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Friday, August 2, 2013. Harris Savides Los Angeles 2010. Wednesday, June 19, 2013. Winter Light (Ingmar Bergman, 1962). The first thing that struck me watching Winter Light. Was the precision of the filmmaking. It’s been awhile since I’ve sat down with a Bergman, so my memory could be faulty, but I remember The Seventh Seal. And Wild Strawberries¸. One of my absolute favorites) feeling a bit frayed at the edges. Every edit and every shot in Winter Light. Sunday, April 28, 2013. And even To the Wonder.

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tongue-tied lightning | tongue-tiedlightning.blogspot.com Reviews

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Friday, August 2, 2013. Harris Savides Los Angeles 2010. Wednesday, June 19, 2013. Winter Light (Ingmar Bergman, 1962). The first thing that struck me watching Winter Light. Was the precision of the filmmaking. It’s been awhile since I’ve sat down with a Bergman, so my memory could be faulty, but I remember The Seventh Seal. And Wild Strawberries¸. One of my absolute favorites) feeling a bit frayed at the edges. Every edit and every shot in Winter Light. Sunday, April 28, 2013. And even To the Wonder.

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1 greenberg

2 noah baumbach

3 somewhere

4 sofia coppola

5 posted by

6 justin

7 no comments

8 and even persona

9 1 comment

10 labels film

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greenberg,noah baumbach,somewhere,sofia coppola,posted by,justin,no comments,and even persona,1 comment,labels film,reviews,and upstream color,but spring breakers,upstream color,posted by justin,a man escaped,and balthazar,inglourious basterds,1 tabu

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tongue-tied lightning | tongue-tiedlightning.blogspot.com Reviews

https://tongue-tiedlightning.blogspot.com

Friday, August 2, 2013. Harris Savides Los Angeles 2010. Wednesday, June 19, 2013. Winter Light (Ingmar Bergman, 1962). The first thing that struck me watching Winter Light. Was the precision of the filmmaking. It’s been awhile since I’ve sat down with a Bergman, so my memory could be faulty, but I remember The Seventh Seal. And Wild Strawberries¸. One of my absolute favorites) feeling a bit frayed at the edges. Every edit and every shot in Winter Light. Sunday, April 28, 2013. And even To the Wonder.

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tongue-tiedlightning.blogspot.com

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tongue-tied lightning: April 2013

http://www.tongue-tiedlightning.blogspot.com/2013_04_01_archive.html

Sunday, April 28, 2013. Upstream Color (Shane Carruth, 2013). The three best films I’ve seen so far this year ( Spring Breakers, To the Wonder. All strive to exist as pure cinema, expressions so heavily dependent on the interplay of sound and image for their emotional effect that it is impossible to imagine their survival in any medium other than film. This places them in direct opposition to the other great film I saw this year, Abbas Kiarostami’s Like Someone in Love. And even To the Wonder. Is driven ...

2

tongue-tied lightning: The Man With No Editor: Django Unchained (Quentin Tarantino, 2012)

http://www.tongue-tiedlightning.blogspot.com/2013/01/the-man-with-no-editor-django-unchained.html

Friday, January 11, 2013. The Man With No Editor: Django Unchained (Quentin Tarantino, 2012). It's difficult to watch the new film from Quentin Tarantino and not think about the loss of Sally Menke. For all of Django Unchained. Proves a valuable reference point when judging Django Unchained,. Not only for the superficial reason that they both consist of Quentin putting his spin on actual historical events, but also because the latter plays as the former reduced to its essence, two hours and forty-five mi...

3

tongue-tied lightning: August 2013

http://www.tongue-tiedlightning.blogspot.com/2013_08_01_archive.html

Friday, August 2, 2013. Harris Savides Los Angeles 2010. Subscribe to: Posts (Atom). Harris Savides Los Angeles 2010. Observations on Film Art. Sergio Leone and the Infield Fly Rule. The House Next Door. Awesome Inc. template. Powered by Blogger.

4

tongue-tied lightning: A Man Escaped (Robert Bresson, 1956)

http://www.tongue-tiedlightning.blogspot.com/2013/04/the-great-movies-project-1-man-escaped.html

Sunday, April 7, 2013. A Man Escaped (Robert Bresson, 1956). Is the idea that careful observation is necessary for proper preparation and that without it we are doomed to repeat our failures. Running parallel is the idea that abandoning all caution and taking the initial plunge is often the most difficult part of achieving anything, being able to identify the moment when preparation gives way to procrastination. Like the hand reaching for the door, I desire more. Subscribe to: Post Comments (Atom).

5

tongue-tied lightning: January 2013

http://www.tongue-tiedlightning.blogspot.com/2013_01_01_archive.html

Friday, January 11, 2013. The Man With No Editor: Django Unchained (Quentin Tarantino, 2012). It's difficult to watch the new film from Quentin Tarantino and not think about the loss of Sally Menke. For all of Django Unchained. Proves a valuable reference point when judging Django Unchained,. Not only for the superficial reason that they both consist of Quentin putting his spin on actual historical events, but also because the latter plays as the former reduced to its essence, two hours and forty-five mi...

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New Home | tongue-tied lightning

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The Best Album of 2012? The Best Films of 2011: #2 The Skin I Live In. The Best Films of 2011: #3 Drive. The Best Films of 2011: #4 Le Quattro Volte. Top Tens by Decade. Ballad of The Absent Mare. Dickgraves ’s Blog. From Atlantis to Interzone. House of mirth and movies. Neclord ’s Words. Of Film and Other Demons. Polar bear’s film journal. The yellow brick road. To Bathe in Filmic Waters. Trip ’s Zone. December 4, 2012, 3:47 PM. Leave a Comment so far. Feed for comments on this post.

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tongue-tied lightning

Friday, August 2, 2013. Harris Savides Los Angeles 2010. Wednesday, June 19, 2013. Winter Light (Ingmar Bergman, 1962). The first thing that struck me watching Winter Light. Was the precision of the filmmaking. It’s been awhile since I’ve sat down with a Bergman, so my memory could be faulty, but I remember The Seventh Seal. And Wild Strawberries¸. One of my absolute favorites) feeling a bit frayed at the edges. Every edit and every shot in Winter Light. Sunday, April 28, 2013. And even To the Wonder.

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