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Vanessa Gazy

Monday, October 29, 2007. Describe a “strange adventure” or “image sequence” motivated by two films on the unit of study, and any other films you might care to interpose. The Visceral Language of Film and the Surrealist "Strange Adventure". The lights go down… and a curtain opens… and then, the magic of cinema starts …Into a new world, which only can be visited because of this beautiful language of cinema. In we go, in we go, in we go… So beautiful. David Lynch (in a press conference in Israel, 2007).

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Vanessa Gazy | vanessagabrielle.blogspot.com Reviews

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Monday, October 29, 2007. Describe a “strange adventure” or “image sequence” motivated by two films on the unit of study, and any other films you might care to interpose. The Visceral Language of Film and the Surrealist Strange Adventure. The lights go down… and a curtain opens… and then, the magic of cinema starts …Into a new world, which only can be visited because of this beautiful language of cinema. In we go, in we go, in we go… So beautiful. David Lynch (in a press conference in Israel, 2007).

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Vanessa Gazy | vanessagabrielle.blogspot.com Reviews

https://vanessagabrielle.blogspot.com

Monday, October 29, 2007. Describe a “strange adventure” or “image sequence” motivated by two films on the unit of study, and any other films you might care to interpose. The Visceral Language of Film and the Surrealist "Strange Adventure". The lights go down… and a curtain opens… and then, the magic of cinema starts …Into a new world, which only can be visited because of this beautiful language of cinema. In we go, in we go, in we go… So beautiful. David Lynch (in a press conference in Israel, 2007).

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vanessagabrielle.blogspot.com

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Vanessa Gazy: Skin Was Once Just Skin, Metal Only Metal

http://vanessagabrielle.blogspot.com/2007/10/skin-was-once-just-skin-metal-only.html

Sunday, October 21, 2007. Skin Was Once Just Skin, Metal Only Metal. Such a proud little man he is, in his breeches and tucked in checkered shirt, stomping about efficiently with his camera over his shoulder, swapping it to the other every so often with practiced ease. Such a proud man with such a jaunty stride. His eyes are open, hyper-open and fixed to his camera lens, and he thinks everything is marvellous. My parents' young likenesses moving, talking, breathing. Man With The Movie Camera. Like seeing...

2

Vanessa Gazy: To Patricia Neal, Adoringly

http://vanessagabrielle.blogspot.com/2007/10/to-patricia-neal-adoringly_28.html

Sunday, October 28, 2007. To Patricia Neal, Adoringly. Dear Patricia Neal,. I must tell you I was afraid you would disappoint, and you did, in a way, at first. A beautiful book which inspires cinematic thought - and cast them leading roles in my in-house film adaptation. But I could not find Dominique. Nobody was good enough. And neither did yo. I loved The Fountainhead. I am a university student, Patricia Neal, and I have been doing a course on cinematic modernism. We have thus been discussing how a...

3

Vanessa Gazy: The Camera is Doubtless a Boy (with a Fetish)

http://vanessagabrielle.blogspot.com/2007/10/camera-is-doubtless-boy-with-fetish.html

Saturday, October 20, 2007. The Camera is Doubtless a Boy (with a Fetish). I wrote an essay last year about Asian fetish pornography, and, perhaps a little perversely, recalled the material I had read for this assignment when I watched Wong's Shosho. Why? Jim is certainly not sexy in Piccadilly. What we see in the dismissal of Jim and Valentine's easy possession of her is echoed in an online forum called “ASIA’ZINE”, where a participant writes,. 2] Ibid, p.182. 3] Ibid, p. 183. 4] Ibid, p. 183. Wow Thats...

4

Vanessa Gazy: Some Notes on Trains

http://vanessagabrielle.blogspot.com/2007/10/some-notes-on-trains_24.html

Wednesday, October 24, 2007. Some Notes on Trains. When I was a child I had a horror of the Gap. I had to be carried over it, clawing at the neck of whoever bore me over, my small heart pounding. I had panicky dreams that trains were falling from the sky in a dark, rust-coloured mass of industrial metal and screaming men. Perhaps I saw a film I shouldn't have when I was too young? Or was my horror organic, in which case - why? To the rhythmic clickety-clack. In Berlin: Symphony of a City. Rutmann and Ver...

5

Vanessa Gazy: We are ugly but we have the music...

http://vanessagabrielle.blogspot.com/2007/10/we-are-ugly-but-we-have-music.html

Sunday, October 21, 2007. We are ugly but we have the music. Croons Leonard Cohen in. The Chelsea Hotel No. 2. You told me yourself you preferred handsome men, but for me you would make an exception. My interest in this entry is primarily the cinematic. In relation to the aesthetic of. My internal movie screen (which has reappeared again and I wish I had named it something better to start with, but it seems the name has stuck) plays Wise Blood: The Movie. As opposed to a the certain very raw drabness.

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Emma's Blog: September 2007

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Sunday, September 30, 2007. Attention viewers: the cinema is young. Our course is called 'cinematic modernism', and to reiterate the obvious, this is because cinema and modernism go hand in hand. There is hardly something which we may call the cinematic baroque, cinematic classicism or even romanticism for that matter, in the sense that we refer to other forms of art, music, architecture and fashion. To take a personal example, of the 'baby-face' of cinema, in my family there have only been three. 8211; ...

