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tom weinkle | the poetry of pastel

Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.

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Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.
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tom weinkle | the poetry of pastel | tomweinkleartist.blogspot.com Reviews

https://tomweinkleartist.blogspot.com

Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.

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tom weinkle | the poetry of pastel: July 2013

http://www.tomweinkleartist.blogspot.com/2013_07_01_archive.html

Tom weinkle the poetry of pastel. Wednesday, July 24, 2013. Using Mood to Guide Your Painting. Edisto Hues, 27 x 40, pastel on archival paper. © 2013 Tom Weinkle. When thinking about painting, what if we took the less traveled road? What if we set out with a general idea of where we wanted to go? What would that look like? Let me know what you think. Subscribe to: Posts (Atom). Receive my updates by email. Poetry of Pastel Workshops. Tom Weinkle Recent Works. Tom Weinkle Private Worlds. Most of the time,...

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tom weinkle | the poetry of pastel: August 2013

http://www.tomweinkleartist.blogspot.com/2013_08_01_archive.html

Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.

3

tom weinkle | the poetry of pastel: Realism, Concept and Innovation

http://www.tomweinkleartist.blogspot.com/2013/08/realism-concept-and-innovation.html

Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.

4

tom weinkle | the poetry of pastel: April 2012

http://www.tomweinkleartist.blogspot.com/2012_04_01_archive.html

Tom weinkle the poetry of pastel. Thursday, April 12, 2012. The Poetry of Pastel can add more creativity to your art. The poetry of pastel is a method of working that takes a contrarian approach to creating art. Instead of planning an entire piece, the process is more akin to writing poetry where one is guided by mood and moment. The goal is to help artists work more intuitively and to gain confidence by connecting more directly with their work instead of the "idea of their work". Tom Weinkle Recent Works.

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tom weinkle | the poetry of pastel: Can you see the difference?

http://www.tomweinkleartist.blogspot.com/2013/08/can-you-see-difference.html

Tom weinkle the poetry of pastel. Sunday, August 4, 2013. Can you see the difference? The Collective, 40 x 27, pastel on. Archival paper, © Tom Weinkle. What does a planned painting look like? At left is The Collective,. Which I painted a few years ago, based on a visit to New Harbor, Maine. Before pastel touched paper, I spent a good deal of time deciding on how to frame the composition. The Pair, 18 x 12, pastel on. Archival paper, © Tom Weinkle. I think there is a feeling in this piece, that can only ...

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Tom Weinkle Portfolios

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I’m currently drawn to the discovery of nature and the landscape. My exploration is done through hikes, photography and plein air study. I am challenged to capture the depth and richness of light reflecting from the landscape and how subtle juxtapositions of species can be dramatic and captivating. As an artist with a healthy irreverence for the traditions of how pastels can be applied to surfaces, I’ve been excited about how accident and improvisation can play an important role in the formal realm...

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New Work | Contemporary Landscapes in Pastel | Tom Weinkle | Poetry of Pastel

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Palms in Big Cypress 2. Incoming Storm at Monroe Station. Another Path represents the artist's continuing effort to call attention to the unexpected beauty of the Preserve found in plain sight and just off the beaten path. Big Cypress Preserve - Another Path 10 Images. Tom Weinkle. FolioLink. Kodexio ™ 2016. Palms in Big Cypress 2. Incoming Storm at Monroe Station. The Poetry of Pastel Workshop Concept. Big Cypress Preserve - Another Path. The Poetry of Pastel Workshop Concept.

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Awards & Shows | Award winning contemporary pastel paintings, Tom Weinkle

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Selected Events and Recognition. March 5 - May 1, 2016. Meet the artist reception: Saturday, March 5, 2016 from 4-6 pm. Marjorie Stoneman Douglas Biscayne Nature Center. Crandon Park, North Beach Entrance, Key Biscayne Florida. June 6 through September 7, 2014. Watercolors, pastel impressions of Biscayne Bay. Meet the artist reception: Sunday, June 8, 2014 from 1-3 pm. Dante Fascell Visitor Center Gallery. 9700 SW 328th Street, Homestead, FL 33033. Open Daily 9-5, Free Admission. 33000 Tamiami Trail East.

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Florida pastel artist | landscapes | Everglades | Cypress | Seascapes

http://www.tomweinkle.com/GalleryMain.asp?GalleryID=146299&AKey=APSX3KQX

The New Work selections for July 2014 are four of eight new works on display at the Big Cypress Welcome Center in Big Cypress Preserve, Ochopee, Florida from August 1 through October 31, 2014. The show entitled Another Path represents Tom Weinkle's continuing exploration and interpretation of the landscape found in the Big Cypress Preserve. Tom's paintings attempt to call attention to the unexpected beauty found just off the beaten path. A total of 13 works have been curated for the exhibit.

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Artist in Miami | Pastels | Contemporary Painter | Tom Weinkle

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British Indian Ocean Territory. Heard and McDonald Islands. Holy See (Vatican City State). Lao People's Democratic Republic. S Georgia and S. Sandwich Isles. Saint Kitts and Nevis Anguilla. Saint Pierre and Miquelon. Saint Vincent and Grenadines. Sao Tome and Principe. Svalbard and Jan Mayen. Turks and Caicos Islands. United States Minor Outlying Islands. Wallis and Futuna Islands. Would you like to be added to the mailing list? Verification Code (to verify this is a valid entry). Kodexio ™ 2016.

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Artist in Miami | Pastels | Contemporary Painter | Tom Weinkle

Pastel on archival paper. Big Cypress Preserve - Another Path. Pastel on archival paper. Big Cypress Preserve - Another Path. The Poetry of Pastel Workshop Concept. Big Cypress Preserve - Another Path. The Poetry of Pastel Workshop Concept.

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tom weinkle | the poetry of pastel

Tom weinkle the poetry of pastel. Sunday, August 25, 2013. Realism, Concept and Innovation. The ability to render reality has always been a compelling skill for any artist to have. For the non-artist, the illusion of reality, painted or otherwise is just as compelling. Why is realism so compelling? Find The Right Balance. I'm not suggesting we abandon realism for concept, but I'm suggesting that concept is what makes art memorable. For me, Andrew Wyeth's Cristina's World. Raphaelle Peale's After the Bath.

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