uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: La Terza Settimana
http://uwarthistoryinrome2010.blogspot.com/2010/04/la-terza-settimana.html
UW Art History in Rome 2010. Week three was full of new content and new sites. On Monday we met in the classroom to discuss the transformation of the altarpiece. We centered our discussion around Raphael and Sansovino’s Saint Anne altarpiece in Sant’ Agostino. After establishing some context for the readings, we traveled to Sant’ Agostino together to view the work, as we so often now get to do, in person. On Wednesday we met in the classroom initially to begin our discussion of Michelangelo’s. On Thursda...
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: L'Ultima Settimana a Roma
http://uwarthistoryinrome2010.blogspot.com/2010/07/lultima-settimana-roma.html
UW Art History in Rome 2010. L'Ultima Settimana a Roma. Week nine began with late seventeenth century illusionistic ceilings. We met on the steps of the Ges. For a second visit to the church, this time to discuss Gaulli's impressive illusionistic ceiling, combining painting, scu. We continued the day with a visit to Sant' Ignazio, another Jesuit church. John led us in a discussion of Andrea Pozzo's. Apotheosis of Saint Ignatius. Posted by Lauren Easterling. Subscribe to: Post Comments (Atom).
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: La Quarta Settimana
http://uwarthistoryinrome2010.blogspot.com/2010/05/la-quarta-settimana.html
UW Art History in Rome 2010. On Tuesday we met at the church of Santa Maria Maggiore. Erin presented on the early Christian nave mosaics depicting Old Testament scenes. She provided us with a provocative question: why choose Old Testament scenes in the largest church dedicated to the Virgin Mary? The combination of our first-time use of headsets plus Erin’s interesting prompts, proved to be a very production visit to Santa Maria Maggiore. In the nave columns and the re-appropriation of antiquity for Chri...
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: June 2010
http://uwarthistoryinrome2010.blogspot.com/2010_06_01_archive.html
UW Art History in Rome 2010. Bernini, Bernini, Borromini, Bernini. Duquesnoy's St. Andrew. And Bernini's St. Longinus. Were subject to much debate over which sculpture best fulfilled the goals of the Council of Trent. We ended our St. Peter's visit with a selection of papal tombs from the seventeenth century. Helping us to reconstruct the sculpture's original placement within the palazzo and its relationship to the. We then proceeded to walk down the street to Borromini's San Carlo alle Quattro Fontane&#...
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: Bernini, Bernini, Borromini, Bernini
http://uwarthistoryinrome2010.blogspot.com/2010/06/bernini-bernini-borromini-bernini.html
UW Art History in Rome 2010. Bernini, Bernini, Borromini, Bernini. Duquesnoy's St. Andrew. And Bernini's St. Longinus. Were subject to much debate over which sculpture best fulfilled the goals of the Council of Trent. We ended our St. Peter's visit with a selection of papal tombs from the seventeenth century. Helping us to reconstruct the sculpture's original placement within the palazzo and its relationship to the. We then proceeded to walk down the street to Borromini's San Carlo alle Quattro Fontane&#...
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: The Villas
http://uwarthistoryinrome2010.blogspot.com/2010/05/villas.html
UW Art History in Rome 2010. Week seven of the program began with another day dedicated to Caravaggio. We met on the steps of Sant' Agostino in the morning to discuss the Augustinian's relationship to poverty, humility and pilgrimage. We discussed how these factors played a specific role in both the conception and the reception of Caravaggio's. Inside. We continued the day's discussion with a trip to Santa Maria del Popolo. Maria led us in an examination of Annibale Carracci and Caravaggio. After SS....
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: July 2010
http://uwarthistoryinrome2010.blogspot.com/2010_07_01_archive.html
UW Art History in Rome 2010. L'Ultima Settimana a Roma. Week nine began with late seventeenth century illusionistic ceilings. We met on the steps of the Ges. For a second visit to the church, this time to discuss Gaulli's impressive illusionistic ceiling, combining painting, scu. We continued the day with a visit to Sant' Ignazio, another Jesuit church. John led us in a discussion of Andrea Pozzo's. Apotheosis of Saint Ignatius. Posted by Lauren Easterling. Subscribe to: Posts (Atom).
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: La Quinta Settimana
http://uwarthistoryinrome2010.blogspot.com/2010/05/la-quinta-settimana.html
UW Art History in Rome 2010. Week five began with new religious orders and ancient saintly bodies. We started Monday morning off with a trip to the. We ventured across the river, via Tiber Island, to Santa Cecilia in Trastevere. Lauren presented on Stefano Maderno's sculpture of. On Tuesday the undergraduates had their midterm for our 300-level course. As per usual, everyone performed well. Two exams down, two to go! Posted by Lauren Easterling. Subscribe to: Post Comments (Atom). Rome Center info guide.
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: February 2010
http://uwarthistoryinrome2010.blogspot.com/2010_02_01_archive.html
UW Art History in Rome 2010. Welcome to our program blog! We are embarking on the fourteenth year of the Art History Seminar in Rome, which for the first time will be co-taught by Professors Estelle and Stuart Lingo. The 2010 program seminar topic will be the transformation of Italian art in the Renaissance and Baroque periods (Art H 497); students will also study the art and architecture of Rome from ancient to modern times (Art H 397). Ci vediamo a Roma! Posted by Lauren Easterling.
uwarthistoryinrome2010.blogspot.com
UW Art History in Rome 2010: May 2010
http://uwarthistoryinrome2010.blogspot.com/2010_05_01_archive.html
UW Art History in Rome 2010. Week seven of the program began with another day dedicated to Caravaggio. We met on the steps of Sant' Agostino in the morning to discuss the Augustinian's relationship to poverty, humility and pilgrimage. We discussed how these factors played a specific role in both the conception and the reception of Caravaggio's. Inside. We continued the day's discussion with a trip to Santa Maria del Popolo. Maria led us in an examination of Annibale Carracci and Caravaggio. After SS....