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Concerning Temporality in Music

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Phenomenology of Perception, by Maurice Merleau-Ponty. (Part III, 2, Temporality). Merleau-Ponty 2002 p. 481-482). 8216;…was wrong in explaining the unity of time in terms of its continuity, since that amounts to confusing past, present and future on the excuse that we pass from one to the other by imperceptible transitions; in short, it amounts to denying time altogether.’. Merleau-Ponty 2002 p.488). 8216;…every state of co...

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Concerning Temporality in Music | verticaltemporality.blogspot.com Reviews

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Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Phenomenology of Perception, by Maurice Merleau-Ponty. (Part III, 2, Temporality). Merleau-Ponty 2002 p. 481-482). 8216;…was wrong in explaining the unity of time in terms of its continuity, since that amounts to confusing past, present and future on the excuse that we pass from one to the other by imperceptible transitions; in short, it amounts to denying time altogether.’. Merleau-Ponty 2002 p.488). 8216;…every state of co...

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Concerning Temporality in Music | verticaltemporality.blogspot.com Reviews

https://verticaltemporality.blogspot.com

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Phenomenology of Perception, by Maurice Merleau-Ponty. (Part III, 2, Temporality). Merleau-Ponty 2002 p. 481-482). 8216;…was wrong in explaining the unity of time in terms of its continuity, since that amounts to confusing past, present and future on the excuse that we pass from one to the other by imperceptible transitions; in short, it amounts to denying time altogether.’. Merleau-Ponty 2002 p.488). 8216;…every state of co...

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verticaltemporality.blogspot.com

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Concerning Temporality in Music: Improvisation it’s nature and practice in music, by Derek Bailey

http://www.verticaltemporality.blogspot.com/2010/02/review-improvisation-its-nature-and.html

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Improvisation it’s nature and practice in music, by Derek Bailey. Guitar player Derek Bailey began improvising in the early 1960s. In writing about its various forms he managed to describe improvisation and portray its ubiquity with respect to individual performers;. Bailey’s book on improvisation was originally published in 1980 and revised in 1992. Bailey defines two main areas within improvisation. This helps clas...Renew and c...

2

Concerning Temporality in Music: Time as conflict: a scientific and humanistic study, by J. T. Fraser

http://www.verticaltemporality.blogspot.com/2008/08/review-time-as-conflict-scientific-and.html

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Time as conflict: a scientific and humanistic study, by J. T. Fraser. Underneath our technical skills, as well as beneath our reflective modes of dealing with time we may suspect, therefore, the presence of the existential tension of man clockmaker and clockwatcher. (Fraser 1978 p.19). There is no event, no before/during/after. Nootemporal is of the mind. “…Beginnings and endings are well defined and form the bases...Fraser states...

3

Concerning Temporality in Music: The way of the shaman, by Michael Harner

http://www.verticaltemporality.blogspot.com/2008/05/review-way-of-shaman-by-michael-harner.html

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. The way of the shaman, by Michael Harner. Harner 1990 p.44). In the following chapters Harner describes methods and rituals that can be undertaken by the inexperienced practitioner including making a journey to find a power animal or spirit guide. Rituals of healing are described and methods of drumming and dancing are illustrated in relation to inducing trance. Subscribe to: Post Comments (Atom). View my complete profile.

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Concerning Temporality in Music: Shamanism, by Mircea Eliade

http://www.verticaltemporality.blogspot.com/2008/05/review-shamanism-by-mircea-eliade.html

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Shamanism, by Mircea Eliade. Mircea Eliade’s book Shamanism carries the additional title; Archaic techniques of ecstasy. ELIADE, M. (1989). Shamanism. London, Arkana. Subscribe to: Post Comments (Atom). View my complete profile. There was an error in this gadget.

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Concerning Temporality in Music: Time and free will: an essay on the immediate data of consciousness, by Henri Bergson (trans. F. L. Pogson)

http://www.verticaltemporality.blogspot.com/2011/01/review-time-and-free-will-essay-on.html

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Time and free will: an essay on the immediate data of consciousness, by Henri Bergson (trans. F. L. Pogson). 8216;…every state of consciousness corresponds to a certain disturbance of the molecules and atoms of the cerebral substance, and that the intensity of a sensation measures the amplitude, the complication or the extent of these molecular movements.’. Bergson 1990 p.6). Bergson 1990 p.100). 8216;…if we interrupt the rh...

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verticaltemporality.blogspot.com

Concerning Temporality in Music

Concerning Temporality in Music. Reviews and writing by Phillip Henderson. Phenomenology of Perception, by Maurice Merleau-Ponty. (Part III, 2, Temporality). Merleau-Ponty 2002 p. 481-482). 8216;…was wrong in explaining the unity of time in terms of its continuity, since that amounts to confusing past, present and future on the excuse that we pass from one to the other by imperceptible transitions; in short, it amounts to denying time altogether.’. Merleau-Ponty 2002 p.488). 8216;…every state of co...

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