danasperry.com
dana sperry
http://www.danasperry.com/d_humpty-1.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). HUMPTY DUMPTY: THE BATTLE FOR THE CORNER RAGES ON. Two looping videos shown on two 4 inch video monitors installed in a corner.
danasperry.com
dana sperry
http://www.danasperry.com/index.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). SKETCHE S FOR AN INTERMEZZO FOR THE MASSES. Through manipulating video footage of people in motion against the constant of the surrounding architecture, the series of video sketches capture the tenuous nature of the individual lost within society.
danasperry.com
dana sperry
http://www.danasperry.com/d_rj.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). UNDERLYING CONVERSATIONS: THE BALCONY SCENE FROM ROMEO AND JULIET BETWEEN TWO OFFICE BUILDINGS. Two videos installed facing each other.
danasperry.com
dana sperry
http://www.danasperry.com/d_exhibit.html
RECENT ONE/TWO PERSON EXHIBITIONS. Coming to Terms with Going Nowhere. Annex Gallery, University of Wisconsin, Osh Kosh, WI. The Forest for the Trees. Gallery 1708, Richmond, Virginia (February). Rural Research Laboratories at the Arnot Art Museum, Elmira, New York. Dana Sperry: New Works. Gardenfresh Gallery, Chicago, Illinois. North Harris College, Houston, Texas. Southeastern Contemporary Art Gallery,. Southeastern Louisiana University, Hammond, Louisiana. Gray Sandbox collaborative, during FotoFest).
danasperry.com
dana sperry
http://www.danasperry.com/d_fps-2.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). THE NEW RIDER OF THE APOCALYPSE. Looping video projected onto a rear-projection screen, installed into existing architecture.
danasperry.com
dana sperry
http://www.danasperry.com/d_fps.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). THE NEW RIDERS OF THE APOCALYPSE. Four looping videos with individual soundtracks shown on four 13-inch video monitors installed in security wall mounts with individual headsets. First Person Shooter - 1. First Person Shooter - 2. First Person Shooter - 3.
danasperry.com
dana sperry
http://www.danasperry.com/d_ctgn2.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). COMING TO TERMS WITH GOING NOWHERE. Looping videos projected onto two rear-projection screens.
danasperry.com
dana sperry
http://www.danasperry.com/d_humpty-2.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2).
danasperry.com
dana sperry
http://www.danasperry.com/d_ctgn.html
Sketches for an intermezzo for the masses (v.1). Coming to terms with going nowhere (v.2). First person shooter (v.1). First person shooter (v.2). Coming to terms with going nowhere (v.1). Humpty dumpty (v.1). Humpty dumpty (v.2). COMING TO TERMS WITH GOING NOWHERE. Looping videos projected onto two rear-projection screens, installed into existing architecture. Coming to Terms with Going Nowhere.