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Emma's Blog: STANLEY KUBRICK INSPIRED DAWSON TO GO TO FILM SCHOOL

http://emmaruthy.blogspot.com/2007/10/stanley-kubrick-inspired-dawson-to-go.html

Saturday, October 20, 2007. STANLEY KUBRICK INSPIRED DAWSON TO GO TO FILM SCHOOL. Ayn Rand's The Fountainhead. A film version of the novel, both of which have inspired. People to put together the Ayn Rand Institute. 1931) inspired Joseph Cornell's Rose Hobart. 1936) The potential of the movie camera itself inspired Vertov's Man With a Movie Camera. 1929) The romantic magic that plays out in the sphere of the domestic on screen inspired. Me to watch the Nanny Diaries. A stolen kiss. It inspires. Me to run...

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Emma's Blog: SALVADOR DALI'S TANTRUM

http://emmaruthy.blogspot.com/2007/09/salvador-dalis-tantrum.html

Tuesday, September 4, 2007. The story goes that in 1936 the surrealist artist Salvador Dali. Attended Joseph Cornell's matinee screening of Rose Hobart. 1936) at the Julian Levy Gallery:. Halfway through the film he began shouting 'Salaud! Bastard - and overturned the projector. Reportedly, Dali ruefully explained his actions…'My idea for a film is exactly that …I never wrote it or told anyone, but it is as if he had stolen it'. Equipped with consciousness'" [4]. In other words, cinematic heterotopia is ...

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Emma's Blog: WHEN HARRY MET SALLY...TO THE POWER OF '10'

http://emmaruthy.blogspot.com/2007/10/when-harry-met-sallyto-power-of-10.html

Sunday, October 14, 2007. WHEN HARRY MET SALLY.TO THE POWER OF '10'. I forgot that people learn about science. Charles and Ray Eame's film Powers of 10. Is just the first section of the film). Literally sucked me into space (twice), threw me back down to earth (twice), pushed me deep under the surface (twice) and taught me a thing or two about the universe, film making and modernism. I shall reflect on 10 random thoughts which materialised during my viewing:. 1 QUESTIONS OF SCALE AND MISE EN SCENE:.

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Emma's Blog: SO LONG FAREWELL

http://emmaruthy.blogspot.com/2007/10/so-long-farewell.html

Saturday, October 27, 2007. I'd like to stay. And taste my first champagne. October 28, 2007 at 6:02 AM. My friends and I once learnt this whole scene for fun. I'm always Gretl (being the shortest of my friends! The sun has gone to bed and so must I! October 28, 2007 at 10:18 PM. Subscribe to: Post Comments (Atom). STANLEY KUBRICK INSPIRED DAWSON TO GO TO FILM SCHO. WHEN HARRY MET SALLY.TO THE POWER OF 10. I WANT TO SUCK YOUR WISE BLOOD. View my complete profile.

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Emma's Blog: ANNA MAY (KING) WONG

http://emmaruthy.blogspot.com/2007/09/anna-may-king-wong.html

Thursday, September 6, 2007. ANNA MAY (KING) WONG. With the absence of a monkey, ape or giant gorilla in Piccadilly. 1929), I found myself turning to an analogy of the experience of silent cinema, with the image of the 'see no evil, hear no evil, speak no evil' monkeys in mind, to compensate for this gaping hole. I especially found myself hovering over the 'speak no evil' monkey – for it seemed topical for a silent film, whose characters are mute of spoken. No King Kong, but an Anna May Wong. Spaces and ...

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Emma's Blog: ATTENTION VIEWERS

http://emmaruthy.blogspot.com/2007/09/attention-viewers.html

Sunday, September 30, 2007. Attention viewers: the cinema is young. Our course is called 'cinematic modernism', and to reiterate the obvious, this is because cinema and modernism go hand in hand. There is hardly something which we may call the cinematic baroque, cinematic classicism or even romanticism for that matter, in the sense that we refer to other forms of art, music, architecture and fashion. To take a personal example, of the 'baby-face' of cinema, in my family there have only been three. 8211; ...

emmaruthy.blogspot.com

Emma's Blog: THICK SKINNED? "I WANT TO SUCK YOUR WISE BLOOD".

http://emmaruthy.blogspot.com/2007/10/thick-skinned-i-want-to-suck-your-wise.html

Thursday, October 11, 2007. I WANT TO SUCK YOUR WISE BLOOD". I like the word " cinomatograph. When I say it aloud, I hear Gary Oldman. Whispering it into Mina's ear, in Bram Stoker's Dracular. 1992) and I feel a movement under my skin, a shiver run slowly all the way down my spine almost as if he is breathing on my neck, not Mia's. In an article by Anne Rutheford. At Sense of Cinema. Entitled Cinema and the Embodied Affect. She writes that "[c] inema. How do we understand it? 8211; "embodied affect" as s...

emmaruthy.blogspot.com

Emma's Blog: October 2007

http://emmaruthy.blogspot.com/2007_10_01_archive.html

Saturday, October 27, 2007. Saturday, October 20, 2007. STANLEY KUBRICK INSPIRED DAWSON TO GO TO FILM SCHOOL. Ayn Rand's The Fountainhead. A film version of the novel, both of which have inspired. People to put together the Ayn Rand Institute. 1931) inspired Joseph Cornell's Rose Hobart. 1936) The potential of the movie camera itself inspired Vertov's Man With a Movie Camera. 1929) The romantic magic that plays out in the sphere of the domestic on screen inspired. Me to watch the Nanny Diaries. Once in a...

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Vanessa Gazy

Monday, October 29, 2007. Describe a “strange adventure” or “image sequence” motivated by two films on the unit of study, and any other films you might care to interpose. The Visceral Language of Film and the Surrealist "Strange Adventure". The lights go down… and a curtain opens… and then, the magic of cinema starts …Into a new world, which only can be visited because of this beautiful language of cinema. In we go, in we go, in we go… So beautiful. David Lynch (in a press conference in Israel, 2007).

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