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THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE

OBJECTIVE: DISCUSS THE LIMITS OF NET.ART AS A TOOL FOR SOCIO-POLITICAL CRITIQUE. Net art is concerned with data, explored both in a formal sense, as an underpinning and organizational material, but also a socio-political concern in which artists raise issues of access, distribution and usage of information sets". Stallabrass, 2003: 26). 10 WHAT IS NET.ART? Though there are myriad artistic renditions of the code which underlies net.art, the medium-centric conception of net.art incorporates. Has any meanin...

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THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE | tonysnetcommblog.blogspot.com Reviews

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OBJECTIVE: DISCUSS THE LIMITS OF NET.ART AS A TOOL FOR SOCIO-POLITICAL CRITIQUE. Net art is concerned with data, explored both in a formal sense, as an underpinning and organizational material, but also a socio-political concern in which artists raise issues of access, distribution and usage of information sets. Stallabrass, 2003: 26). 10 WHAT IS NET.ART? Though there are myriad artistic renditions of the code which underlies net.art, the medium-centric conception of net.art incorporates. Has any meanin...

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THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE | tonysnetcommblog.blogspot.com Reviews

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OBJECTIVE: DISCUSS THE LIMITS OF NET.ART AS A TOOL FOR SOCIO-POLITICAL CRITIQUE. Net art is concerned with data, explored both in a formal sense, as an underpinning and organizational material, but also a socio-political concern in which artists raise issues of access, distribution and usage of information sets". Stallabrass, 2003: 26). 10 WHAT IS NET.ART? Though there are myriad artistic renditions of the code which underlies net.art, the medium-centric conception of net.art incorporates. Has any meanin...

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tonysnetcommblog.blogspot.com

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THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE: LIMIT 2: RULES OF THE NET

http://tonysnetcommblog.blogspot.com/2007/05/limit-4-netart-and-structural.html

LIMIT 2: RULES OF THE NET. Browser art may be defined as the net.art which recognizes the authority of the web browser as the great contemporary art frame but refuses to cede the final word on the look and function of this frame to the technical, corporate mass media" (Lui, 2006: 348). 31 Code and protocol politics. Code is the geology, at once a historical trace of our activities, and a determining circumstance, the ground we stand on dictating the life of the environment." (Corby, 2006:76). Jordan, Tim...

2

THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE: LIMIT 3: STYLE WITHOUT SUBSTANCE

http://tonysnetcommblog.blogspot.com/2007/05/limit-3-style-without-substance.html

LIMIT 3: STYLE WITHOUT SUBSTANCE. Net artists' use of misquotation, misdirection and interface breakdown is an effective way of critiquing the presumptuous faith many users have in its content, however, "continually employing this aesthetic can also make it familiar to spectators, and no more than a style" (White: 2006, 85). Blog is not aligned with any socio-political cause, it captures the rhetorical ellipsis Lui uses to define cool, the absence of readily digestible information. Contributors are d...

3

THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE: LIMIT 5: NET.ART IS IMPLICATED IN ANARCHY

http://tonysnetcommblog.blogspot.com/2007/05/limit-1-netart-as-undemocratic.html

LIMIT 5: NET.ART IS IMPLICATED IN ANARCHY. 61 Embodiment, Territorialization and Digital Zapatismo. The mass of mass action hacktivism cannot be the generation of packets of inormation through automation, something so easily done in the immaterial world of cyberspace. Rather, it must be the force of many people, embodied in the off line world, that gives mass action hacktivism its legitimacy and political force." (Jordan, 2004: 89). Although the original EDT Zapatista. INFORMATION SHOULD BE FREE. Baumgae...

