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Typefoundry

Documents for the history of type and letterforms. 05 October, 2014. Porson’s Greek type design. Some types that were made in the first decade of the 19th century by the punchcutter Richard Austin for use by the University Press at Cambridge provided a model for most of the types that were used by British printers for printing Greek for more than a century. This is the title page of the second edition of the Alkestis. Of Euripides, edited by Monk and printed at Cambridge in 1818, with a detail of its text.

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Typefoundry | typefoundry.blogspot.com Reviews

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Documents for the history of type and letterforms. 05 October, 2014. Porson’s Greek type design. Some types that were made in the first decade of the 19th century by the punchcutter Richard Austin for use by the University Press at Cambridge provided a model for most of the types that were used by British printers for printing Greek for more than a century. This is the title page of the second edition of the Alkestis. Of Euripides, edited by Monk and printed at Cambridge in 1818, with a detail of its text.

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Typefoundry | typefoundry.blogspot.com Reviews

https://typefoundry.blogspot.com

Documents for the history of type and letterforms. 05 October, 2014. Porson’s Greek type design. Some types that were made in the first decade of the 19th century by the punchcutter Richard Austin for use by the University Press at Cambridge provided a model for most of the types that were used by British printers for printing Greek for more than a century. This is the title page of the second edition of the Alkestis. Of Euripides, edited by Monk and printed at Cambridge in 1818, with a detail of its text.

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typefoundry.blogspot.com

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Typefoundry: The types of Jean Jannon at the Imprimerie royale

http://typefoundry.blogspot.com/2012/02/types-of-jean-jannon-at-imprimerie.html

Documents for the history of type and letterforms. 03 February, 2012. The types of Jean Jannon at the Imprimerie royale. It is well known that the ‘Garamond’ types, of which the use was initiated at the Imprimerie nationale, Paris, during first years of the 20th century, included some that had been cast from a set of early matrices for three sizes of roman and italic known as the. Her claim was based on their appearance in Jannon’s type specimen book of 1621 in the Bibliothèque Mazarine, Paris. The story...

2

Typefoundry: Commercial at

http://typefoundry.blogspot.com/2013/10/commercial-at_6.html

Documents for the history of type and letterforms. 06 October, 2013. Note: this post is now followed by a Postscript that its readers are recommended to look at. In his mostly excellent brief history for a non-professional readership, Ancient writing and its influence. 1932), the palaeographer B. L. Ullman rather rashly remarked that,. Of John Southward showed a series of non-alphabetic characters in its example of an ‘improved’ upper case which had not been in a normal case earlier in the century. It wo...

3

Typefoundry: July 2007

http://typefoundry.blogspot.com/2007_07_01_archive.html

Documents for the history of type and letterforms. 25 July, 2007. An unrecorded inscription by Eric Gill? Posted by Typefounder at 06:34. Porson’s Greek type design. A British national letter. This is a fragment. Caractères de l’Université. The types of Jean Jannon at the Imprimerie royale. Type held in the hand. Talbot Baines Reed, typefounder and sailor.

4

Typefoundry: This is a fragment

http://typefoundry.blogspot.com/2013/03/this-is-fragment.html

Documents for the history of type and letterforms. 17 March, 2013. This is a fragment. We shall never know the name. As for the verse, with a glance at similar examples one can guess how it may have read:. That was a long time ago. Should I have accepted the offer? Posted by Typefounder at 08:48. Caractères de l’Université. The types of Jean Jannon at the Imprimerie royale. Type held in the hand. Talbot Baines Reed, typefounder and sailor. Typefoundry 2006 to 2013: a list of contents.

5

Typefoundry: Type held in the hand

http://typefoundry.blogspot.com/2012/01/type-held-in-hand.html

Documents for the history of type and letterforms. 06 January, 2012. Type held in the hand. Type, as we know, is something that you can pick up and hold in your hand. But there are fewer opportunities for doing this now than ever before, and our fading familiarity with the way type was made in the past can make for puzzles that are not easy to resolve. Harry Carter’s phrase with which he began the lectures that became. A view of early typography. Or nick, in his. Moreover, there is this image in the.

