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By John Wall and Alex Rodgers. Release date: Sept 2015. Voice [ real and computer-generated text-to-speech ]. Outside in car conveying sounds etc to mixing desk controlled by Clive Graham). In the original line up. Collin Potter and Jonathan Coleclough. Series, as well as the MutaVariations. Consist of a number of short concentrated compositions that have been in development since 2006. The original sound sources. Being predominately included and rejected material from. By John Wall and Alex Rodgers.

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utterpsalm | utterpsalm.blogspot.com Reviews
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By John Wall and Alex Rodgers. Release date: Sept 2015. Voice [ real and computer-generated text-to-speech ]. Outside in car conveying sounds etc to mixing desk controlled by Clive Graham). In the original line up. Collin Potter and Jonathan Coleclough. Series, as well as the MutaVariations. Consist of a number of short concentrated compositions that have been in development since 2006. The original sound sources. Being predominately included and rejected material from. By John Wall and Alex Rodgers.
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1 utterpsalm
2 rafia longer
3 label entr'acte
4 side
5 elfsimage
6 blueblack
7 choiced
8 macbeth
9 john wall
10 computer/editing/sound manipulation
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utterpsalm | utterpsalm.blogspot.com Reviews

https://utterpsalm.blogspot.com

By John Wall and Alex Rodgers. Release date: Sept 2015. Voice [ real and computer-generated text-to-speech ]. Outside in car conveying sounds etc to mixing desk controlled by Clive Graham). In the original line up. Collin Potter and Jonathan Coleclough. Series, as well as the MutaVariations. Consist of a number of short concentrated compositions that have been in development since 2006. The original sound sources. Being predominately included and rejected material from. By John Wall and Alex Rodgers.

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glossolalia-ailalossolg.blogspot.com glossolalia-ailalossolg.blogspot.com

Glossolalia: August 2010

http://glossolalia-ailalossolg.blogspot.com/2010_08_01_archive.html

Tuesday, 10 August 2010. Allow us an ear hole into a compositional and. Mprovisational parallel reality of their own creation! Ernist poetry twists and mutates alongside John Wall's Electroacoustic craftings. This hour long episodic contribution serves as a potent example of the potential these two artists could threaten to release upon the current contemporary experimental circuits. A rolling gait,had he. There is a twee in Ethekth I’ll hinge meself fwom. Just a moan,. Just a moan as usual.

glossolalia-ailalossolg.blogspot.com glossolalia-ailalossolg.blogspot.com

Glossolalia: Episode 13

http://glossolalia-ailalossolg.blogspot.com/2010/08/episode-13.html

Tuesday, 10 August 2010. Allow us an ear hole into a compositional and. Mprovisational parallel reality of their own creation! Ernist poetry twists and mutates alongside John Wall's Electroacoustic craftings. This hour long episodic contribution serves as a potent example of the potential these two artists could threaten to release upon the current contemporary experimental circuits. A rolling gait,had he. There is a twee in Ethekth I’ll hinge meself fwom. Just a moan,. Just a moan as usual.

jwarwork.wordpress.com jwarwork.wordpress.com

WORK.2006-2011 | jwarwork

https://jwarwork.wordpress.com/2011/03/03/work-2006to2011

The CD is divided into four sections for no other reason than to make it easier. Various sound/text pieces used to make up the complete work. 00:00 to 01:42 Construction 12 (. 01:43 to 02:58 Laptop improvisation(. AR ) Reading from his own written text. Improvisation applies only to the sounds generated on computer. There are NEVER any “streams of consciousness” when the voice is heard. The words are fixed and all from. Alex Rodgers written texts. 02:59 to 03:41 Construction 13(. AR ) No title. Extreme e...

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utterpsalm

By John Wall and Alex Rodgers. Release date: Sept 2015. Voice [ real and computer-generated text-to-speech ]. Outside in car conveying sounds etc to mixing desk controlled by Clive Graham). In the original line up. Collin Potter and Jonathan Coleclough. Series, as well as the MutaVariations. Consist of a number of short concentrated compositions that have been in development since 2006. The original sound sources. Being predominately included and rejected material from. By John Wall and Alex Rodgers.

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