4

THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE: LIMIT 1: COOLNESS, ELUSIVENESS, CREATIVITY, DESTRUCTIVENESS

http://tonysnetcommblog.blogspot.com/2007/05/limit-6-netart-cant-be-cool-and.html

LIMIT 1: COOLNESS, ELUSIVENESS, CREATIVITY, DESTRUCTIVENESS. Cool is a non-politics or anti-politics of information; It is a bad attitude.The proscriptive ellipsis may be taken to be the elementary rhetoric of information cool.the rhetoric of unproducible knowledge that can never be known and shown simultaneously" (Lui, 2006: 177). 11 WHAT DOES COOL DO. Do Jodi's alternative browsers that 'liberate users from the imperialism of the web' replace the existing with a better alternative? CAE (1996) Electroni...

5

THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE: LIMIT 4: NET.ART AS TECHNO-ELITIST

http://tonysnetcommblog.blogspot.com/2007/05/limit-2-netart-as-techno-elitist.html

LIMIT 4: NET.ART AS TECHNO-ELITIST. Netart disrupts spectorial mastery, denying users interactivity and making them view internet technologies critically" (White, 2006: 86). INSTRUCTIONS FOR MICHAEL DIETER and TOM APPERLEY. 1) Online sources are linked in the body text. 2) Journal and book resources are in the blog-list. 3) The 2 pics below are my contribution to net.art, enjoy. Baumgaertel, T. (2002) net.art 2.0 - New Materials Towards Net Art, Nurnberg: Institut fur moderne Kunst. Netscape (1998) "What...

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cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: March 2007

http://cybersober.blogspot.com/2007_03_01_archive.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Monday, March 19, 2007. THE MACHINE IS US/ING US. Subscribe to: Posts (Atom). View my complete profile. A: THE BLOGGING DEBATE. B: THE MEDIA AND SENSATIONALISM. C: LIGHTS CAMERA ACTION. D: PAPARAZZI GOSSIP AND SCANDAL. E: THE SCARCITY OF ATTENTION. F: THE BLOGGING PLATFORM. G: BLOGS AND PARASOCIAL INTERACTION. H: BLOGS VOYEURISM AND SURVEILLANCE. I: THE AMBIGUITY OF PUBLIC AND PRIVATE. J: BLOGS AND THE ECONOMIES OF ATTENTION.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: PAPARAZZI, GOSSIP AND SCANDAL

http://cybersober.blogspot.com/2007/05/paparazzi-gossip-and-scandal_24.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. PAPARAZZI, GOSSIP AND SCANDAL. Labels: D: PAPARAZZI GOSSIP AND SCANDAL. View my complete profile. A: THE BLOGGING DEBATE. B: THE MEDIA AND SENSATIONALISM. C: LIGHTS CAMERA ACTION. D: PAPARAZZI GOSSIP AND SCANDAL. E: THE SCARCITY OF ATTENTION. F: THE BLOGGING PLATFORM. G: BLOGS AND PARASOCIAL INTERACTION. H: BLOGS VOYEURISM AND SURVEILLANCE. I: THE AMBIGUITY OF PUBLIC AND PRIVATE. J: BLOGS AND THE ECONOMIES OF ATTENTION.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: NAVIGATION

http://cybersober.blogspot.com/2007/05/navigation.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Friday, May 25, 2007. For the academic essay, please scroll through labels. View my complete profile. A: THE BLOGGING DEBATE. B: THE MEDIA AND SENSATIONALISM. C: LIGHTS CAMERA ACTION. D: PAPARAZZI GOSSIP AND SCANDAL. E: THE SCARCITY OF ATTENTION. F: THE BLOGGING PLATFORM. G: BLOGS AND PARASOCIAL INTERACTION. H: BLOGS VOYEURISM AND SURVEILLANCE. I: THE AMBIGUITY OF PUBLIC AND PRIVATE. J: BLOGS AND THE ECONOMIES OF ATTENTION.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: THE BLOGGING PLATFORM

http://cybersober.blogspot.com/2007/05/blogging-platform.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. Labels: F: THE BLOGGING PLATFORM. View my complete profile. A: THE BLOGGING DEBATE. B: THE MEDIA AND SENSATIONALISM. C: LIGHTS CAMERA ACTION. D: PAPARAZZI GOSSIP AND SCANDAL. E: THE SCARCITY OF ATTENTION. F: THE BLOGGING PLATFORM. G: BLOGS AND PARASOCIAL INTERACTION. H: BLOGS VOYEURISM AND SURVEILLANCE. I: THE AMBIGUITY OF PUBLIC AND PRIVATE. J: BLOGS AND THE ECONOMIES OF ATTENTION. K: THE LACK OF A DEFINITE INTERNET LAW.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: THE 'BLOGGING' DEBATE

