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uta barth | the official website

Uta Barth (b. Berlin) is a contemporary artist whose photographic works are exhibited internationally. She is based in LA and is a recent MacArthur Fellow.

http://www.utabarth.net/

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Barth Studios

Uta Barth

Mar●●●sta

Los ●●●●eles , California, 90066

United States

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Barth Studios

Uta Barth

Mar●●●sta

Los ●●●●eles , California, 90066

United States

1.31●●●●0000
ut●●●●●●@ca.rr.com

View this contact

Barth Studios

Uta Barth

Mar●●●sta

Los ●●●●eles , California, 90066

United States

1.31●●●●0000
ut●●●●●●@ca.rr.com

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uta barth | the official website | utabarth.net Reviews
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Uta Barth (b. Berlin) is a contemporary artist whose photographic works are exhibited internationally. She is based in LA and is a recent MacArthur Fellow.
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5 solo exhibitions
6 group exhibitions
7 grants fellowships
8 public collections
9 teaching
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uta barth | the official website | utabarth.net Reviews

https://utabarth.net

Uta Barth (b. Berlin) is a contemporary artist whose photographic works are exhibited internationally. She is based in LA and is a recent MacArthur Fellow.

INTERNAL PAGES

utabarth.net utabarth.net
1

uta barth | Compositions of Light on White 2011

http://utabarth.net/work/compositions-of-light-on-white

Deep Blue Day 2012. Compositions of Light on White 2011. And to draw a bright white line with light. 2011. To walk without destination and to see only to see. 2010. Every Day / One Day / Etc., 1979-82/2010. White blind (bright red) 2002. And of time. 2000. In passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects. Installation view, Tanya Bonakdar Gallery, New York City. Installation view, 1301PE, Los Angeles. Compositions of Light on White (Composition #2).

2

uta barth | …and of time. 2000

http://utabarth.net/work/and-of-time

Deep Blue Day 2012. Compositions of Light on White 2011. And to draw a bright white line with light. 2011. To walk without destination and to see only to see. 2010. Every Day / One Day / Etc., 1979-82/2010. White blind (bright red) 2002. And of time. 2000. In passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects. Installation view, J. Paul Getty Museum, Los Angeles. And of time (Untitled 00.4). And of time (Untitled 00.6). And of time (Untitled 00.2).

3

uta barth | nowhere near 1999

http://utabarth.net/work/nowhere-near

Deep Blue Day 2012. Compositions of Light on White 2011. And to draw a bright white line with light. 2011. To walk without destination and to see only to see. 2010. Every Day / One Day / Etc., 1979-82/2010. White blind (bright red) 2002. And of time. 2000. In passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects. Nowhere near (Untitled 99.2). Chromogenic prints in artist frame; Diptych, 35 x 90 inches, (89 x 228.6 cm) overall. Nowhere near (Untitled 99&#46...

4

uta barth | …and to draw a bright white line with light. 2011

http://utabarth.net/work/and-to-draw-a-bright-white-line-with-light

Deep Blue Day 2012. Compositions of Light on White 2011. And to draw a bright white line with light. 2011. To walk without destination and to see only to see. 2010. Every Day / One Day / Etc., 1979-82/2010. White blind (bright red) 2002. And of time. 2000. In passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects. May 14 - August 14, 2011, The Art Institute of Chicago Photography The Art Institute of Chicago. Face-mounted inkjet print in artist frame; 38 x ...

5

uta barth | grants + fellowships

http://utabarth.net/grants-and-fellowships

Deep Blue Day 2012. Compositions of Light on White 2011. And to draw a bright white line with light. 2011. To walk without destination and to see only to see. 2010. Every Day / One Day / Etc., 1979-82/2010. White blind (bright red) 2002. And of time. 2000. In passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects. MacArthur Fellow, John D. and Catherine T. MacArthur Foundation. Anonymous Was A Woman Award, Philanthropy Advisors.

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Open College of the Arts BA (Hons) Photography. Part 6 – Assignment 6 – feedback and final reflections. On October 18, 2015. Main points raised for consideration:. Editing slide show by about 10 images. Removing repetitive or weaker pictures. Look at a few horizons and consider re-edit. Consider picture including myself with dogs. Slide show frame around the edge interferes with some pictures. Landscape Part 6 - Transitions. Part 6 – Preparing for assessment. On September 8, 2015. The critical review for...

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Landscape Module | russell dadson photography

https://russelldadson.com/category/landscape-module

Open College of the Arts BA (Hons) Photography. Posts from the &#8216Landscape Module&#8217 category. Part 6 – Assignment 6 – feedback and final reflections. On October 18, 2015. Main points raised for consideration:. Editing slide show by about 10 images. Removing repetitive or weaker pictures. Look at a few horizons and consider re-edit. Consider picture including myself with dogs. Slide show frame around the edge interferes with some pictures. Landscape Part 6 - Transitions. On September 8, 2015.

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Our work is joyful and rigorous. With a dash of whimsy. Take a look. Here are some of our recent projects. The Institute of Domestic Technology. We worked with the Institute of Domestic Technology to give their website a much needed facelift. It even works on mobile now. What a relief! MAK Center Visitor Guide. We worked with Carl Bronson to design and develop a new website for Bronstruction, a Los Angeles based general contracting firm specializing in custom and mid-century modern homes. We were ins...

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uta barth | the official website

Deep Blue Day 2012. Compositions of Light on White 2011. 8230;and to draw a bright white line with light. 2011. 8230;to walk without destination and to see only to see. 2010. White blind (bright red) 2002. 8230;and of time. 2000. 8230;in passing. 1995-1997. Books, exhibition catalogs and other publications. Articles, reviews, web projects.

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