ebmusicman.blogspot.com
Musical Musings: Rhythmic Groupings - Part 1
http://ebmusicman.blogspot.com/2010/05/rhythmic-groupings-part-1.html
Friday, May 14, 2010. Rhythmic Groupings - Part 1. It’s been a while since I’ve blogged, largely due to an array of distractions over the past year. Anyway, after getting some inspiration from a Shawn Lane clinic on YouTube. I thought I’d start back up with this series on using rhythmic groupings in your playing. Subscribe to: Post Comments (Atom). Rhythmic Groupings - Part 2: Changing the Base Tim. Rhythmic Groupings - Part 1. View my complete profile. Smith, Smorey, and Diamond.
ebmusicman.blogspot.com
Musical Musings: Soloing Over Blues
http://ebmusicman.blogspot.com/2009/02/soloing-over-blues.html
Monday, February 2, 2009. Before going to much further, let’s review. First, make sure you know the five positions of the major scale inside and out. Here is a chart of these 5 positions with the notes of the relative dominant scale marked with open “O’s”. If you don’t know these well, I highly recommend you practice each one through the cycle of fifths until you know them inside and out. 50 Patterns for Soloing over Blues. Subscribe to: Post Comments (Atom). View my complete profile.
ebmusicman.blogspot.com
Musical Musings: February 2009
http://ebmusicman.blogspot.com/2009_02_01_archive.html
Monday, February 2, 2009. Before going to much further, let’s review. First, make sure you know the five positions of the major scale inside and out. Here is a chart of these 5 positions with the notes of the relative dominant scale marked with open “O’s”. If you don’t know these well, I highly recommend you practice each one through the cycle of fifths until you know them inside and out. 50 Patterns for Soloing over Blues. Subscribe to: Posts (Atom). View my complete profile. Smith, Smorey, and Diamond.
ebmusicman.blogspot.com
Musical Musings: Back to the Woodshed
http://ebmusicman.blogspot.com/2008/05/back-to-woodshed.html
Saturday, May 31, 2008. Back to the Woodshed. I highly recommend playing this exercise on all six strings. With my own playing, I’ve found that I can play cleaner on the middle strings, but sometimes I’m a little choppy on the high E. Playing on all strings remedies this problem. Click here for all files in this blog. Click here for all files in this blog. 8220;Steve Morse” Adjacent String Exercise. I remember the first time I saw Steve Morse play this exercise. My jaw hit the floor! Back to the Woodshed.
sweetwater-cafe.com
Live Music in Cumming Georgia - Sweetwater Cafe
http://www.sweetwater-cafe.com/shows.htm
Come see live music in an intimate "house concert" setting. Featuring local singer/songwriters from North Georgia. Help support the artists that have performed for us over the years! Lean more on Ken's website. Learn more on their website. Frances Luke Accord is an independent Chicago-based duo, made up of Nicholas Gunty and Brian Powers. Although mostly a modern folk band, they blend in inspiration from Americana, soul, and jazz as well. Their multifaceted, genre-bending approach to music repres...Dan F...
ebmusicman.blogspot.com
Musical Musings: Billie's Bounce, Part 1
http://ebmusicman.blogspot.com/2008/03/billies-bounce-part-1.html
Saturday, March 29, 2008. Billie's Bounce, Part 1. I’ve decided to divide this 48-bar solo in 12-bar sections, so I’ll be covering it over four different posts. Here's the transcription of the first 12 bars:. As mentioned above, the chord progression to Billie’s Bounce is essentially blues in F. However, there are a few minor reharmonizations or chord changes I’d like to note. Compare the two progressions:. Here is the complete solo analyzed:. I really like this solo because of its simplicity. One of...
ebmusicman.blogspot.com
Musical Musings: May 2008
http://ebmusicman.blogspot.com/2008_05_01_archive.html
Saturday, May 31, 2008. Back to the Woodshed. I highly recommend playing this exercise on all six strings. With my own playing, I’ve found that I can play cleaner on the middle strings, but sometimes I’m a little choppy on the high E. Playing on all strings remedies this problem. Click here for all files in this blog. Click here for all files in this blog. 8220;Steve Morse” Adjacent String Exercise. I remember the first time I saw Steve Morse play this exercise. My jaw hit the floor! I think a lot of us ...
ebmusicman.blogspot.com
Musical Musings: Using patterns in real musical contexts – Part 1
http://ebmusicman.blogspot.com/2008/09/using-patterns-in-real-musical-contexts.html
Wednesday, September 10, 2008. Using patterns in real musical contexts – Part 1. Practicing patterns are great because they add variety to your lines, helping to prevent you from sounding as if you are just running up and down scales. But there is a lot to be said for selecting the right patterns. The first group works well for speed, while the second group generally tends to contribute more to creativity and variety. Guitarists such as Guthrie Govan are masters of this second group. Consider the followi...
ebmusicman.blogspot.com
Musical Musings: Rhythmic Groupings - Part 2: Changing the Base Time
http://ebmusicman.blogspot.com/2010/05/rhythmic-groupings-part-2-changing-base.html
Tuesday, May 18, 2010. Rhythmic Groupings - Part 2: Changing the Base Time. After getting the basics down from Part 1, the next step is to change the base time in which each note grouping is played. As a side note, if you have trouble playing through a particular pattern from Part 1 (i.e. Sixes), try playing each group of six 4 times before moving on to the next grouping of six. Anyway, groups of three, for example, naturally lend themselves to a triplet feel. Then try accenting just on the whole beats.
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