hittingthestage.com
Welcome to Hitting The Stage | Hitting The Stage
http://www.hittingthestage.com/troys-welcome-post
Cast & Crew. Welcome to Hitting The Stage. July 10, 2012. Posted by Troy M Apostol. Troy M. Apostol is Director for Hitting The Stage. He is a frequent contributor to Hawai‘i’s theatre scene, mainly in acting and directing. Aloha, and welcome to Hitting The Stage. On behalf of the HTS. Team, thank you for your interest in Hawai‘i’s first dedicated theatre news and reviews website. Why start a website for a small theatre community? What makes them tick? This is what HTS. Frank commented, Y’all need ...
kristofferdiaz.wordpress.com
An Update. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/2011/03/14/an-update
Theater. The World. The Wire. The hazards of a certain kind of near fame include the following: you get a lot of very cool possibilities that start floating around, but you can neither talk about them or count on them happening. All of which means you don’t really want to blog, or more accurately, you’d love to blog, but you’re not at liberty to discuss the things you’d most like to discuss, and therefore have little interest discussing the things you’re allowed to discuss. March 14, 2011.
kristofferdiaz.wordpress.com
My 10 Favorite Moments from The 24 Hour Plays. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/2010/11/16/24-hour-plays
Theater. The World. The Wire. My 10 Favorite Moments from The 24 Hour Plays. In no particular order:. 1 Rosie Perez asking me (read: telling me) to drink the “Green Juice.” I still don’t know what was in the” Green Juice.” I drank it though, because Rosie is, as her bio for the event said, a “Puerto Rican Icon.” (That was actually her entire. Bio I want to be like Rosie when I grow up.). 8212; you can do no wrong in my eyes.”. 5 Finding ourselves on the dance floor, and the DJ playing this song. And then...
kristofferdiaz.wordpress.com
Teaching/Education. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/teachingeducation
Theater. The World. The Wire. El Puente Academy for Peace and Justice. Over the past several years, I’ve served as one of three playwriting adjudicators for the largest high school state theater festival in the United States. Each year, we read more than forty one-act student scripts to select the most promising. We also spend fifteen minutes with each student writer, offering feedback and general writing advice. I spend a considerable amount of time these days sitting on panels on all types of theater-r...
kristofferdiaz.wordpress.com
More of the Same. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/2011/03/24/more-of-the-same
Theater. The World. The Wire. More of the Same. Maybe one day I can write a book about all the things I can’t write now. March 24, 2011. Laquo; An Update. New Website, Old Blog. ». Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.
kristofferdiaz.wordpress.com
Questions from Twitter. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/2012/02/03/questions-from-twitter
Theater. The World. The Wire. Every once in a while, folks ask me questions on Twitter. I try to answer them in 140 characters, but that is difficult. And so, I’m going to try to maybe use this blog to get to some of those answers in more detail. Let’s see how this goes. On “picante” being used by reviewers to describe shows by playwrights of Latino descent. First, my original tweet:. And here’s the follow-up, cobbled together from tweets to @rafaelgallegos:. And to my original tweet: if a reviewer sees ...
kristofferdiaz.wordpress.com
Chad Deity. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/chad-deity
Theater. The World. The Wire. The Elaborate Entrance of Chad Deity. Winner, 2008 National Latino Playwriting Award. Developed at Victory Gardens, Teatro Vista, The Lark Play Development Center, and Summer Play Festival Alumni Reading Series. 8221; And from there, this play was born. The Elaborate Entrance of Chad Deity. Attempts to experiment with form and content, mixing monologue, spectacle, and traditional narrative to explore what I think is a truly unique and often underutilized American art form.
kristofferdiaz.wordpress.com
Press. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/press
Theater. The World. The Wire. People seem to like. At least in Chicago. You can see all the Victory Gardens/Teatro Vista reviews here. One of them twice. People get kicked in the face. In my shows sometimes. Welcome to Arroyo’s. Back in the day. Do you want to comment? Though it seems like you don’t need me telling you that). May 9, 2010 12:52 am. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
kristofferdiaz.wordpress.com
Arroyo’s. | The Heavy Lifting
https://kristofferdiaz.wordpress.com/arroyos
Theater. The World. The Wire. Welcome to Arroyo’s. 4M, 2W (including 2M doubling as live onstage DJs). Developed at Hip-Hop Theater Festival, The Lark, Summer Play Festival, Donmar Warehouse, South Coast Repertory, and New York University. Explains who I am and why I am. Directed by Jaime Castaneda. Starring Joe Minoso and Sadieh Rifai (More casting announcements to come real soon. They will melt your face.). The Lark/Hip-Hop Theater Festival. Do you want to comment? November 14, 2009 6:32 pm.
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