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chrysanthemumpress.blogspot.com

Chrysanthemum Press: May 2008

http://chrysanthemumpress.blogspot.com/2008_05_01_archive.html

I am fascinated by letterpress printing Prop cards. They are the traditional calling card of a private press proprietor, and a traditional I am happy to follow in my (almost) finished APA. Membership. Below are some wonderful examples of others' prop cards, courtesy of Briar Press. From the mind of Sarah. Upcoming Letterpress Events in New England (sorry everyone else). Amalgamated Printers' Association 2008 Wazygoose. June 5 - 8, 2008. Events Commence at the Clarion Hotel. 1080 Riverdale Road (Route 5).

chrysanthemumpress.blogspot.com

Chrysanthemum Press: APA membership is in the bag

http://chrysanthemumpress.blogspot.com/2008/07/apa-membership-is-in-bag.html

APA membership is in the bag. I finally sent off my 155 prop cards to the APA mailer. Whew! With my limited capabilities and novice printer status, even that was a big project. On the bright side, I am know very aware of what supplies and parts I need. And what supplies and parts I want. Live and learn and print! From the mind of Sarah. Subscribe to: Post Comments (Atom). Writer; Stationer; Letterpress Printer; Mixed Media Crafter. I print on a Kelsey Model P and write with fountain pens. View my page on.

grammelab.blogspot.com

Grammé Lab

http://grammelab.blogspot.com/2008/09/oggi-ho-rivisto-il-documentario-della.html

Lunedì 15 settembre 2008. Oggi ho rivisto il documentario. Della BBC di Stephen Fry su Gutenberg. Si vede bene come funziona la ‘forma’ per fondere i caratteri, la pressa tipografica, persino la preparazione della carta. Oltretutto questo deve essere un momento. Di grande ritorno alla manualità. Iscriviti a: Commenti sul post (Atom). Visualizza il mio profilo completo. Oggi ho rivisto il documentario della BBC di Steph. Counterpunch, Fred Smeijers. Centrare in verticale con CSS.

grammelab.blogspot.com

Grammé Lab: aprile 2008

http://grammelab.blogspot.com/2008_04_01_archive.html

Mercoledì 9 aprile 2008. Arci Viterbo organizza ogni anno una manifestazione in occasione della festa della Liberazione chiamata “Resist”. Quest'anno la manifestazione è dedicata alla memoria dei sessant'anni dell'entrata in vigore della Costituzione attraverso i ricordi dei partigiani che hanno versato il sangue ed hanno combattuto per la libertà. Partecipiamo anche noi con un progetto sulla Costituzione della Repubblica intitolato 'Ri-Costituente'. Giovedì 3 aprile 2008. Una mia amica filosofa, scherza...

nonpareille.over-blog.com

ISSOIRE (boulevard Triozon Bayle) - NONPAREILLE

http://nonpareille.over-blog.com/2015/01/issre-boulevard-triozon-bayle.html

Utilisez notre Reader et abonnez-vous aux meilleurs articles de ce blog! ISSOIRE (boulevard Triozon Bayle). Vous aimerez aussi :. ISSOIRE (boulevard Albert Buisson). ISSOIRE (rue Eugène Gauttier). ISSOIRE (rue de la Berbiziale). ISSOIRE (rue de Fours). Lettrages, épigraphies, typographies, alphabets…. ISSOIRE (boulevard Triozon Bayle). ISSOIRE (boulevard Albert Buisson). GRENOBLE (place Hubert Dubedout). GRENOBLE (rue Félix Viallet). Suisse (Jura - Jura bernois). Belgique - België - Belgien.

lunascafe.org

Luna’s Café: Why Tony Blair is right (again)

http://www.lunascafe.org/2015/04/why-tony-blair-is-right-again.html

Paul Luna’s occasional thoughts on typography, book design, and a Thatcher-free world. Tuesday, 7 April 2015. Why Tony Blair is right (again). The telling part from his speech on Europe:. 8216;I know that those who want us out of Europe say that they agree with all that but we can do just as well, if not better, out not in. Are they the standard bearers of an open-minded culturally tolerant Britain? Are creativity, innovation and curiosity about what we can learn from the world their hallmarks?

