projectorhead.in
'We don't look for grey shades': An Interview with Girish Kasaravalli
http://www.projectorhead.in/archives/three/interview-with-girish-kasaravalli
Srikanth's work at The Seventh Art (seventhart.info) has been touted as one of the most interesting film blogs in the world by Film Comment. He lives in Bangalore and occasionally contributes to other platforms. Editor's Note: The Importance of Anticipation. 039;We don't look for grey shades': An Interview with Girish Kasaravalli. Approaching Present Infinity, Part 1. The Documentarist from Łódź II. The Making of Memento. Editor's Note: The Importance of Anticipation. Approaching Present Infinity, Part 1.
projectorhead.in
The Archives Project
http://www.projectorhead.in/archives/seven/the-archives-project
Daryl Chin is an artist and writer living in Brooklyn, NY. From October 2009 until July 2010, he was a Fellow of the International Research Center: Interweaving Performance Cultures at the Freie Universitat Berlin. I Think It Would Be Fun To Run a Film Journal. Laconia : Thinking Through Film. Beyond Realism : The Films of Philippe Garrel. A Letter from Chandigarh. Mani Kaul on DVD. Cinema of Bengal: A Historical Narrative (Part II). To Live in Half-Measures. Hugo : A Roundtable. A Letter from Chandigarh.
projectorhead.in
The Real RocknRolla: Tony Scott’s Cinema of Surfaces
http://www.projectorhead.in/archives/eight/the-real-rocknrolla-tony-scott-s-cinema-of-surfaces
An Era of Soft Economics. The Wandering Company: Merchant-Ivory Productions and Post-Colonial Cinema. The Magical Cabinet of Suarteh Yrboq. The Real RocknRolla: Tony Scott’s Cinema of Surfaces. Lost in Translation: Trials and Tribulations of the Academy Award’s Best Foreign Film Category. All Things Come to He Who Waits. Wes Anderson's Kingdom. Discoveries, Edition 2012. General Review: Independent Titles. General Review: Screen Diary. An Interview with Ian Birnie. General Review: New Theatrical Releases.
projectorhead.in
Working Class Cinema of the Western World
http://www.projectorhead.in/archives/two/working-class-cinema-of-the-western-world
Gautam Valluri is the former Editor of Projectorhead. He also ran the independent film blog Brokenprojector. Editor's Note: Diamonds in the Rough. The Role of the Cinematographer, Part I: Lighting. The Role of the Cinematographer, Part 2: Composition. Working Class Cinema of the Western World. Death of the Auteur: The Vanishing Tradition of European Arthouse Cinema in Summer Hours and The Father of My Children. The Documentarist from Łódź, Part I. Our Films, Their Films. Our Films, Their Films. As the si...
projectorhead.in
Consideration of a Canon Towards Indian Cinema
http://projectorhead.in/indiancinema
The Projectorhead Canon is an ever-evolving and building collection of pieces on the truly alternative sub-cultures in Indian cinema, and/or of alternative perspectives on traditional choices. Consideration of a Canon Towards Indian Cinema. PH American Top 100. 039;I Can Move My Hands, I Have Hands, I am Alive' - An Interview with Lino Brocka. The Wanderer's Home Movies: An Interview with Basma Alsharif. A Method to Madness. A Castle Made of Shifting Sand - An Interview with Pedro Costa. Reclaiming Mehbo...
projectorhead.in
Archives
http://www.projectorhead.in/archives
Content from all the issues is presented here. In case of a specific search, one can employ the search bar to look for writing by a particular author or type, or on a particular director or film. The Other Akerman : The Essay Film in News From Home (1976). Chitrangada; or The Oppositional Design. An examination of one of Rituparno Ghosh’s final films, a personal effort dealing with the director’s themes of gender, sexual identity and the place of the other in Indian society. The Cloud Capped Star. An ess...
projectorhead.in
About Us
http://www.projectorhead.in/about
Projectorhead is an online film journal based out of Noida, India. It aims to publish content that is constituted by observations, personal truths, nostalgia, associations and brave commentary. In short, an ode to cinephilia as a private activity that links an individual to the world. Was founded on 1st April 2011 by Anuj Malhotra and Gautam Valluri, who was also the first editor of the magazine. The roster, as below:. Is proud to have featured contributions from writers as diverse as:. That said, if you...
projectorhead.in
Ten
http://www.projectorhead.in/ten
The tenth Projectorhead issue features an elaborate interview with Ashim Ahluwalia, a detailed look at the late 80s tele-show, Mirza Ghalib, ruminations on machines, humans and their exchangeable roles in this age of simulation, among other pieces. Editorial in pink. Notes on an Uncontrolled Cinema. That Beautiful Treacherous Thing: An Interview with Ashim Ahluwalia. A lengthy discussion of. Gulzar's Mirza Ghalib: Reality, Realism and Allegorical Liberty. An examination of the landmark TV film. Short, pr...
projectorhead.in
Influence of the ‘location-space’ in Antonioni’s Zabriskie Point
http://www.projectorhead.in/archives/six/antonioni-s-zabriskie-point
Devdutt Trivedi is a film enthusiast attempting to combine theories in music and film to study imagination in its variable forms. He is currently a student at the Art Institute, Chicago. Publisher's Note: Shape-Shifting and other Adventures. Influence of the ‘location-space’ in Antonioni’s Zabriskie Point. Cinema of Bengal: A Historical Narrative (Part I). Catching the Big Fish: David Lynch. Publisher's Note: Shape-Shifting and other Adventures. Cinema of Bengal: A Historical Narrative (Part I). Antonion...
lightcube.in
ONCE UPON A TIME IN BEIRUT /1995 / JOCELYN SAAB / ZIZO / 9 DEC, 7 PM | LIGHTCUBE FILM SOCIETY
http://lightcube.in/2014/12/08/once-upon-a-time-in-beirut-1998-jocelyne-saab-zizo-9-dec-7-pm
New Museum's XFR STN. Paul Schrader on Canons. Paul Ramaeker on watching Suspiria. 1968 Anthropological Film Festival Notes. ONCE UPON A TIME IN BEIRUT. 1995 / JOCELYN SAAB / ZIZO / 9 DEC, 7 PM. Saab’s body-of-work reimagines Beirut the city as a character, material and decaying, struggling to remain alive; she has her own history, her own myths, her own fantasies, and like everyone else who has ever lived, her life is nothing but a continuous resistance against oblivion. In Saab’s later. Next Post →.
