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Transitioning to the Dark Side: Moving from Violin to Viola

Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

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Transitioning to the Dark Side: Moving from Violin to Viola | transitioningtothedarkside.blogspot.com Reviews

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Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

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Transitioning to the Dark Side: Moving from Violin to Viola | transitioningtothedarkside.blogspot.com Reviews

https://transitioningtothedarkside.blogspot.com

Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

INTERNAL PAGES

transitioningtothedarkside.blogspot.com

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Transitioning to the Dark Side: Moving from Violin to Viola: What I actually read...

http://www.transitioningtothedarkside.blogspot.com/2013/04/what-i-actually-read.html

Transitioning to the Dark Side: Moving from Violin to Viola. Sunday, April 21, 2013. What I actually read. So you may be asking yourself what I actually read for this project. I won't boast by telling you what I read because the Lord knows the violist never earns the right to boast.*coughing* 1,970 pages. Yes I did calculate this, and yes I did inflate the number of pages with indexes and musical examples. Belowand that is Ms. M right there (what we call Moree affectionately)! They include the following.

2

Transitioning to the Dark Side: Moving from Violin to Viola: What this is all about...

http://www.transitioningtothedarkside.blogspot.com/2013/04/what-this-is-all-about.html

Transitioning to the Dark Side: Moving from Violin to Viola. Sunday, April 21, 2013. What this is all about. My name is Max Aleman, and welcome to my first blog entry (.and first blog ever! You are forever now on the dark side! Oh, and don't be offended by my violist martyrdom ;). May 17, 2014 at 5:06 PM. January 28, 2015 at 1:44 PM. Subscribe to: Post Comments (Atom). What the right hand is all about. What the left hand is all about. What to consider in terms of instrument setup. What I actually read.

3

Transitioning to the Dark Side: Moving from Violin to Viola: What the right hand is all about...

http://www.transitioningtothedarkside.blogspot.com/2013/04/what-right-hand-is-all-about.html

Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

4

Transitioning to the Dark Side: Moving from Violin to Viola: April 2013

http://www.transitioningtothedarkside.blogspot.com/2013_04_01_archive.html

Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

5

Transitioning to the Dark Side: Moving from Violin to Viola: What these pedagogues mean to us now...

http://www.transitioningtothedarkside.blogspot.com/2013/04/what-these-pedagogues-mean-to-us-now.html

Transitioning to the Dark Side: Moving from Violin to Viola. Sunday, April 21, 2013. What these pedagogues mean to us now. I took it upon myself to create a violin/viola "family tree" of pedagogues to give a better sense of where these people come from (I'm struggling to create a portmanteau for these two instruments since they both come from the same word! Make up a new word maybe? Researched violinists in the tree below are in orange, and violists are in green. At this link here. In a different way, I ...

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Transitioning to the Dark Side: Moving from Violin to Viola

Transitioning to the Dark Side: Moving from Violin to Viola. Monday, April 29, 2013. What the right hand is all about. Many pedagogues would say that the right hand is the most problematic aspect of string playing. Flesch once made a hypothesis that the bow arm causes many technical problems for string players simply because the right hand makes indirect contact with the string through the bow, rather than direct contact (as the left hand does). To sooth your ears and see a Baroque bow hold in action!

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