lunascafe.org

Luna’s Café: Winston learns what italics mean in a Finance Bill

http://www.lunascafe.org/2015/02/winston-learns-what-italics-mean-in.html

Paul Luna’s occasional thoughts on typography, book design, and a Thatcher-free world. Thursday, 19 February 2015. Winston learns what italics mean in a Finance Bill. 25 June 1930, vol 240 cc1183–244. The Committee on the Finance Bill (considering clause 29) looks at clauses printed in italics:. Does the whole point turn upon the typography? Subscribe to: Post Comments (Atom). View my complete profile. Alison Black’s blog. The official Reading Typography blog. Type in the environment.

lunascafe.org

Luna’s Café: June 2008

http://www.lunascafe.org/2008_06_01_archive.html

Paul Luna’s occasional thoughts on typography, book design, and a Thatcher-free world. Thursday, 26 June 2008. Fully Booked: a topsy-turvy book. Certainly worth looking at for Katherine Gillieson. 8217;s essays, this beautifully produced book about book design will certainly give you a few turns. More about it later! Wednesday, 25 June 2008. This post is really just an excuse to link to Jo de Baerdemaeker’s website. Showing his work on Tibetan typeface design (an a rather nice display sanserif, too).

lunascafe.org

Luna’s Café: Mary Beard stands up for readers

http://www.lunascafe.org/2013/09/mary-beard-stands-up-for-readers.html

Paul Luna’s occasional thoughts on typography, book design, and a Thatcher-free world. Sunday, 8 September 2013. Mary Beard stands up for readers. The article ‘Democracy, the footnote test’ in this week’s TLS. Contains two interesting observations, one general:. 8216;It is not a bad rule of thumb in modern ancient history writing that the more space the footnotes occupy, the less likely they are to prove what they are supposed to’. And one on an edition of Cicero. Subscribe to: Post Comments (Atom).

lunascafe.org

Luna’s Café: October 2008

http://www.lunascafe.org/2008_10_01_archive.html

Paul Luna’s occasional thoughts on typography, book design, and a Thatcher-free world. Saturday, 25 October 2008. Shall we join Canada? The New York Times. Satirizes its own election graphics here. With an infographic that owes more to a wallpaper sample book than Isotype. My favorites are Alaska and Washington.). Friday, 17 October 2008. The Mad Men type spotter’s file. If, like me, you are waiting anxiously for the next series of Mad Men. Is the website for you. Helvetica in a NYC glass house. 8216;The...

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typefounders.de :: Schriftenpakete für professionelle Anwender

Handschriften sorgen bei Ihren Anzeigen,. Drucksachen, Videos und Webseiten. Für das "gewisse Etwas". Mit diesen klassischen und modernen Schreibschriften sorgen Sie für einen frischen Look bei Ihren Drucksachen und Webseiten. Satte 200 Webfonts, mit denen Sie. Ihren Webseiten den richtigen. SoftMaker Software GmbH Kronacher Straße 7.

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Typefounding

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typefoundries.org

Dedicated to the preservation of type founding. This project is dedicated to preserving the craftsmanship of type founding. As of May 2013 this project is running in a private testing stage. Currently the following foundries are included: Alembic Press, Gloucester Typesetting, Haag Drugulin, Hand and Eye, M and H Type, Michael and Winifred Bixler, Offizin Parnassia, Rainer Gerstenberg, Skyline Type Foundry, Stichting Lettergieten, Swamp Press, The Whittington Press, Woodside Press. Lars Schwarz, June 2014.

typefoundry.blogspot.com

Typefoundry

Documents for the history of type and letterforms. 05 October, 2014. Porson’s Greek type design. Some types that were made in the first decade of the 19th century by the punchcutter Richard Austin for use by the University Press at Cambridge provided a model for most of the types that were used by British printers for printing Greek for more than a century. This is the title page of the second edition of the Alkestis. Of Euripides, edited by Monk and printed at Cambridge in 1818, with a detail of its text.

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Adresse für angenehme Drucksachen. Der Künstler macht, was er will. Und der Designer will, was er macht. Ich will, was Sie wollen. Kontaktieren Sie mich. Freundlicher Gruß Christiane Vogt. 0381 2 55 69 30. 0381 2 55 69 28. 0176 56 95 96 00.