues to be obscure. Detail (40x70cm *4), porcelain plaster casts, glassfiber, sanddust, graphite.

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Tom Kok | tomkok.com Reviews

https://tomkok.com

Obscurity over Disappointment, 2014. This installation is based on the endeavours of amateur color theorist Emily Vanderpoel (1842 - 1939). In her book Color Problems: a Practical Manual for the Lay Student of Color (1902) she ends with a series of color plates analysing a variety of objects from her exotic private collection of artefacts. How this analysis took place, or what the method consisted of, continues to be obscure. Detail (40x70cm *4), porcelain plaster casts, glassfiber, sanddust, graphite.

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tomkok.com

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Tom Kok

http://www.tomkok.com/002.html

In Concordance with the Cones; The Stack, 2013. This work contains elements that stem from a diagram by Gregg Henriques called the 'Tree of Knowledge System'. In this diagram Henriques endeavors to create a universal concept of the structure of knowledge and its development over time. 'In concordance with the Cones' focusses mainly on the aesthetic properties of this diagram and of the diagram in general. The Dubious Strength of Knowledge hanging From a Tree, 2013. Micro Events, 2012. If You Succeed You ...

2

Tom Kok

http://www.tomkok.com/expo.html

Group Show @ Art Rotterdam (curated by Suzanne Wallinga). 10 Feb - 14 Feb 2016. Http:/ www.artrotterdam.com/. Solo Exhibition @ MoMart. 04 March - 02 April 2016. Http:/ www.momart.nl/News.php. September - October 2016. Http:/ www.mondriaanfonds.nl/.

3

Tom Kok

http://www.tomkok.com/004.html

Manual for Prospecting, 2010. The ongoing project "Manual for Prospecting" is a series of studies exploring the possible autonomy of the model. In order to assay the representative and reconstructive traditions of the scientific model, the Manual for Prospecting series directs to the poetic, narrative and material potential of the model and hence creates an autonomous existence without being representative or reconstructive. Neotenous Interaction, Full HD Video, 2009.

4

Tom Kok

http://www.tomkok.com/003.html

Fludd's Monochords, 2011. The project "Fludd's Monochords" is a reaction on the work of Robert Fludd, a British scientist, alchemist and mystic during the Renaissance, who's work is considered to be just as imposing as controversial. Fludd introduced in his magnum opus "Utriusque Cosmi." (1617) very advanced studies on the harmony of music, chiefly approached from a mathematical stand. Allegory of Science, 2010. 1) the Original; Gibbs' surface. 2) the Concept; space defined as energy entropy volume.

5

Tom Kok

http://www.tomkok.com/info.html

The work of Tom Kok (1987, Gouda, NL) mainly consists of sculptural installations, video's and performances. His works are initiated by a fascination for the fragility of science. Through a wide range of subjects, he investigates the social and cultural consequences of knowledge structures. His works are frequently assembled as sequences within subject-specific projects. Tom Kok is also part of an extensive collaboration with Jan Willem Deiman (aka Kok&Deiman). By means of abstraction and surreal humor, ...

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theartshoworchestra.blogspot.com

The Art Show Orchestra: MP3's 090210 sessie3

http://theartshoworchestra.blogspot.com/2010/02/mp3s-090210-sessie-3.html

The Art Show Orchestra. Wednesday, February 10, 2010. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

theartshoworchestra.blogspot.com

The Art Show Orchestra: Wachten

http://theartshoworchestra.blogspot.com/2010/02/wachten.html

The Art Show Orchestra. Wednesday, February 17, 2010. Men in Black and Grey. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

theartshoworchestra.blogspot.com

The Art Show Orchestra: Licht

http://theartshoworchestra.blogspot.com/2010/02/licht.html

The Art Show Orchestra. Saturday, February 6, 2010. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

theartshoworchestra.blogspot.com

The Art Show Orchestra: Derde sessie

http://theartshoworchestra.blogspot.com/2010/02/derde-sessie.html

The Art Show Orchestra. Wednesday, February 10, 2010. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

roch.nl

roch

http://www.roch.nl/i_events.html

On www.roch.nl. Ronald Nijhof and Christian Toonk present their individual. NEW Girotuna cd. Follow up of their self-titled album back in '99. This 2nd cd comprising mainly out of recordings made in their 'zuwe' rehearsal room between nov 1998 and jan 2000, on the verge of their switch to electronic music. 7 may 2011: Noorderlicht010, light festival, Station Rotterdam Noord (with Ties Ten Bosch) Noorderlicht010. 9 - 30 jan 2011: OP SCHAAL, an installation about scale and light (solo) Moira Utrecht. 9 sep...

theartshoworchestra.blogspot.com

The Art Show Orchestra: untitled stages

http://theartshoworchestra.blogspot.com/2010/02/untitled-stages.html

The Art Show Orchestra. Saturday, February 6, 2010. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

theartshoworchestra.blogspot.com

The Art Show Orchestra: January 2010

http://theartshoworchestra.blogspot.com/2010_01_01_archive.html

The Art Show Orchestra. Sunday, January 31, 2010. Kneel before the a.s.o. Wednesday, January 27, 2010. Seven, zeven, sieben. The art show orchestra in the dark. Monday, January 25, 2010. Beste ASO vrienden, morgen (dinsdag 26 januari) is de 2e sessie in db's, van 21.oou. tot en met 00.00u. Sunday, January 24, 2010. Dit zijn 2 koppelbare platforms waarop het drumstel goed vast staat. Daarnaast 2 lampen met kleurfilters. Wednesday, January 20, 2010. Tuesday, January 19, 2010. Monday, January 18, 2010.

theartshoworchestra.blogspot.com

The Art Show Orchestra: Sessie 3

http://theartshoworchestra.blogspot.com/2010/02/sessie-3.html

The Art Show Orchestra. Saturday, February 6, 2010. Beste ASO vrienden,. Dinsdag 09 februari is, zojuist bevestigd, de 3e en tevens laatste sessie in db's, van 21.00u. tot en met 00.00u. Subscribe to: Post Comments (Atom). The AS.O. of Noise. 8226; mauricebogaert.nl. 8226; robzimmermann.com. 8226; galeriejanssenendevries.nl. 8226; janwillemdeiman.nl. 8226; tomkok.com. 8226; roch.nl.

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Tom Kok

Obscurity over Disappointment, 2014. This installation is based on the endeavours of amateur color theorist Emily Vanderpoel (1842 - 1939). In her book Color Problems: a Practical Manual for the Lay Student of Color (1902) she ends with a series of color plates analysing a variety of objects from her exotic private collection of artefacts. How this analysis took place, or what the method consisted of, continues to be obscure. Detail (40x70cm *4), porcelain plaster casts, glassfiber, sanddust, graphite.

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