http://cybersober.blogspot.com/2007/05/blogging-debate.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. Observes, " There is a quest for truth in blogging. But it is truth with a question mark. In relation to contemporary convergence culture, how are traditional conceptions of journalism challenged by the practice of blogging? The rise of tabloid. 8217;s contention of the ‘ nihilistic moment. 8217; and the scarcity of attention. Labels: A: THE BLOGGING DEBATE. View my complete profile. A: THE BLOGGING DEBATE.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: LIGHTS, CAMERA, ACTION

http://cybersober.blogspot.com/2007/05/lights-camera-action_25.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. LIGHTS, CAMERA, ACTION. William Davie states that news and television programming often gain mass audiences by “beckoning them to enter the public sphere through the door of celebrity glamour” (2001: 355). As a majority of broadcast channels are global in nature, entertainment news provides a “universal. And the scarcity of attention. Labels: C: LIGHTS CAMERA ACTION. View my complete profile. A: THE BLOGGING DEBATE.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: THE SCARCITY OF ATTENTION

http://cybersober.blogspot.com/2007/05/scarcity-of-attention.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. THE SCARCITY OF ATTENTION. Labels: E: THE SCARCITY OF ATTENTION. View my complete profile. A: THE BLOGGING DEBATE. B: THE MEDIA AND SENSATIONALISM. C: LIGHTS CAMERA ACTION. D: PAPARAZZI GOSSIP AND SCANDAL. E: THE SCARCITY OF ATTENTION. F: THE BLOGGING PLATFORM. G: BLOGS AND PARASOCIAL INTERACTION. H: BLOGS VOYEURISM AND SURVEILLANCE. I: THE AMBIGUITY OF PUBLIC AND PRIVATE. J: BLOGS AND THE ECONOMIES OF ATTENTION.

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: THE MEDIA AND SENSATIONALISM

http://cybersober.blogspot.com/2007/05/media-and-sensationalism_25.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Thursday, May 24, 2007. THE MEDIA AND SENSATIONALISM. Tiffen states “the Function of the press in society is to inform, but its role is to make money” (1994: 61). The increased focus on profitability in media firms has reconfigured the manner in wh. Soft news - including celebrity, gossip, scandal and human interest stories – thus jumped from 15 percent to 43 percent in the period between 1977 and 1997 (Koch, 1998: 5). While t. E: THE SCARCITY ...

cybersober.blogspot.com

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE: April 2007

http://cybersober.blogspot.com/2007_04_01_archive.html

A CRITICAL DISCUSSION OF GOSSIP BLOGS AND CELEBRITY CULTURE. Wednesday, April 11, 2007. THE GREAT FIREWALL JUST BECAME GREATER. Chinese President Hu Jintao is taking further steps to increase Internet censorship. It already takes a lifestime - and at times is downright impossible - to get into blogspot. Firstly, if Web 2.0' is the newest key to democracy, will such restrictions affect China's economic growth and development? Subscribe to: Posts (Atom). View my complete profile. A: THE BLOGGING DEBATE.

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THE LIMITS OF NET.ART AS A DEVICE FOR SOCIO-POLITICAL CRITIQUE

OBJECTIVE: DISCUSS THE LIMITS OF NET.ART AS A TOOL FOR SOCIO-POLITICAL CRITIQUE. Net art is concerned with data, explored both in a formal sense, as an underpinning and organizational material, but also a socio-political concern in which artists raise issues of access, distribution and usage of information sets". Stallabrass, 2003: 26). 10 WHAT IS NET.ART? Though there are myriad artistic renditions of the code which underlies net.art, the medium-centric conception of net.art incorporates. Has any meanin...

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